Danza del Venado (the deer dance)

–Informant Info–

Nationality: Mexcian

Age: 31

Occupation: Lawyer

Residence: Los Angeles, California

Date of Performance/Collection: 2022

Primary Language: English

Other Language(s): Spanish

(Notes-The informant will be referred to DA as and the interviewer as K)

Background info: DA was born in Mexico and moved to the United States when he was 15. He would go back to Mexico to visit family, and while there saw the deer dance performed by various members of his community. While telling me about the dance, he would occasionally perform small parts of it.

K: So what’s the dance called, and what’s the context of the performance? Like when or under, uh what circumstances was it performed.

DA: Its called Danza del Venado, or the deer dance in English. There’s a few different reasons why it would be performed. After Catholicism mixed with Mexico, it was performed around Lent or Easter. When my people still hunted, it was performed before hunting to ensure success, or as a welcome to spring.

K: Ok, so whenever you’re uh…ready to tell me about it go ahead

DA: I already mentioned when it’s performed but I forget to say that it’s now, along with the easter practices, a means to communicate with the spirit world, in which deers’ spirit resides. The dance is simple; it consists of a few men who are dressed in a cloth wrapped around them like a skirt, held up with a belt made of deer hooves. He has more hooves tied to his ankles and holds dried uh…calabaza (gourds) filled with beans or rice to make large rattling sounds. They would also have deer skulls attached to their heads with red uh…Cintas (ribbon) tied around the horns. All of this is meant to sort of thank the deer and celebrate how hard it fought and ran not to be hunted. All the noise from the hooves and calabaza is like it running and us chasing, while the cinta is meant to represent flowers actually, like rebirth and growth from spring. The entire dance is a thank you to earth.

Interpretation:
This was the first folklore I had collected specifically on a dance and it was so interesting to read about. The change in the dance from how it originally was, it being dedicated to the hunt and directly to spring, to the version it became after Catholicism was introduced, with the dance now being dedicated to easter, was so interesting to hear. DA also showed me a video he had taken of his family performing the dance, so I got to see it actually be performed. It’s a beautiful dance full of color and culture. What DA did not mention is how much audience participation there is. In the video I was shown, the entire audience was chanting and singing along with the dancers, and young children were even at the front of the room dancing alongside them. People in the audience were also dressed in ribbons and a few even have a hoove or two with them.

Thai Folk Religion

–Informant Info–

Nationality: Thai

Age: 22

Occupation: Student

Residence: Los Angeles, California

Date of Performance/Collection: 2022

Primary Language: English

Other Language(s): Thai

(Notes-The informant will be referred AH to as and the interviewer as K)

Background info: AH was born in California, but both her parents are of Thai descent, moving here a few years before she was born with a large chunk of her family. Her family still practices many aspects of Thai folk religion in the United States. She notes that her religion is incredibly complicated, so she will only tell me a few, significant aspects of it.

K: Uh so just say which things you’re gonna be telling me about, like the names of them, where you learned about these things and if its like applicable uh the context to the performance, like under what circumstances would you do those things.

AH: Uh yeah I guess the first thing I wanna uh I wanna mention are Shamans. They’re like the main practitioners in our religion, and there are 2 main ones uh…phram’s which are like local village ones and uh…mo phi, which are the ones that can conduct like rituals. Mo phi is the more important of the 2 technically, but both are held with like…the same amount of respect by the community.

K: Can you go into more detail about what each does?

AH: Yeah of course. So phram’s are like village uh shamans like I think I said. He does like exorcisms and marriages and stuff like that, more common ceremonies that seem like they would be held in a home or village. The mo phi also does rituals and ceremonies and stuff but more intense ones, like contacting the dead.

K: Can you tell me more about that ritual?

