Tag Archives: children’s games

Kagome – Japanese Children’s Game

Nationality: American
Age: college age freshman
Occupation: student
Residence: Los Angeles
Primary Language: English

NC: There’s a Japanese game that children play called kagome, um…so it’s-it’s really similar to ring around a rosey in that…um…it was based on…experiments that people were doing, so Ring around the rosie is about um the disease the bubonic plague but um uh kagome is about experiments that people were doing um on the Japanese and they- they basically took children and they mutilated them I think that’s what it is. And um they would haunt people in the building like they would haunt the doctors and they would say um “kagome, kagome” and some other uh words and they would basically play that game in a circle and um that’s just like the ghost story behind that game.

 

Background:

Location of Story – Japan

Location of Performance – Dormitory room, Los Angeles, CA, night

 

Context: This performance took place in a group setting – about 2-3 people – in a college dormitory room. This performance was prompted by the call for stories about beliefs, ghosts, or superstitions as examples of folklore via a group message. NC approached me in person in response to the text and this is the second of two stories she presented. The first was about a monster who took the form of a beautiful, floating female head that had been decapitated and haunts a building. It was apparent that NC had just recently discovered this game because she was looking at her computer the whole time. 

 

Analysis: I think the comparison to “Ring Around the Rosey” is really effective here because it reinforces the idea that games or rhythm games are often counter-hegemonic and can critique a system under the guise of play. It is an indirect form of protest and also a way to be able to process the trauma of an experience such as this with humor and distance from the actual reality. On a different note, I really wished I would have NC where she discovered this game because I can understand stumbling upon a ghost story but not a traditional Japanese child’s game; I want to know where these are being documented online since she had her computer. 

 

Annotation: Upon further research, I discovered that the folk song element to this performance is actually much more essential to the folk game in other collected versions. For example, there is a documentation of this game in Highlights magazine for kids will additional information about how to perform the song. This version documents the chant as, “Can you guess? Can you guess? Who is right behind you? Could it be, possibly…” and then the participants would recite their names until “it says stop.” I could not identify what the “it” of this game is, but what is interesting to note here is that the word kogome is missing from this particular chant. This may very well because it is a translation, but for me, it demonstrates a lack of that historical context. The meaning is even more deeply hidden in the practice of the game. Additionally, Highlights includes the physical rules of the game, which involve being in a circle and blindfolded. See citation below for a PDF of the Highlights article.

 

Citation: Yasuda, Anita. “Kagome Kagome.” Highlights for Children, vol. 65, no. 10, 10, 2010, pp. 12. ProQuest, http://libproxy.usc.edu/login?url=https://search-proquest-com.libproxy1.usc.edu/docview/756206958?accountid=14749.

MASH – A Game to Predict Your Future

Nationality: USA
Age: 22
Occupation: Non-Profit Arts Administrator
Residence: Los Angeles, CA
Performance Date: March 22, 2019
Primary Language: English
Language: Italian

Item:

E: MASH is- is a game, um, where it stands- it stands for mansion, apartment,

S: (simultaneously with ‘E’) shack, and house

E: and then there were different categories.  And how I played it you could always customize your categories, but it was usually always something along the lines of the pet you’re gonna have, the car you’re gonna have, your job, your husband, or wife, blah blah blah blah

S: Who’s gonna be your husband, or wife.

E: How many kids you have, that was a popular one. And then you would, um…

S: Salary!

E: You played with salary? That’s terrifying

Q: That’s a little too high stakes!

S: We were really hardcore middle schoolers man

E: And then you would write it all down.  And then you would, um, you would say start and go and you would draw lines until you said stop and that would be the amount of times the person would just go down the list counting and crossing things out, and then whatever was left was, uh, your prediction for your future life.

