Tag Archives: creation myth

Dota Origins

Nationality: American
Age: 20
Occupation: Student
Residence: Los Angelas
Performance Date: 4/24/16
Primary Language: English

Piece:

Legend about origin and Dota: Dota started as a warcraft 3 mod in 2004 ish made by a guy named Eul (A username the unnamed individual used on online message boards across the internet). Then it was developed by this guy named Guinsoo (another username). He sort of half quit and sort of half no one liked him and went on to make League of Legends. Then it was [finished by] Ice Frog who was an adamant fan. No one knows who Ice Frog is. There are conspiracy theories that he’s an alcoholic russian guy (the game has a large Russian community. PGG, an ex-pro Russian player was rumored to be Ice Frog since he always seemed to know and use new strategies involving new uses for spells or items that had not been detailed in the game’s patch notes) or he’s a middle eastern guy. He’s assumed to be male.

Informant & Context:

My informant for this piece is a member of the Dota community who has been active since approximately 2007. The game in question, Dota, has been retired by all save a small crowd of nostalgic games in exchange for one of it’s many successors: Dota 2, League of Legends, Heroes of the Storm, and Smite.

Dota is an arena base defense game played online between two teams, each consisting of 5 players. The object of the game is to destroy the other teams base.

Thoughts:

Dota 2 is a game I am very familiar with and am fascinated by. Though I started playing in the second generation of the game, I am familiar with the fact that it has an unconventional origin. That is to say, it surfaced as a community mod to a specific level in Blizzard’s title, Warcraft III. I had heard the name Ice Frog referenced as the divine creator of the game during my time playing it and find it fascinating that they have not come forward to reveal their identity—since they are responsible for what has become the most popular genre in the history of video games in term of the sheer number of players.

Little Sparrow

Nationality: caucasian
Age: 50
Occupation: Small Business Owner
Residence: San Gabriel, CA
Performance Date: 4/28/2014
Primary Language: English

Little Sparrow

Informant: So there were these animals who were doing whatever they damn well pleased and God got mad at them and said “your not following out rules”, right? And they said “O.K well, we’re going to do what we want”.  Then God got mad at them and shut off the light on earth so that there was no more light on earth. He put a blanket over the sky to do this. So they’re like, “Oh My God, what do we do? Someone has to go and talk to God and tell him that we’re sorry”. They’re like “Well we can’t find God anywhere, it’s too dark”. They all kind of gave up except this one little sparrow said, “I’m not going to give up. I’m going to fly, fly, fly up there and try and see if I can reach God and talk to him”. So everyday he kept flying up there and he poked through just enough, his beak just poked through the blanket just enough, and then he came back down. He didn’t give up. For years and years he was going up there and he only got just far enough that his little beak poked through and he came back down and then the last time he came back down and he died. The little sparrow died . . .  because he was exhausted from trying. All the other animals were like, “ we feel so bad”. So God at one point said, “because of his sacrifice, I will give you light back, but it’s only going to be half the time as punishment and the other half of the time, you will have darkness under the blanket”. And that’s why we have stars. Those aren’t stars; those are the little beak marks poking though the darkness.

Interviewer’s notes:  

This is a creation myth that I found a bit unusual that it was being told at YMCA, a Christian organization’s, camp because they narrative deviates from that of the Bible. Though it is clear to see why the tale is included as the perseverance and God-obedience aspects of the story are in keeping with Christian ideas. The tale itself, however, seemed to be more congruent with Native American folk tales, but the informant had only ever heard it at camp and did not know the origin. Also, the informant’s role as a passive participant is evident through the colloquial language, non-fixed phrases, and uncertainty.

“The Story of Maui”

Nationality: Chinese-American
Age: 19
Occupation: Student
Residence: Honolulu, HI
Performance Date: March 2013
Primary Language: English
Language: Chinese, Hawaiian

 

            The informant is from Honolulu, Hawaii and she first heard the myth in elementary school, where she explained she learned most of the folklore and traditional stories related to Hawaii due to the inclusion of what she called “cultural education” in classroom curriculum. A practicing Hula dancer, the informant also picked up stories during her dance classes as a child. The informant also explained that the myth was authored into a song by Israel Kamakawiwo’ole, a popular Hawaiian folk singer who encouraged Hawaiian sovereignty by reviving and popularizing traditional Hawaiian stories.