AH: I was just about to. So uh its kinda complicated. Four sticks are planted in like a square around where someone was buried, and then thread is wrapped around them once forming like a protective square. A specific mat is laid in the middle and that’s where the uh mo phi sits-sits down. In front of him, like wherever he is facing but outside the square, there’s a terracotta pot with something called an uh…uhm a yantra painted on the outside with the bones of the dead person and uh…the pot is called a mo Khao. there also normally uh a like plate of rice for an offering and like a stick to whack spirits away *laughter*. After this point, it like varies pretty widely what happens next, but the goal is to invoke the spirits so you can speak or see them one last time.

K: What are yantras? Can you tell me more about them and their uses and stuff? Like when are they used especially

AH: Yeah so uh…they’re like protective symbols I guess. People can either wear them around their neck as like an amulet, and a lot of people actually get them tattooed, especially in more rural areas. It gives whoever has it like…supernatural protection and luck and love and wealth and stuff like that. They’re drawn kinda everywhere, like over the entrances of grocery stores and inside taxis and airplanes and normally you have one drawn somewhere during like a wedding and things like uh that.

Interpretation:
This was so cool. I wish I could have sat with the informant longer and learned more about Thai religious folklore, but sadly she had other obligations. What she was able to tell me was so interesting. Shamans are not uncommon in many older regions,e socially folk-based ones, but hearing how they are specifically used in Thai religion was interesting. The fact that there are two different types of shaman, one more common one for larger ceremonies, etc, is really enlightening towards Thai culture. I also think it’s important to note that although one has an arguably more important or more difficult job, they both held with the same amount of respect and adoration.

Sir Francis Drakes Drum

–Informant Info–

Nationality: British

Age: 20

Occupation: Student

Residence: Los Angeles, California

Date of Performance/Collection: 2022

Primary Language: English

Other Language(s): N/A

(Notes-The informant will be referred to as JV and the interviewer as K)

Background info: JV is a student who was born in Britain and moved to the United States 2 years ago for college. He told me this story as we walked down the road due to a band playing drums nearby.

K: Lemme ask you a few questions before you get into it, dude! What’s the title, how do you know it, and whats the context of the performance?

JV: *laughter* yea, right, sorry, it’s called uh, I guess Sir Francis Drake’s drum, and you just kinda hear about it everywhere, from your mum to even like a history class or what have you. It’s kind of like uh…national pride? Like the cherry tree thing you blokes have going on. *laughter*

K: George Washington cutting down the cherry tree??

JV: Mmhm! *laughter*]

K: *laughter* Ok, ok tell the story already

JV: There honestly isn’t much to tell uh…Sir Francis Drake was this dude who was uh who had magic and could turn into a dragon, ergo the “drake” part of his name. He raided a bunch of Spanish ports and ya know, good ol English racism makes that a good thing. Anyways, he had this drum that he always brought with him on his like adventures I guess, and when he died the drum became like…a legend. Like, you you hit the drum SIr Francis Drake would come to England when it was in peril. Or sometimes the drum will hit itself when England is in danger *laughter*. There’s always tales about how during like war or something people have heard the drum being struck, and I guess we’ve always won.

K: Except during the American Revolution, how do they explain that

JV: *laughter* People conveniently ignore that

Interpretation:
I loved the way this was told to me. I thought it was interesting how much humor the informant was able to bring to something with apparent national pride, which h showed me that the newer generation of British citizens possibly doesn’t take this tale as seriously;y as previous ones. The idea of a magic dragon coming to aid Britain when needed also speaks volumes about what the English adhere to most. Dragons are a motif in most of the UK, especially wales, where one is on their flag. Magic is also a feature in most of their folklore so it makes sense that it would make an appearance in something like this. I wonder in what regions it is told in still, as JV is from a smaller town in the countryside and didn’t know all the details.

The Nine Maidens of Dundee

–Informant Info–

Nationality: Scottish

Age: 67

Occupation: Electrician

Residence: Los Angeles, California

Date of Performance/Collection: 2022

Primary Language: English

Other Language(s):

(Notes-The informant will be referred to DM as and the interviewer as K)

Background info: DM is the father of 4 from Scotland who moved to the United States when he was a young child. Both his parents are Scottish, which is how he knows of Scottish folklore like the one being spoken about. He told me this story at the grove over lunch.

