Tag Archives: hawaii

‘Ohi’a Lehua

Nationality: American
Age: 14
Occupation: Student
Residence: Hawaii
Performance Date: 03/15/15
Primary Language: English

The informant is my younger sister, and over Spring Break, she and her friend had stayed with me. This is one of the legends she told me while we were getting ready for bed.

 

There was a man named ‘Ohi’a and a woman named Lehua, and they were in love. But the goddess of fire, Pele, was also in love with the man. Out of jealousy towards the Lehua, and to punish ‘Ohi’a for not returning her affections, Pele cursed ‘Ohi’a into a tree so that the couple could no longer be together. Lehua was devastated, and would cry day after day next to her lover who was now a tree. Out of pity for Lehua, Pele turned her into a blossom on the tree, so the couple could be reunited. To this day, if you pick a flower from an ‘Ohi’a Lehua tree, it will start to rain, because you have separated Lehua from her lover, and the rain is her tears of grief.

Background & Analysis

The informant was raised in Hawaii, and she had heard the legend from friends and teachers at school, as well as from the guides when taking tours of different Hawaiian gardens. The informant does believe in the legend and the superstition of Lehua blossom picking, so she will not pick any flowers from the tree. In the past, a classmate of hers had done so once on a field trip, and within the hour, what was a sunny day, became cloudy and rainy.

This legend has a hint of Romeo and Juliet to it, in that the lovers cannot bear to be separated from one another. It’s also a bit tragic, given how when one goes down, so does the other. This legend is very widespread throughout Hawaii, and this particular variation illustrates the power of Pele, as well as the power of love.

*For another version of this legend, see <http://www.lovebigisland.com/big-island-mythology/ohia-lehua/> or <http://americanfolklore.net/folklore/2010/10/peles_revenge.html>

Wear Your Pajamas Inside Out and Backwards

Nationality: American
Age: 21
Occupation: Student
Residence: Los Angeles, CA
Performance Date: 4/22/15
Primary Language: English

“So when I was a little girl my grandma, I used to live with my grandma in Hawaii and whenever she told me to get ready for bed, I would get ready for bed and you know how, like, little kids will sometimes, um, like put their clothes on inside out or backwards. Well, my grandma, I would do that occasionally and my grandma ended up convincing me that that . . . like that brought good luck and like if you do that, then it brings good luck. So then I started purposely, purposefully, um, wearing my pajamas backwards and inside out and my mom never understood it, but I always would tell her, obviously, that it brings good luck.”

 

The informant was a 21-year-old USC student who studies communication and minors in dance and is a part of a prominent sorority on campus. She grew up in a relatively small town in southern California (with short stretches in other areas of the country) and was the captain of a prominent sports organization. She has danced for her entire life and, when she was growing up, would often drive for long stretches of time with her family to dance competitions. This interview took place while the informant, whom I live with, was making lunch and telling me about her grandmother’s superstitions. Of her grandmother, she said, “My grandma’s a very spiritual person. She still believes it, she’ll still tell me.” She went on to say, “It’s like a family joke now. So like if I come down now wearing my pajamas inside out and backwards, my grandma will always be like, ‘Oh! It’s really good luck, right?’ . . . My mom thinks it’s a joke, but my grandma’s like super serious about it, she’s like, ‘It is. It is for good luck.’”

 

When I asked the informant what she thinks it means, she said, “My grandma’s very spiritual and thinks everything happens for a reason and so, like, the average person puts on their clothes the normal way that it’s supposed to be worn, so if you think you’re putting on your clothes a certain way and it turns out it’s actually backwards or inside out, well then it must mean something else. Then it must mean that there’s good luck coming to you.” When I said I had never heard of this folk belief before, the informant noted, “It’s interesting because I brought [the folk belief] up in my practice, and one of the girls said that she was taught that growing up, if she were to wear her pajamas inside out or backwards that it was gonna bring snow. And so during the winter seasons, she did that as a young girl hoping it would bring snow.”

 

At the end of the interview, the informant said, “And the thing is, I still do, a little part of me still believes that it’s gonna bring me good luck.”

 

This folk belief was interesting to me because it’s such a simple action, yet it is thought by some to make something happen, such as bring good luck or make it snow. I think it is partially performed because it is a relatively silly thing to get children to do, and it gives them a sense of control over the world. It could also serve as a way to teach them to embrace the unusual side of their personalities. When they perform this folk belief, they are doing something that goes against social norms. However, they are told this action causes good things to happen, and so the thought process behind it is reinforced.

The Story Behind the Shaka

Nationality: American
Age: 18
Occupation: student
Residence: Los Angeles, CA
Performance Date: 1/23/15
Primary Language: English

“Oh it was just a guy who, the story behind the shaka is that there was a guy who was really sweet in Hawaii and he used to wave to everyone, and I think one day, he lost the three middle fingers in his hand and so he would wave at people and it would only be his thumb and pinkie finger, and that’s how everyone would wave back the same way and that’s ow the shaka was invented.”

 

The informant is a 19 year old, studying psychology at the University of Southern California. Her ethnicity is half Filipino, half Japanese, and she is second generation American. She was born and grew up in Hawaii. She lived in suburban town called Ewa Beach, on the island Oahu. Contrary to Hawaiian stereotypes, she does not know how to surf or swim well, nor hula dance, though she enjoyed drag racing and playing volleyball. She spent half of her education in private schools, and half in public school.

