Tag Archives: folktradition

The Sea Snake Dance

Nationality: Mexican
Age: 58
Occupation: Retired Federal Officer
Residence: Henderson, Nevada
Language: English

Text: Before I moved to the United States I attended a wedding in Mexico city, where I was born, and witnessed The Sea Snake Dance for the first time. A song, La Vibora de la Mar, began to play. Simultaneously, all the adults began clinging together and forming a large circle. I wasn’t allowed to join the circle as my mom said it was unsafe for me. The bride and groom stood on opposing tables and reached out one arm towards the other. Then, the human snake ran under their arms and sung the song.

Context: Informant describes first seeing this Hispanic wedding tradition when they were a young child still living in Mexico City. They described their time in the United States, where they have spent the majority of their life, and claim that they have only seen The Sea Snake Dance performed at a select few hispanic weddings. Informant believes this tradition is performed as a gift from the attendees of the wedding, wishing the newly weds a joyous and faithful marriage. The snake, to the informant, is representative of the potential struggles the newly married will face.

Analysis:

I believe this tradition to be rather fascinating, especially its lack of presence in the American- Hispanic wedding scene. The informant, who is now a marriage officiant who primarily serves the Hispanic community, describes not seeing many examples of the Sea Snake Dance in the United States. The few times they have seen it performed, they expressed being shocked. This, to me, is very representative of the changing beliefs that are produced when two cultures fuse. With the population of Mexico being mainly Roman Catholic, marriage holds a very prominent role in their society. In the United States, however, marriage has become less and less meaningful as divorce rates continue to rise. This is likely why the informant does not witness many replications of the wedding ritual that is so common to Hispanic culture. This lacking of reproduction is representative of folk- traditions ability to change in a parallel fashion to those who perform it.

Elopement Vows

Nationality: Mexican
Age: 58
Occupation: Retired Federal Officer
Residence: Henderson, Nevada
Language: English

Text: When I decided to get married to my, now, ex-husband we decided to have a small wedding. So small that the only people present were him, the priest, and myself. Although their were no guests, we still prepared our Vows for one- another and spoke then when directed to. It was a beautiful ceremony, all that I had hoped for, and keeping our vows between each other deepened our connection.

Context: Informant describes the decision behind why they decided to have an elopement. Due to clashing cultures, that of a Hispanic woman and of a Kashmiri man, the informant was nervous of the traditions that would have to take place at such a diverse wedding. Because of this, the informant decided the wedding should be held with only a priest present. Informant understands that this choice was rather unorthodox, but discusses her need for traditions of a wedding, such as the exchange of vows, still being present. To the informant, this shows that weddings do not need to follow all customs and traditions that are culturally approved, but the ones a couple sees fit.

Analysis: I think this piece is elegant in its way of explaining how folk- tradition, such as weddings, is an event that can undergo changes based on those who are performing it. It portrays how folk traditions remain resilient through variation. This specific examples does not relay the story of those who reject traditional wedding practices, but adapted them to fit their own personal needs. In doing so, it became clear that folklore is an always changing genre that accommodates the needs of a changing society.

Text:

The ‘Joota Chupai’ ritual is a playful custom at Indian weddings where the bride’s female relatives, often sisters and cousins, spiritedly steal and secrete the groom’s shoes. This lighthearted heist is enacted during the ceremony when the groom is required to be barefoot, setting the stage for a spirited negotiation for their return.

Context:

Recounting the jovial antics from his brother’s wedding last year, my friend narrated the high-spirited ‘Joota Chupai’ episode. As tradition dictates, the bride’s kin seized the opportunity to hide the groom’s shoes, demanding a sizable ransom for their safe return. The situation escalated into a humorous turn of events at sundown when the need for a picturesque sunset photo session led the furious bride to intervene, overturning the ritual’s usual outcome and the groom’s shoes were returned without the customary financial exchange.

Analysis:

The ‘Joota Chupai’ ritual transcends the mere act of playful mischief; it is emblematic of the cultural fabric that interweaves familial bonds, societal expectations, and the negotiations between tradition and modernity. This practice, underscored by Deirdre Evans-Pritchard’s analysis of authenticity in cultural expressions, suggests a complex interplay between established customs and the evolving dynamics of contemporary weddings. While the ritual typically concludes with the groom acquiescing to the monetary demands, this narrative reveals an intriguing deviation. The bride’s insistence on retrieving the shoes to capture the perfect wedding moment underscores the adaptability of cultural traditions in the face of practical circumstances. It demonstrates a shift from the ritual’s traditional financial objective to prioritizing the aesthetic and emotional value of the wedding experience. This incident not only reflects the fluidity of cultural practices but also highlights how individual agency can redefine traditional roles and expectations. The negotiation process inherent in the ‘Joota Chupai’ serves not just as entertainment but as a microcosm of the give-and-take present in familial relationships, where cultural rituals are subject to reinterpretation in response to immediate personal and collective priorities.