Category Archives: Rituals, festivals, holidays

Birthday Noodles

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The informant makes a special kind of noodles, often just called “birthday noodles” for their children and grandchildren. The most notable feature of these noodles is the noodles themselves- they’re supposed to be long noodles, meant to represent a long life. While she used to make the noodles by hand, the informant now just buys spaghetti or lo meij egg noodles.
As for the rest of the cooking process, the informant says to cut the meat small before sauteing it with corn starch, soy sauce, oil, and pepper. She also likes to put in a teaspoon of sake, and sometimes some teriyaki sauce. Two cups of cut vegetables, consisting of chinese cabbage, carrots, and fresh mushrooms are also sauteed with the meat.

Context:

The informant is a first generation Taiwanese American. She notes that she isn’t particularly superstitious.

Analysis:

Birthday noodles seem to be an example of homeopathic magic, and a rather simple one at that, with the long noodles representing a long life for the consumer. The informant talked a bit about why noodles are specifically used, as they are a very common kind of food found all across Asia, including China, Japan, and of course, Taiwan. There’s quite a long history with the dish, and this presence in culture, combined with the general ease and flexibility of obtaining the ingredients, makes for a meal that can be enjoyed by many regardless of class or wealth.

Seattle Autumn Harvest Festival Social

This story is from a Chinese-American friend from Seattle whose mother works for Microsoft. She is a first generation Chinese-American, with both her parents immigrating from China before she was born. The story is about her experience watching her mother dance in the Chinese dance troupe at a big social for the Asian community of Seattle to celebrate the Autumn Harvest Festival.

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“Every few times a year, my whole family attends my mother’s dance performance to be her biggest fans. Her dance troupe dances for Chinese festivals, from New Year’s celebration to the Autumn Harvest Festival. When it becomes 8 pm, the light shines on her dance troupe, and she shines the brightest with the prettiest face and prettiest embroidered dress. The performance is an accumulation of all of her love and passion for Chinese dance. She is a busy working mom, who barely has enough time to sleep, but she insists on tirelessly improving dancing because it is her passion.

My family would feel inclined to say that her dance performances are the magnum opus of these events, but my personal and secret favorite part in volunteering in the events. My mother has danced in these festivals for pretty much all my life. I have attended every single one! These festivals would take place in large rented out churches to multiple entire buildings, but they were filled in and out with celebrations of Chinese culture. There were many stages that held skits (I was forced to be part of some before), Chinese puppetry, and many booths that teach Chinese art. When I was younger, I was the one of the children who would run to every corner of the event, collecting every free stuff, getting the sickest face painting, and watch every skit that related to things I enjoyed. My parents weren’t able to keep up with my enthusiasm, so I ran around with my fellow friends.

When I became older, I attended every festival as a volunteer, and brings me lots of happiness to bring the same joy I felt in the past to other children. I am proud to hold the title as the “cool face paint sister who can draw anything.” After being unable to take a break for hours as the lines keep building (i remember eating steamed dumplings covered in paint residue), many of the children and even adults get some sort of mark of my artistry on them. It made me even happier that they loved it after completion. After around like 7 hours of volunteering, I finally get to rest at 8pm though! And watch my beautiful mother dance.”

Context

“This event began to recently be sponsored by Microsoft because all of the performances are usually done by people who work for Microsoft or their kids, and sometimes people who are friends with those Microsoft families cuz in Seattle pretty much all Asian families work for Microsoft or are friends with someone who does. So it’s become a thing where all of the Asian population of Seattle shows up.”

Interpretation

In my friend’s beautiful story, I noticed that there’s a strong family and community element to this event. All ages and occupations, from working mothers to families to little kids, are involved and there seems to be an event for every group (eg. face painting for the kids.) Because it’s a family event, there’s also a strong emphasis on passing down Asian/Chinese culture to the next generation so that the kids who grow up in the United States are still connected with their heritage. Furthermore, I thought it was really interesting that Microsoft itself recognized and supported the Asian community in its workforce, something that was completely optional for them to do. Perhaps Microsoft thought that supporting this community was important to unify company culture and present an image of itself as culturally aware and tolerant.

Yunnan/Sichuan Torch Festival

This is a story from when my informant, who is Chinese-American, went back to the rural town in Yunnan, China that her father’s family hails from when she was around 10 years old.

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“So in Yunnan, China (and Sichuan, which I’ve learned from outside research) there’s this festival that happens at the end of summer called the torch festival, with a lot of stuff like people dancing around bonfires, lighting paper lanterns, lighting torches, etc. When I was younger and in China during that time, I participated in the festival at the rural town that my grandparents live in called Xiangyun. One of the activities I remember most about it is people gathering in a circle around the fire and jumping over it. I accidentally ran towards it as the same time as another person and burned a hole in my shoe haha.”

Context

“When I asked my parents about it, they said it was to ward off insects as the harvest season started. When I did more research on it, I found out it was based around a specific legend of how a hero warded off a swarm of locusts with fire (I believe this story comes from the Yi people, but double check me on that). As far as I know, I think the custom is endemic to that specific area of Yunnan, cause I couldn’t find it in the resources on the torch festival online. Although I was only looking at sources in English, so that might’ve affected it.”

