Tag Archives: halloween

Halloween Costumes

Nationality: United States
Age: 18
Occupation: Student
Residence: Los Angeles, CA
Language: English

Text: “Ever since I was little, I have always dressed up for halloween. When I was a little kid, it was always something fun like Rapunzel or Dorothy. As I have gotten older, I have put more effort into more creative and funny costumes, often matching with my friends. Even now I still dress up, just this last Halloween my friends and I all dressed up as the Powerpuff Girls. Even though I’m not trick-or-treating and often going out with friends, I always have to be in costume for Halloween.”

Context: This ritual was shared by the informant, N, during a conversation about holiday traditions that continue into adulthood. N explained that regardless of her age she will always continue wearing a costume for Halloween. While wearing a costume may seem rather simple, it helps set Halloween apart from a regular day. N also noted that the process of planning a costume often involves friends, adding a social element to the tradition. To N, this ritual is less about trick or treating and more about the feeling of celebration and self expression.

Analysis: This is an example of a calendar-based ritual tied to seasonal celebration and self-expression. In the U.S., dressing up for Halloween is quite common and allows individuals to express their identity through costume. For children, it often represents imagination and fantasy, while for teens and adults it becomes more of a creative and social outlet. The continuation of this ritual into adulthood shows how folk traditions can evolve with age. As N grew, she didn’t abandon this ritual but instead adapted it to fit her changing identity.

Haunted store

Nationality: American
Age: 20
Occupation: College student
Language: English

Text:

“ It was shortly after Halloween, so we had put up our Halloween decorations back upstairs and there’s this big witch, sort of an animatronic thing. We usually set it up by the door so– it has a sensor– so when you pass by it it’ll say things like “Oh, my pretty”. It’s really funny, but it was upstairs and we were just chilling down in the main sales floor, and we heard faintly upstairs the witch talking. We heard it saying those lines just faintly upstairs. And my boss goes upstairs to check it out and I just hear him yelp. And it’s because the witch was positioned– neither of us had positioned it this way and we don’t know if any of our coworkers did– but it was positioned just so it was hiding around the corner of the stairs. So it scared the crap out of him. But then we saw up there that there were several helmet boxes strewn across the floor, which is really weird because it’s usually very well organized up there. And no one had been up there all day yet, so there was no reason they’d be on the floor and no reason why the witch would be making noises up there without anyone to activate the sensor. So that was pretty freaky.”

Context:

“ I work at a motorcycle gear store. We sell helmets, gear, tires, parts, just stuff like that. But it’s kind of a known thing that our location is haunted. It’s right near OldTown so that area has a lot of history and we have an upstairs area that we just use for storage, all the empty helmet boxes we have up on the giant wall and stuff. Our holiday decorations are up there and there will be times when coworkers hear footsteps up there and there’s no one. “

Analysis:

The informant specifies that this location is rumored to be haunted, and that odd things happen all the time. However, he seems to recall more minor auditory hauntings such as footsteps and was shocked by this occurrence. Especially with the addition of the physical change in the witch’s location, the informant clearly viewed this as an escalation, not a maintenance of the store’s folklore. 

The actions of ghosts is often linked to changes in ownership or the physical wellbeing of a home, but ownership and occupancy of a store is a more difficult matter. Though the store is located in the Oldtown part of the informant’s city, and he believes that it’s history influenced the presence of ghosts in the area, metropolitan ghosts do not fit the stereotypical view of ghosts. In a lot of memorates, they are tied to ancestral homes or worn down locations, not capitalist chains that are highly organized. Therefore, the appearance of any ghost here is notable. 

In addition, the escalation described happened at a very auspicious time, on the day after Halloween (All Saint’s Day and Dia de los Muertos). This is a time where it is commonly believed that the veil between the living and dead, or the earthly and the spiritual, is lifted. It is possible that the events or the informant’s perception of these events, were enhanced by the recent holiday and transition between months. 

Colorado Festivals of Dead “Frozen Dead Guy Day” and Coffin Races

Text

“The first is Frozen Dead Guy Day, it’s in Estes Park. This man, Bredo Morstoel, he died, and he was like “I want to be frozen and you can bring me back to life one day when you guys have that technology.” And they granted his wish and there’s a shed that has his cyro preserved body in it, so he’s a frozen dead guy. And so every year there’s an annual celebration called Frozen Dead Guy Day in Estes Park, where they celebrate and all hail the frozen dead guy that’s just chilling in the shed in town. So people take photos outside and have coffin races.