 

Context:

This piece was collecting while hanging out with friends from the University of Southern California and we all began to talk about the games from our childhoods or school days.  Some of us even played them again now as college students, including but not limited to MASH as described above.  After this exchange, we proceeded to play a few rounds of MASH choosing the following categories: husband/wife, occupation, husband’s/wife’s occupation, salary, husband’s/wife’s salary, car, number of children, place, and pet.  The person whose future was being predicted chose three things to place in each category and the others in the room chose the last, usually an unfavorable choice, for a total of four items.  We also restricted the husband/wife options to those who were in the room at the time.  The counting number was determined by me drawing lines until the person said stop, then I counted through the categories back-to-back, crossing out the one I landed on each time.  Once I finished the categories, I counted through MASH at the top and then we read out the person’s future to the room.

The two informants were both females, and a majority of those who chose to play were female as well, but the person whose future was predicted was male.  The two informants grew up in different places and we have age differences of a few years between each of us.  ‘S’ in the exchange above grew up in Michigan and primarily played this game during middle school.  ‘E’ in the exchange above grew up in California, and mentioned how she would play the game with her friends at “every sleepover ever.”  There was a general consensus that primarily it was girls that would play MASH.

 

Analysis:

I played MASH quite a bit as well while going to middle school in Virginia.  It was mainly just a fun way to pass the time at that age.  The fact that it was so widespread and so popular for a period of time may be because it is an easy pen and paper activity that is simple to learn, customize, and pass on, but I believe there is another reason why it was so popular, especially during middle school years.  At its core, MASH is a game about predicting the future, and this practice existed long before the game existed.  People have a desire to predict the future so that they have more control over it and can decrease their anxiety about what may come.  Especially for middle schoolers, when most children are now going through puberty and beginning a transition into adolescence and eventually adulthood, there can be great uncertainty about the future.   MASH, then, becomes an unconscious way to plan out and/or predict the future in a completely low risk, zero consequence, and even humorous environment.  There may be even a hint of belief in its prediction power for some, indicated by how you would primarily put choices you wanted under each category.  Furthermore, the particular anxieties can be extrapolated from the categories chosen.  These categories may be completely trivial and entertaining (e.g. Type of Pet) or they can reveal desires regarding social class (e.g. Salary, MASH) and gender roles, particularly for females (e.g. Number of Children, Occupation).  Even the common addition of an undesirable choice to each of the categories, when it is known that there is a possibility it may be picked, indicates an awareness that the future may not always be in their favor.  On the surface, MASH may seem like just a funny way to pass the time and be entertained due to the improbable nature of the results, but all things considered, it seems to be a way for middle-school age children to overcome their anxieties about the future in a time where they are going through a number of changes, both physical and psychological.

 

Additional Informant Data:

The informant data for the interlocuter denoted by ‘E’ is included in the section above the item.  The same data for the other informant is included below.

‘S’ – Nationality: USA; Age: 26; Occupation: Ph.D. Student; Residence: Los Angeles, CA; Primary Language: English; Other Languages: Spanish, Portuguese, Hebrew

Cinderella Jumping Rope Rhyme

Nationality: American
Age: 20
Occupation: Student
Residence: Los Angeles, CA
Performance Date: 04/27/15
Primary Language: English
Language: french

The informant is 20-years old and finishing her sophomore year at USC. She is a Business and Music Industry Major, is involved in several on-campus organizations such as Concerts Committees. When she’s not doing her school work or work for clubs, she enjoys running, taking hikes, and going to concerts. She grew up in Washington with her mom, dad, and two younger sisters.

 

Informant: “I guess something I learned from other people would be jump roping rhymes. I was super into jump roping with my friends when I was in elementary school. Even into middle school we would play Double Dutch. It’s just an easy thing to play—jump-roping. Like all we needed to have with us was the rope.”

 

Interviewer: “Do you have a favorite rhyme you want to share?”

 

Informant: “I wouldn’t say I have a favorite…But one I think is really weird. Haha. Probably the most bizarre rhyme that circulated around is one about Cinderella. We would sing:

‘Cinderella dressed in yellow

Went downstairs to kiss her fellow

On the way her girdle busted,

How many people were disgusted?’