Interpretation

This festival shares a lot of similarities with many holidays that occur at the end of summer and usher in autumn and winter. It focuses on the presence of light and warmth (lighting torches and lanterns) to ward off the increased darkness of the following days and emphasizes creating a bountiful harvest by warding off harmful insects. The ritual of people jumping over a fire is interesting because it seems like people want to take the risk of being burned to heighten their spirits and get ready for the gloominess of winter.

Mawssim (season) Fantasia Festival

Text:

“One of my best childhood memories was the Mawssim (season) Fantasia Festival. I used to go with my dad to the country side of Larache in the spring to attend one of the most fascinating cultural festival where men would ride Arabian horses very fast at the same speed and shout in synchrony old traditional riffles in the air at the same time and in the same line while professional females dancers performed cultural dances and sing at the same time in two straight lines dancing in front of each others back and forth. After the show finished, they would bring and serve a festive meals in each tent where guests sat around tables on the floor on top of colorful hand made carpets and beautiful pillows.”

Analysis:

This festival has two lines of, I assume, male individuals and two lines of female individuals. The spring time represents rebirth, fertility, and new beginnings. The dances with the race represent this concept, along with a subtle hint of courtship. In addition, this event brings numerous crowds of people from different places. Viewing dance and this festive horse display could facilitate connections with others that otherwise wouldn’t have much in common. After some research, the Fantasia festival represents the connection between masculinity, horses and warfare. It has Amazigh origins of men fighting on the backs of horses. The Amazigh are the indigenous people of Morocco, and they are more largely nomads of North Africa (Algeria, Tunisia etc). My grandpa (Amal’s father) was very proud of his Amazigh heritage, and being a part of the Mesmouda tribe – one of the largest and last tribes in Morocco. They do not have a nation-state but they still do have a sense of collective identity that is more fluid. My family had to convert their last names from Mesmoudi to Abdelkhalek because the government was scared of them overthrowing the Arab ruled government again that is largely Islamic (they do not have a set religion). On numerous occasions they demanded him to say that he is an Arab but he refused. He then said to my mom that even if the King has a sword to your throat and tells you to say that you are someone you are not (Arab), never succumb and be proud of who you are (Amazigh). My mom told me a variation of this without the Arab-Amazigh connotation where it is more like “even if the King has a sword to your throat, always stand up for what is right and what you believe in”. Even though I haven’t participated in any Moroccan festivals, the Amazigh warrior mentality has been passed down to me.

Moroccan Mint Tea Ritual

Text:

“In Morocco, mint tea ritual is one of the most special ceremony that occurs every day in households. My mom and aunts used to tell me funny stories about babajudu [ grandpa], a sit down mint tea gathering. Every day, not only babajudu prepared the tea in very elaborate manner but also, he had a special way how he drank his tea. The tea is prepared in a traditional crafted teapot with beautiful engravings and served in small glass cups with colorful decorations served on top of a silver artisanal tray.  He would sat in front of lowered legs table with the ingredients to make the most tasty tea with fresh rinsed mint leaves, gunpowder (dried green tea leaves), broken sugar loaf and hot water. First, he would put in the pot a table spoon of the gunpowder and rise it quickly with boiling hot water to remove its bitterness. He would pour it  in empty cup that would be disregarded. He would add a large handful of fresh mint leaves, sugar loaf, than he would pour hot water on top of all the ingredients. After a few minutes, he would stir the mixture and taste it to see if more sugar or fresh mint leaves needed to make sure it had just the perfect flavor . He would serve the tea from very high point, which allows it to be aerate and unveil all its aromas. It took almost an hour for making the tea and savouring it.  He loved to press the glass of tea on his forehead to feel it warmth treating it as if it was a sacred object.”

Context:

“Preparing and serving cup of tea is not just boiling water and adding green tea, fresh mint and sugar, but it it is ceremonial art that is passed from generation to generation. Not only, it is  an old tradition of hospitality but it is deeply rooted in every day’s family life. The tea can be sipped at any time of the day to finish a meal. It is also served in special events like wedding ceremonies, a birth or even other predicaments like funerals.  This ritual is a cultural phenomenon that brings families and people together not only in happy times, but also in  sad times  to show respect and honored guests.”

Analysis:

This is an example of ICH (intangible cultural heritage), meaning that it is traditions that are passed to the next generation. This ritual was passed down to me in a passive way when my mom and my family took me to Moroccan restaurants to have the tea prepared for us. Occasionally though, my family would cook some dishes at home, and I would make the tea myself. It is a ritual which is a form of greeting in a lot of Moroccan households, which didn’t happen as much in America since we didn’t have guests often. That is what differentiates Moroccan and American culture – people would be able to more freely stay at anyone’s house in Morocco compared to America, exemplified through this ritual. Since rituals symbolize a right of passage for individuals, mint tea represents this as it is always served at events such as weddings. Its sweet and energizing quality are always fit for greetings and celebrations.