K: So, what’s the name o the story, how do you know of it, and what’s the uh content for the performance? I mean like…under what circumstances is it like told?

DM: Ah it’s called the none maidens of Dundee. Everyone who grew up in my little-little town knows of it, as we be right outside Dundee. It’s just sort of told around, it’s not at any parades or nothing of the sort, it’s more sad or an explanation…no more of history about the town, somethin for tourists.

K: Ok cool so…whenever you’re ready to tell the story go ahead, however you wanna tell it works.

DM: Aye. A farmer had 9 beautiful, maiden daughters. He would send the oldest one out for water at a well every day but one day she did not return. So he sent the next eldest and so on and so forth. After all nine failed to return, he went to go see for himself and saw all nine of his daughters lay dead against the well, and wrapped around them was a giant dragon that looked like an uh…a snake. The farmer then fled to his neighbors and then all of them attempted to kill the dragon. He tried to escape but then young man named Martin *raises a fist and begins to stand up* HIT the dragon while everyone yelled: “strike martin, strike!”

K: Wow, did he manage to kill the dragon?

DM: Aye. The area was named “strike-martin” which would eventually change into “Strathmartine”.

Interpretation: This was super interesting and enlightening to what Scottland and Scottish people hold dear when it comes to morals and such. The farmer’s 9 daughters were killed, the farmer ran to get help and people helped him to the point where they killed the beast that killed his daughters. You could argue that anyone would run for help after seeing their daughters killed by the dragon, but the fact that people were so willing to help fight something that had the strength to kill 9 people is striking. It shows that Scotland teaches young children that helping people is essential, and is normally rewarded, as a part of the town was named after the man who killed the dragon.

Oga no Namahage Festival

–Informant Info–

Nationality: Japanese

Age: 19

Occupation: Student

Residence: Los Angeles, California

Date of Performance/Collection: 2022

Primary Language: English

Other Language(s): Japanese

(Notes-The informant will be referred to as NN, the interviewer as K, and the mother as M)

Background info: NN is a 17-year-old student at a High school in Los Angeles, California. They moved here from Japan when they were 13 and remembered participating in this festival. I was told this story at their home over tea, with their mother occasionally interjecting to add detail. She will be referred to as M.

K: Ok, so uh, what’s the name of the festival, how do you know about it, and what’s the context of the performance? Like under what circumstances is it uh performed?

NN: The festival is titled Oga No Namahage, and it is a new years festival. I know about it because I grew up in the region where it was performed.

K: And what region is that?

NN: Oga city, in Akita prefecture. But it’s performed nearly uhm everywhere in Akita Prefecture.

K: Cool! So you said you just wanted to talk about one aspect, correct?

NN: Yes, the namahage visit.

K: Ok, whenever you’re ready

NN: Thank you! Its very simple. Young men, normally around your age (20) dress up as namahage, which are like…

M: Ogres or demons

NN: Yes! Those. They have…big red faces and dress up in these straw uhm…costumes that are cool because if you move slowly, then you are silent, but once they want to scare someone, they make so much noise! *Raises arm and makes whooshing sounds to emphasize how loud they are*

K: So its a scary thing?

NN: Oh yes. They dress up as namahage and sneak up on lazy children, ones who are sleeping or not paying attention at the fire and scare them so bad *laughter*. They will get you every year, they are that good at sneaking

Interpretation:
I really loved hearing about this festival! It’s a relatively small festival and doesn’t have a whole lot of tourism surrounding it, so it stayed pretty faithful to how it’s always been done, down to stories around large fire pits. NN has also mentioned to me later on that at least at her town’s festival, technology wasn’t allowed because it spoiled the fun. I think it’s interesting how deeply ingrained Japanese folklore is with their culture, like with the namahage. This is a scary event, but also fun, so it reinforces the idea that namahage, which can seem almost comical looking from an older point of view, is scary and is meant to be feared. It allows Japanese folklore to exist in a more pure form.