The coffin races are similar to Emma Crawford Coffin Races in Manitou Springs Colorado. Emma Crawford wanted to be buried alongside Pikes Peak, which is right outside Manatu. There was a horrible mudslide on a rainy day and her coffin comes tumbling down the mountain, down through town square. They’re like “No Emma your coffin!” She gets put back in the mountain, it’s fine. But now to honor her displaced coffin there are coffin races where everybody has to make a coffin and race their coffin down the side of the road against other coffins. People dress up super Halloweeny, super fun, same with Frozen Dead Guy Day, to celebrate the dead! To keep her body safe in the mountain so she doesn’t come sliding in town again you have to race your coffin, to appease Emma Crawford. I used to go to Emma Crawford Coffin Races every year and I would participate, we would sit on top of a hearst. We would dress up and hand out flyers for the haunted house I worked at. Everybody gets so into it and gets competitive about the best decorated coffin, what’s the best design for racing, who do you want to win, who has the silliest costume? The whole thing’s broadcast on the news. Afterwards I love to get myself some pumpkin pie ice cream. 

Context

Y is a 19-year-old college student from Denver, Colorado. She would visit the Emma Crawford Races every year with her family because they have family friends in Estes Park who they would visit and stay with and celebrate the festival. Her dad would also often take her to the Frozen Dead Guy Day celebrations. She remembers the Coffin Races fondly as fun celebrations that were around her favorite holiday, Halloween. She’s really interested in the gothic and macabre, so these festivals were favorites of hers.

Analysis

Both festivals have all of the elements of festivals. They are examples of festival time, when you operate by different rules than you usually would. Death and the macabre are usually avoided for Americans, they’re usually sad, upsetting taboo topics. However, during these festivals, people celebrate those things and make light of them. Emma Crawford Coffin Races occur in October, relating them to Halloween or Samhein. Lots of festivals surrounding the dead happen during this time period, like Day of the Dead, Halloween, or All Saints Day. This is related to the agricultural calendar, when things got colder and crops would start to die after harvest. These are Chthonic festivals and rituals, relating to returning to the earth. During the Coffin Races, people become comfortable with the idea of being in coffins and returning to the earth, something that is usually taboo. Both of these festivals are also the results of when proper burial rituals were done wrong. In the case of Frozen Dead Guy Day, he defied the usual expectations of burial rituals, and is actually attempting to defy death by coming back to life later on. The Emma Crawford Coffin Races are supposedly held to appease Emma’s spirit, because her resting place was disrespected and disrupted, so the festival must be held as a sort of apology for this disrespect and to celebrate her spirit. Both festivals also include lots of elements of performance. They follow a syntax, with the opening, the main event of coffin racing, celebrations such as eating, music, and drinking, maybe a costume contest near the middle, and then the closing celebrations. The big event of the coffin racing in both festivals is a symbolic event representing people making light and coming to terms with tough topics like their own mortality. There are performative acts like the costumes, and the racing. Costumes are also an example of the festival’s specific dress requirements. The festivals also have specific foods associated with them. Y says she loves to eat pumpkin pie ice cream after the Emma Crawford Coffin Races, with pumpkin being a food associated with Fall and Halloween time. These festivals are also community and identity building events for the towns. Both festivals are held in small towns that take great community pride in these events. These festivals have put these small towns on the map, and share town history and folklore stories that have stuck around in the community.

The Good Witch — Legendary Being

Nationality: American
Age: 21
Occupation: Student
Residence: Fort Collins, CO
Performance Date: April 3, 2023
Primary Language: English

Text

“The night of Halloween, after trick-or-treating, my sister and I would go through all of our candy and we could select some to keep, and then the rest of the candy we put into a bag. Overnight the Good Witch would come and take our candy and leave a toy in return.”

Context

AH is a 21 year-old college student from Houston, Texas. She grew up in what is sometimes described as an ‘ingredient household,’ a family with very little junk food or sweets in the house. 

“I think it was like a way of being like, you know, ‘Don’t eat candy. Instead you can have a toy. Don’t eat junk food. You have a choice.’ It was a reinforced way of keeping junk food out of our household,” AH explained.

“I remember being frustrated with the small amount of time I had to pick the candy I wanted to keep. I felt rushed by the whole process. It was hard to savor the joy of Halloween knowing I could be scolded for eating the little candy I was allowed to keep.”

This was a Halloween tradition from AH’s earliest memory of Halloween to when she was about 10 or 12 years old. By the time she had stopped believing in the Good Witch, her parents continued to take the candy and give her money instead.

AH’s mom first learned about the trick from a parenting magazine.

