Tag Archives: honoring the dead

Colorado Festivals of Dead “Frozen Dead Guy Day” and Coffin Races

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“The first is Frozen Dead Guy Day, it’s in Estes Park. This man, Bredo Morstoel, he died, and he was like “I want to be frozen and you can bring me back to life one day when you guys have that technology.” And they granted his wish and there’s a shed that has his cyro preserved body in it, so he’s a frozen dead guy. And so every year there’s an annual celebration called Frozen Dead Guy Day in Estes Park, where they celebrate and all hail the frozen dead guy that’s just chilling in the shed in town. So people take photos outside and have coffin races.

The coffin races are similar to Emma Crawford Coffin Races in Manitou Springs Colorado. Emma Crawford wanted to be buried alongside Pikes Peak, which is right outside Manatu. There was a horrible mudslide on a rainy day and her coffin comes tumbling down the mountain, down through town square. They’re like “No Emma your coffin!” She gets put back in the mountain, it’s fine. But now to honor her displaced coffin there are coffin races where everybody has to make a coffin and race their coffin down the side of the road against other coffins. People dress up super Halloweeny, super fun, same with Frozen Dead Guy Day, to celebrate the dead! To keep her body safe in the mountain so she doesn’t come sliding in town again you have to race your coffin, to appease Emma Crawford. I used to go to Emma Crawford Coffin Races every year and I would participate, we would sit on top of a hearst. We would dress up and hand out flyers for the haunted house I worked at. Everybody gets so into it and gets competitive about the best decorated coffin, what’s the best design for racing, who do you want to win, who has the silliest costume? The whole thing’s broadcast on the news. Afterwards I love to get myself some pumpkin pie ice cream. 

Context

Y is a 19-year-old college student from Denver, Colorado. She would visit the Emma Crawford Races every year with her family because they have family friends in Estes Park who they would visit and stay with and celebrate the festival. Her dad would also often take her to the Frozen Dead Guy Day celebrations. She remembers the Coffin Races fondly as fun celebrations that were around her favorite holiday, Halloween. She’s really interested in the gothic and macabre, so these festivals were favorites of hers.

Analysis

Both festivals have all of the elements of festivals. They are examples of festival time, when you operate by different rules than you usually would. Death and the macabre are usually avoided for Americans, they’re usually sad, upsetting taboo topics. However, during these festivals, people celebrate those things and make light of them. Emma Crawford Coffin Races occur in October, relating them to Halloween or Samhein. Lots of festivals surrounding the dead happen during this time period, like Day of the Dead, Halloween, or All Saints Day. This is related to the agricultural calendar, when things got colder and crops would start to die after harvest. These are Chthonic festivals and rituals, relating to returning to the earth. During the Coffin Races, people become comfortable with the idea of being in coffins and returning to the earth, something that is usually taboo. Both of these festivals are also the results of when proper burial rituals were done wrong. In the case of Frozen Dead Guy Day, he defied the usual expectations of burial rituals, and is actually attempting to defy death by coming back to life later on. The Emma Crawford Coffin Races are supposedly held to appease Emma’s spirit, because her resting place was disrespected and disrupted, so the festival must be held as a sort of apology for this disrespect and to celebrate her spirit. Both festivals also include lots of elements of performance. They follow a syntax, with the opening, the main event of coffin racing, celebrations such as eating, music, and drinking, maybe a costume contest near the middle, and then the closing celebrations. The big event of the coffin racing in both festivals is a symbolic event representing people making light and coming to terms with tough topics like their own mortality. There are performative acts like the costumes, and the racing. Costumes are also an example of the festival’s specific dress requirements. The festivals also have specific foods associated with them. Y says she loves to eat pumpkin pie ice cream after the Emma Crawford Coffin Races, with pumpkin being a food associated with Fall and Halloween time. These festivals are also community and identity building events for the towns. Both festivals are held in small towns that take great community pride in these events. These festivals have put these small towns on the map, and share town history and folklore stories that have stuck around in the community.

The Balete Trees

Intv: “I was hoping I could ask you a little bit about some of your folklore from when you lived in the Philippines.” 

X: “Yeah definitely, have you heard about balete trees?”

Intv: “No I can’t say that I have.”

X: “Oh! Well where I’m from, and I think throughout the Philippines there’s one where, when you enter a place where there may be a spirit or deity or a forest with balete trees you should say ‘tabi tabi po’ (“excuse/pardon me or like move to the side, please”) or else they might hit u with an illness or misfortune”

Intv: “Oh interesting, so are balete trees specifically capable of holding spirits? Or could it be any forest?” 

X: “It can be in any forest, but I believe it has to be a balete tree specifically.” 

Analysis: I think the message of saying “tabi tabi po” can be viewed in two different ways. First as a sign of paying respect to the dead, or as a sign of respect to nature. Perhaps it could be both as it involves a communion of spirits and nature that’s combined to a sort of humble reverence. The Aswang Project, a web service dedicated to preserving Filipino folklore, has this to say in relation to the balete trees. 

“Regardless of physical appearance, trees are quiet noticeably mentioned throughout our own mythology and lore. Some are associated with engkantos and other nature spirits while others play a vital role in the shamanistic/animistic culture of our Babaylan. Perhaps more than just a source of physical materials such as wood, paper and even medicine, trees can also provide impalpable treasures that we must learn to conserve and protect.”

Guzman, Daniel De. “Down the Roots of Mystical and Sacred Trees in Philippine Lore • the Aswang Project.” THE ASWANG PROJECT, 2 Feb. 2022, https://www.aswangproject.com/mystical-sacred-trees-philippines/. 

Polish Funeral Custom — Cannot Dance

Nationality: Polish
Age: 48
Occupation: Caretaker
Residence: Elmwood Park, IL
Performance Date: 3-11-19
Primary Language: Polish
Language: English

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The following piece is a Polish funeral custom that I learned of through my family’s babysitter whose father had recently passed away. The woman is a forty-eight year old Polish native who lives in Chicago now. I had been dancing around and in my attempt to get the Informant to join me, she explained why she was unable to.

Informant: “No, no…Can’t dance, no.”

Collector: “Come on! Why not?”

Informant: “No, no…My father die. I no dance for six months.”

Collector: “You can’t dance for six months because your dad died?”

Informant: “No dance for six months for father and mother. Four months for brother, sister.”

Context

The Informant has understood this Polish funeral custom for as long as she can remember. She remembers not dancing for a while after her grandfather had passed away, and has always understood it to be something she must also partake in. When her father passed, her entire family made the unspoken vow not to dance as a sign of respect to the dead.

Interpretation

While surprised at first, after hearing the Informant’s absolute belief in this funeral custom, I was beginning to also see it as a reasonable practice of mourning. I believe that the reason the Informant and her family undergo such a long process of morning, with such a specific time period, is out of respect for the ones they loved who have passed away. By vowing to not dance for six months, the participants must make a conscious effort everyday to not partake in overly joyful actions, excluding dancing altogether. I believe that commitment to this vow displays a respectful process of mourning, a way of honoring the dead by not moving on quickly after they are gone.