           

             Maui―like the island―was a demigod. Well, he was better than a person but he wasn’t a deity. He was a super trickster kind of guy; he was fun, and sneaky, like a hero. Maui is actually in a lot of Hawaiian stories, but one of the popular ones that a lot of kids know is that he was canoeing with his brothers when he received a message from a god. It might’ve even come to him in a dream, but it had definitely come from a god. The message was that if he went fishing, he would pull up a huge catch, um, but he couldn’t turn around to look at it or he would lose his catch. So he and his brothers are paddling, and Maui feels his line go taut. He pulls it, it’s really heavy, but he keeps pulling as the canoe moves forward. One of his brothers, the story goes, turns around, and because the brother looked the line snapped. Turn out, Maui had actually pulled up the Hawaiian islands. That’s why Hawaii is shaped like a chain, with the big island and the small ones trailing behind it. They descend in size because that’s what they looked like coming out one by one from the ocean. It’s actually said that there would have been more Hawaiian islands. . .but somebody looked.

 

            The story the informant retold bears all the classic indicators of a myth. It takes place in a pre-world (or, in this case, “pre-Hawaii”) setting, the characters involved are of divine or semi-divine importance, and it describes the genesis of a land and its people―the story of Maui is, more narrowly, a creation myth.

            The myth’s presence in Kamakawiwo’ole’s song immediately reminded me of stories about Hercules. The lyrics retell a string of Maui’s heroic deeds much in the same way books on Greek mythology usually dedicate a chapter or more to describe the (lengthy) list of Hercules’ achievements. The informant explained that Kamakawiwo’ole encouraged a resurgence of a Hawaiian identity movement through his music, and his lyrics clearly illustrate the pride Hawaiians should have in their land and culture. For Kamakawiwo’ole’s musical rendition of the myth, please see his “Maui Hawaiian Sup’paman,” produced  by Big Boy Records.  

The god Maui forms the Hawaiian islands

Nationality: Japanese-Korean-Hawaiian
Age: 19
Occupation: Student
Residence: Los Angeles
Performance Date: May 1, 2013
Primary Language: English

My informant was born and raised in Hawaii. He talked about one of the Hawaiian myths that he learned while growing up:

“So one of the stories of ancient Hawaiian folklore is the story of Maui—the God Maui, and how he pulled up the Hawaiian islands. So one day, Maui being a little bit mischievous in his own right, tricked his brothers to take him out fishing. But as he paddled, Maui was on the other side of the canoe, and so he tossed his line. But instead of letting it hook a fish, he dropped it all the way down to the sea floor. And so his brothers, surprised by the large ‘fish’ that Maui caught, asked Maui what was going on. But Maui, the trickster that he is, convinced his brothers that it was just a really big fish. And so his brothers pulled and pulled, and eventually, Maui brought up what we know today as the Hawaiian islands.”

This story is a myth because it takes place “before” the real world, and has a sacred truth value. It is an example of a creation story; it explains how something came to be. This story has been passed down since the times before there were any scientific explanations of volcanoes or how they worked. Because of its antiquity and its association with an important Hawaiian god, this story is still told to people like my informant. Knowing this story connects him to the ancient Hawaiians and reinforces his own identity as a local Hawaiian. Thus, the functions of this folklore evolved: it was originally explanatory, and now its significance lies more in its cultural relevance. People no longer refer to it to explain how the Hawaiian islands came to be, but it is still a valuable piece of folklore because it keeps old Hawaiian beliefs and customs alive.

**For a written recording of this story, see Maui Goes Fishing by Julie Steward Williams (1991). It is a published version of the same story; it was written and illustrated for children.

On the creation of the Philippines

Nationality: Filipina
Age: 18
Occupation: Student
Residence: Philippines
Performance Date: April 2012
Primary Language: English
Language: Filipino, Spanish

My informant is an international student from the Philippines. She says that in the 1920s, the national language of the Philippines was Tagalog. However, in 1935, the Commission of the National Language decided to change some words of Tagalog to make the language more accessible to people who spoke different dialects. They called this new language Filipino, and made it, along with English and Spanish, one of the official languages of the Philippines. Filipino  is now taught though culture classes, in which students memorize and are tested on Filipino folklore.

 

The following is a cosmogonic myth explaining the creation of the Philippines that she learned and still remembers.

 

“There’s a saying that the Philippines look like a sleeping child. Once upon a time, there was a family of giants that roamed the Earth. One afternoon, they were playing hide and seek. Being mythical creatures, they could breathe underwater. The tiniest child of the family decided to hide underwater. For a long time, the family didn’t realize he was missing, and he stayed underwater. After a while, people moved onto his protruding features. That is how the Philippines came to be!”

 

The Philippines do look like a sleeping child. However, I couldn’t find this version of the story of the Philippines’ creation anywhere else. All of the versions I could find involved the god of the water, Maguayan, and the god of the sky, Captan. This makes me wonder if the Filipino creation story my informant learned in elementary school, with giant children playing hide and seek, was geared specifically towards this younger audience. Also, the Philippines are officially a secular nation, with a predominantly Catholic population. Teaching a religious version of the creation story, and a pagan one at that, as part of the national curriculum would be frowned upon.