Tag Archives: halloween

“Please Take One”

Context: While in class, a student and I discussed creepy Halloween events that occurred when we were kids. They shared with me that there was one old house that always had a bowl of candy in the front, but it never looked like anyone was in the house.

Text:

“During Halloween, we would always go to my friend’s house — this was in middle school — she lived near a swamp in Connecticut. All the houses were very spaced out, and so trick or treating would be really fun because we would always chat and play music in between each house. But it would be scary because it would get dark and we’d have to sprint from one house to another.

There was always one house that was haunted on the walk because it had a basket outside. It was probably an old lady that didn’t want to come to the door, so she’d leave some candy outside, but it was always good candy.

So each year, we would force someone to go and we’d always stand outside like ‘Okay…who’s going to do it?’ And they would sprint up to the house and grab the candy as fast as possible. We’d make them go for everybody, and we’d always look in the windows because we were scared. The basket had a sign that said “please take one”. So we’d take one and then we’d be like [to the person who’d been selected] you have to get another one.”

Analysis:

This was a humorous tale that reminded me of Halloween kids in movies, who always naturally name the house that doesn’t look like the others as “haunted.” It’s so interesting how children can come up with monsters and their own cautionary tales. Despite knowing the risk, they still advocate for the cause, which in this case was the candy. On the flip side, I’m curious whether the possible adult in this case recognized the repetitive initiation and played along by letting the kids be kids. Additionally, our discussions about popular culture’s influence may have encouraged kids to test this theory more often during a scary event (movies like Scooby Doo and Goosebumps).

Goosey Night (AKA Mischief Night)

Text:

M: “So on Goosey Night, we’d all sneak out and we’d bring ivory soap. It was always ivory soap. And you’d go around and you’d be putting soap all over people’s car windows so they can’t drive. And we’d throw eggs at people’s houses and stuff. People called it mischief, we called it goosey night”

Context:

M grew up in New Jersey. Every Halloween Eve, the kids in his town partook in “Goosey Night.” A night full of pranks, mischief, and mayhem.

Analysis:

The phrase “Goosey Night” is a form of esoteric form of folk speech. Most people call Halloween Eve Mischief Night, but my father and the kids he knew called it Goosey Night. By have a different, unique name for the night, the kids were able to communicate with each other in ways outsiders wouldn’t understand. The pranks and mischief of Goosey Night are rituals – repeated, patterned actions. It was a tradition for kids to break the rules once a year, on Goosey Night. In a way, the kids existed in a space of liminality because they weren’t ignorant babies or knowledgeable adults. If an adult partook in Goosey Night, they would most likely be arrested, but kids could because they existed in the in-between space.

Halloween Costumes

Nationality: United States
Age: 18
Occupation: Student
Residence: Los Angeles, CA
Language: English

Text: “Ever since I was little, I have always dressed up for halloween. When I was a little kid, it was always something fun like Rapunzel or Dorothy. As I have gotten older, I have put more effort into more creative and funny costumes, often matching with my friends. Even now I still dress up, just this last Halloween my friends and I all dressed up as the Powerpuff Girls. Even though I’m not trick-or-treating and often going out with friends, I always have to be in costume for Halloween.”

Context: This ritual was shared by the informant, N, during a conversation about holiday traditions that continue into adulthood. N explained that regardless of her age she will always continue wearing a costume for Halloween. While wearing a costume may seem rather simple, it helps set Halloween apart from a regular day. N also noted that the process of planning a costume often involves friends, adding a social element to the tradition. To N, this ritual is less about trick or treating and more about the feeling of celebration and self expression.

Analysis: This is an example of a calendar-based ritual tied to seasonal celebration and self-expression. In the U.S., dressing up for Halloween is quite common and allows individuals to express their identity through costume. For children, it often represents imagination and fantasy, while for teens and adults it becomes more of a creative and social outlet. The continuation of this ritual into adulthood shows how folk traditions can evolve with age. As N grew, she didn’t abandon this ritual but instead adapted it to fit her changing identity.

Haunted store

Nationality: American
Age: 20
Occupation: College student
Language: English

Text:

“ It was shortly after Halloween, so we had put up our Halloween decorations back upstairs and there’s this big witch, sort of an animatronic thing. We usually set it up by the door so– it has a sensor– so when you pass by it it’ll say things like “Oh, my pretty”. It’s really funny, but it was upstairs and we were just chilling down in the main sales floor, and we heard faintly upstairs the witch talking. We heard it saying those lines just faintly upstairs. And my boss goes upstairs to check it out and I just hear him yelp. And it’s because the witch was positioned– neither of us had positioned it this way and we don’t know if any of our coworkers did– but it was positioned just so it was hiding around the corner of the stairs. So it scared the crap out of him. But then we saw up there that there were several helmet boxes strewn across the floor, which is really weird because it’s usually very well organized up there. And no one had been up there all day yet, so there was no reason they’d be on the floor and no reason why the witch would be making noises up there without anyone to activate the sensor. So that was pretty freaky.”