 

The informant provided the story after being asked about Hawaii urban legends, or the stories behind a Hawaiian custom. She had heard the story from her friends and family on Hawaii, and considered it a well-known story amongst people who have lived on Hawaii for a few years.

 

A “shaka” is a hand gesture that is made by holding your palm flat and fingers open, then closing your rind, middle, and index finger—it is the American sign language symbol for the letter “y.” You then “wave” the shaka by twisting your wrist side to side. It is often thought to mean “Right on!” or “Holla!” or “Cool!” It can take the place of a ave hello or goodbye, as a much less formal salutation or farewell; this is often accompanied by a “What up, dude?” or “Later!” It is also sometimes used in scuba diving to mean “so cool” or sometimes to represent laughing. It is usually associated with surfer dudes in particular, but also just anyone from Hawaii, or even California.

The story the informant tells is how the shaka was created. Apparently, there was a very nice man who would wave at people with his thumb and pinkie finger, and everyone would wave back the same way. This portrays the so-called “founder” of one of the main symbols of Hawaii as nice and sweet. It is similar to countries describing their national founders with ideals everyone should strive for, like George Washington and the cherry tree and “I cannot tell a lie.” Just as George Washington was honest, Hawaii’s is friendly.

Whether there was actually a man who waved at everyone with only two fingers or not, no one knows—that is not what is important. It is the fact that this symbolic hand gesture that is an important part of Hawaiian culture needed a story to explain it. They made the figure who created the gesture a paragon of Hawaiian ideals (friendly, welcoming, nice). The fact that the story is still around demonstrates how important the shaka and these ideals are to Hawaiians.

Don’t Pluck the Red Lehua Blossom

Nationality: USA
Age: 19
Occupation: Student
Residence: Los Angeles
Performance Date: 4/24/14
Primary Language: English

This informant is Hawaiian and a freshman student at USC.  I asked him for any traditional Hawaiian stories and he gave me this story:

The Ohia tree is often the first plant to grow on new lava flows, but don’t ever pick its red Lehua blossom because both the tree and flower are rooted in Hawaiian legend. Ohia and Lehua were young lovers, he a handsome trickster and she the most beautiful and gentle girl on the island. But, one day Pele came across Ohia and wanted him for herself. When he refused her, she turned him into a twisted, ugly tree. Pele ignored Lehua’s pleas to change him back, but the other gods felt sorry for the young girl. They couldn’t reverse Pele’s magic, but they did turn Lehua into a beautiful red flower and placed her on the tree so that the two young lovers would never again be apart. It is said that as long as the flowers remain on the tree, the weather is sunny and fair. But when a flower is plucked from the tree, rain falls like tears since Lehua still cannot bear to be separated from her beloved husband Ohia.

After a few follow-up questions I figured out that Pele is the God of Fire, who has a short temper. The story didn’t really teach a lesson but it does exemplify how much emphasis the Hawaiian culture places on nature and the environment.

The Legend of Maui

Nationality: American
Age: 40's
Occupation: Shopkeeper
Residence: Lahaina, HI
Performance Date: March 18, 2014
Primary Language: English

Context:

I was once again wandering the streets and perusing the shops on Front St in Lahaina, HI with my mother. I was looking at some fishhooks that were carved from bone when the shopkeeper came to me. We got to talking, and I told her that I had heard of one possible origin to the practice of wearing fishhooks, when she offered up another reason for the practice, and told me the legend, the myth, of how the Hawaiian Islands came to be.

 

Myth:

Maui, a demigod, was out fishing one day with his brothers. They paddled far beyond their usual fishing grounds. Maui then flung his fishhook, one that was similar to these [see picture above for a decorative example] that he had carved from bone. When he got a bite, he instructed his brothers, who were earthly, to paddle as hard as they could but not to look back behind them. His brothers, who were jealous of Maui’s status as a demigod, turned around and saw that Maui was pulling up, not a fish, but land out of the sea. As soon as they looked, they were amazed, and they stooped paddling. Because they stopped paddling, the land stopped rising out of the sea, so instead of getting a great continent, all Maui got was a small chain of islands in the Pacific. Maui was furious at his brothers, as he wanted a great continent. Thus the Hawaiian Islands came to be.

 

Analysis:

This myth reveals several things about the Hawaiian people. First is that they are a fishing people. They rely on the sea, and thus their fishhooks are incredibly important. Second is the fact that the fishhook is made from bone. Bone, especially whalebone, was considered to be able to become an extremely lucky fishhook. Also, Maui is not just a Hawaiian mythical figure. He features in myths and legends from New Zealand – such as the legend that tells of how New Zealand’s terrain formed; why it is so hilly – and from other areas of Oceania. This can be key in discovering the migration patterns of people into Oceania – how the ancient peoples spread from mainland Asia and Australia into such far-flung and isolated island chains in the middle of a vast body of water. By tracking where similar mythological and legendary figures crop up, such as the demigod Maui, anthropologists and archaeologists can track migration patterns and possible origins for the people of these far-flung and isolated Pacific Ocean Island chains. Furthermore, this myth demonstrates how central to the Hawaiian culture fishhooks are/were. The tourism industry presumably caught wind of this importance and began to make “authentic” Hawaiian fishhooks to be worn as ornamentation and sold as “traditional” Hawaiian jewelry/ornamentation, despite fishhooks never being worn by the Hawaiian people. Nowadays, practically every gift store, souvenir shop in the islands sells fishhooks, and it has become “traditional folk” jewelry.