Analysis

At surface level, the legend of the Good Witch is a harmless children’s legend aimed to reduce excessive candy consumption around Halloween. The narrative co-opts the existing framework of witches, a legendary being that one already assumes to be around on Halloween, as well as the framework of the tooth fairy legend, another children’s legend that involves taking something overnight and replacing it with a reward.

However, AH notes that the immediate taking away of candy contributed toward negative habits and views regarding ‘unhealthy’ food.

“Because it was so limited and something that we weren’t supposed to eat, I kind of developed this bad habit of, when it was around, I was going to eat it all,” AH explained. “And it was a way of resisting the Good Witch. You didn’t have to give away as much candy if you could eat it all in one sitting.”

This habit of binge eating is something AH has struggled with into her college years. The legend of the Good Witch, along with other family influences, created an impression of scarcity surrounding junk food and sweets that is difficult to unlearn.

“Oh, this rare thing, I gotta indulge myself. And eat it all up and enjoy it. Not necessarily enjoy it though. I just gotta eat it before it disappears one way or another,” AH explained. “There’s this fear, for whatever reason, of having things be taken away.”

This legend is interesting in the context of Halloween, a day that includes a lot of ritual inversion, the practice of inverting social roles or structures, especially when these are very strict. On Halloween, children dress up as something they are not. They eat the candy they are not allowed at other times of the year. There is a proximity to and spectacle in death, which is otherwise hidden from children. 

Thus it is interesting that AH’s family allowed some participation in this inversion — the collection of candy — and then further inverted it, by taking the candy away. One is left to wonder if the candy consumption that is so dramatically avoided by the Good Witch legend may have actually been good for AH and her siblings, as it may have allowed them to experience indulgence — and maybe a belly ache, too — in order to develop a healthy relationship with food.

“It was never something that was okay in moderation. It was hardly okay at all. I don’t think that has any good impact. I think that teaching something like that just opens up the opportunity for unhealthy habits to develop in the future,” AH explained. “I definitely think with the Good Witch, the whole ‘you get to pick your stuff and then the rest is gone’ just really reinforced habits of binge eating.”

The Green Ribbon

Nationality: United States
Age: 22
Occupation: Student
Residence: Los Angeles
Performance Date: 4/5/23
Primary Language: English

Text:

My informant, from Fresno California, told me a scary story she heard as a kid.

“This is kind of like a ghost story. There was once a woman, right? And a man. And they entered into a relationship. And things were going really well between them. Things were going great. They were going on these little dates, you know? But the thing is, she always wore this little green ribbon around her neck. Right? And he’d be like, ‘Why do you wear that?’ and she’d be like ‘Don’t worry about it’. So he’s like ‘okay…’

“So they continue on having their relationship. They get married. They have many children. The children grow up. They go to college. They’re very successful. 

“And their relationship continues, and he’s like ‘Hey, you still haven’t taken off that green ribbon, it must be pretty dirty under there. You even shower with it on.’ She’s like ‘Don’t worry about it, it’s, you know, a fashion choice or whatever.’

“And then the years go on, they’re in retirement, they’re playing golf together, everything’s great. But still. He’s like “Hey, we’re like 80. And you still haven’t taken off that green ribbon. And it must be dingy by now, but it’s, like, in good quality’ And she’s like ‘Ah, you know, I just like wearing it, I guess.’

“And then she starts to get really sick. And it’s really sad. She’s bedridden. And he’s tending to her. And the doctor comes out to him from the bedroom, cause it’s like the doctor that visits the house. And he says to the husband, ‘Look, she has like 5 minutes.’ And he’s like ‘Oh, damn, okay.’  So he goes inside. He’s like ‘You know, I gotta ask you, in our final moments… First, I love you, but also, why are you wearing that thing?? Still? You’re dying!’ She’s like ‘all right. I’ll show you, okay?’ So she pulls off her green ribbon, and her head topples off. And that’s the end of the story.”

Context:

“I think I first heard that like in elementary school, I think around Halloween, one of the teachers told us that one. I’ve told it maybe a few times, I think I also told it in Highschool, it was around Halloween, and in my English class my teacher was like ‘hey, does anyone have any ghost stories?’ I think I used that one.”

Interpretation:

The informant took her time with the story, and was constantly checking in to see if I was still along for the ride. She also injected comedy whenever she could to try and keep it engaging. I think this approach is the result of telling this story in a larger setting, with many distractions (i.e., a classroom to other students.) This story has a ritual element to when it can be told: It’s a scary story, so it is told at Halloween, particularly at school.