Context:

“ I work at a motorcycle gear store. We sell helmets, gear, tires, parts, just stuff like that. But it’s kind of a known thing that our location is haunted. It’s right near OldTown so that area has a lot of history and we have an upstairs area that we just use for storage, all the empty helmet boxes we have up on the giant wall and stuff. Our holiday decorations are up there and there will be times when coworkers hear footsteps up there and there’s no one. “

Analysis:

The informant specifies that this location is rumored to be haunted, and that odd things happen all the time. However, he seems to recall more minor auditory hauntings such as footsteps and was shocked by this occurrence. Especially with the addition of the physical change in the witch’s location, the informant clearly viewed this as an escalation, not a maintenance of the store’s folklore. 

The actions of ghosts is often linked to changes in ownership or the physical wellbeing of a home, but ownership and occupancy of a store is a more difficult matter. Though the store is located in the Oldtown part of the informant’s city, and he believes that it’s history influenced the presence of ghosts in the area, metropolitan ghosts do not fit the stereotypical view of ghosts. In a lot of memorates, they are tied to ancestral homes or worn down locations, not capitalist chains that are highly organized. Therefore, the appearance of any ghost here is notable. 

In addition, the escalation described happened at a very auspicious time, on the day after Halloween (All Saint’s Day and Dia de los Muertos). This is a time where it is commonly believed that the veil between the living and dead, or the earthly and the spiritual, is lifted. It is possible that the events or the informant’s perception of these events, were enhanced by the recent holiday and transition between months. 

Colorado Festivals of Dead “Frozen Dead Guy Day” and Coffin Races

Text

“The first is Frozen Dead Guy Day, it’s in Estes Park. This man, Bredo Morstoel, he died, and he was like “I want to be frozen and you can bring me back to life one day when you guys have that technology.” And they granted his wish and there’s a shed that has his cyro preserved body in it, so he’s a frozen dead guy. And so every year there’s an annual celebration called Frozen Dead Guy Day in Estes Park, where they celebrate and all hail the frozen dead guy that’s just chilling in the shed in town. So people take photos outside and have coffin races.

The coffin races are similar to Emma Crawford Coffin Races in Manitou Springs Colorado. Emma Crawford wanted to be buried alongside Pikes Peak, which is right outside Manatu. There was a horrible mudslide on a rainy day and her coffin comes tumbling down the mountain, down through town square. They’re like “No Emma your coffin!” She gets put back in the mountain, it’s fine. But now to honor her displaced coffin there are coffin races where everybody has to make a coffin and race their coffin down the side of the road against other coffins. People dress up super Halloweeny, super fun, same with Frozen Dead Guy Day, to celebrate the dead! To keep her body safe in the mountain so she doesn’t come sliding in town again you have to race your coffin, to appease Emma Crawford. I used to go to Emma Crawford Coffin Races every year and I would participate, we would sit on top of a hearst. We would dress up and hand out flyers for the haunted house I worked at. Everybody gets so into it and gets competitive about the best decorated coffin, what’s the best design for racing, who do you want to win, who has the silliest costume? The whole thing’s broadcast on the news. Afterwards I love to get myself some pumpkin pie ice cream. 

Context

Y is a 19-year-old college student from Denver, Colorado. She would visit the Emma Crawford Races every year with her family because they have family friends in Estes Park who they would visit and stay with and celebrate the festival. Her dad would also often take her to the Frozen Dead Guy Day celebrations. She remembers the Coffin Races fondly as fun celebrations that were around her favorite holiday, Halloween. She’s really interested in the gothic and macabre, so these festivals were favorites of hers.

Analysis

Both festivals have all of the elements of festivals. They are examples of festival time, when you operate by different rules than you usually would. Death and the macabre are usually avoided for Americans, they’re usually sad, upsetting taboo topics. However, during these festivals, people celebrate those things and make light of them. Emma Crawford Coffin Races occur in October, relating them to Halloween or Samhein. Lots of festivals surrounding the dead happen during this time period, like Day of the Dead, Halloween, or All Saints Day. This is related to the agricultural calendar, when things got colder and crops would start to die after harvest. These are Chthonic festivals and rituals, relating to returning to the earth. During the Coffin Races, people become comfortable with the idea of being in coffins and returning to the earth, something that is usually taboo. Both of these festivals are also the results of when proper burial rituals were done wrong. In the case of Frozen Dead Guy Day, he defied the usual expectations of burial rituals, and is actually attempting to defy death by coming back to life later on. The Emma Crawford Coffin Races are supposedly held to appease Emma’s spirit, because her resting place was disrespected and disrupted, so the festival must be held as a sort of apology for this disrespect and to celebrate her spirit. Both festivals also include lots of elements of performance. They follow a syntax, with the opening, the main event of coffin racing, celebrations such as eating, music, and drinking, maybe a costume contest near the middle, and then the closing celebrations. The big event of the coffin racing in both festivals is a symbolic event representing people making light and coming to terms with tough topics like their own mortality. There are performative acts like the costumes, and the racing. Costumes are also an example of the festival’s specific dress requirements. The festivals also have specific foods associated with them. Y says she loves to eat pumpkin pie ice cream after the Emma Crawford Coffin Races, with pumpkin being a food associated with Fall and Halloween time. These festivals are also community and identity building events for the towns. Both festivals are held in small towns that take great community pride in these events. These festivals have put these small towns on the map, and share town history and folklore stories that have stuck around in the community.