And then you’d count off 1, 2, 3, 4, etc. Until whoever was jumping rope tripped. And then the song would start all over again.

 

Thoughts: It’s funny that my informant learned this Cinderella rhyme for jumping rope in Washington because I learned the same one in the suburb of Chicago where I grew up. I remember seeing some kids recite it while jump roping, but where I heard it the most was in the figure skating community. I figure skated for ten years and when we had shows, all of the younger kids would convene in a sort of backstage/holding area when we weren’t on the ice. We used to play all sorts of games to pass the time and one game was a one where everyone sat in a circle with their hands touching and we would go around the circle as we sang this song slapping the person’s hand next to us, and when we got to 10, the person whose hand was slapped got out. This seems like a good example of how folklore travels, or of polygenesis, and how it attains different uses and practices as it is spread.

Wallball variant – Butts Up

Nationality: American
Age: 20
Occupation: Student
Residence: USC
Performance Date: 4/30/13
Primary Language: English

My informant used to play a variant of Wallball at his Bay Area elementary school called “Butts Up.”  Like with regular Wallball, the game was played against the wall of a building or room, with one ball and many participants.  Players had to throw the ball against the wall without the ball first bouncing off the ground.  If the ball touches a player and then touches the floor, that player must run to the wall before the next time someone performs a successful wall bounce (player -> wall without touching floor).  If a player makes it to the wall in time, he or she is safe and may resume play.  If the ball makes it there first, that player receives a point.  Additionally, a player may attempt to perform a fast catch, whereby the player catchs the ball immediately after it has bounced off the wall, before it touches the floor again.  If the player successfully performs a fast catch, then the player who threw the ball gets a point.

My informant’s version of the game uses letters instead of points.  Each point spells out the word B-U-T-T-S and when a player has gotten all 5 letters, they must stand against the wall with their butt in the air while every other player gets a chance to peg them in the ass with balls.  Additionally, instead of a rubber playground ball, Butts Up was played exclusively with a tennis ball, and players were allowed to catch the ball in between throws, instead of just fast catches.  Also after a player has been ass-pegged for spelling BUTTS, instead of being out, the player simply returns to the game with a clean slate, albeit a sore ass.  Another one of my informants also said that some kids from his elementary school, back in New York, played this version of Wallball, and even called it by the same name of “Butts Up.”  According to him, this version of the game was reserved for the hardest of hardcore children.

Wallball

Nationality: American
Age: 21
Occupation: Student
Residence: Yale
Performance Date: 4/5/13
Primary Language: English

One of the games my informant used to play back in elementary school was a game called Wallball.  According to him, Wallball is played against the wall of a building or structure with a playground ball or tennis ball.  The object of the game was to hit the ball with your hand and have it hit the wall without first touching the ground.  If the ball hits the ground first instead, you must run to the wall before someone else is able to successfully hit the ball at the wall, or else you are “out.”  However, my informant says that usually a player could receive 3 or 5 outs before actually being forced out of the game.  Games were played with a large number of students.  There were a few additional rules in his version of Wallball.  Players were not allowed to bobble the ball, any player bobbling the ball was forced to drop it and run for the wall just as if they had failed to make a proper hit.  If a player was able to catch another player’s ball after it had hit the wall but before touching the ground, the player who hit the ball received an out.  A player was also allowed to peg another player with the ball, thus forcing both players to run for the wall.  This was only to be performed if teachers were not watching because teachers would usually stop the game if they saw this.  Players were also forbidden from having “Tea parties” which is where a player hits the ball back to his or herself 3 or more times in a row.  Also at any time, one player could challenge another player by throwing over his or her shoulder.  Both players then had to run to the wall before someone else hit it there.  Perhaps this challenge rule was instigated to replace pegging in the presence of teachers, but never left the game even when teachers weren’t present.  This version of Wallball is very similar to the version of Wallball that I played in elementary school, except without the challenge rule.