Tag Archives: legend

Hobo’s Castle

Text: 

In the suburbs of Chicago, there is a long-deserted building by a railroad that stands about ten stories tall. It has holes, its windows are broken, and its doors remain open. This building is called Hobo’s castle. There are hobos that live inside, and if you go in there and get caught by them, they’ll eat you!

Context: 

It’s probably called Hobo’s castle because its size makes it look like a castle from the outside and hobos would stay there in between hitching rides on trains back when it was first abandoned. There have been hobos living there since then. Parents would tell their children not to go there. So, obviously, the kids would all bike there and explore. Only the first floor was accessible, but the kids would explore it, all while poking each other to scare their friends and daring them to do things. The people living there would chase them out sometimes, which is likely what spurred the children to begin telling each other that if they got caught, they would be eaten. 

Analysis: 

A recently popularized phrase found online is “fuck around and find out”, which is to engage in an action that is usually risky, and usually results in an unpleasant consequence. The desire to fuck around and find out is unquenchable in children, and this legend came about because of this. Children always want to feel more like full humans when they can, as in many areas of life they are limited by rules even when they feel that they have the physical and mental capabilities to be on par with everyone else, even if this feeling is erroneous. Thus, when there is no one around holding them to rules, they like to break the rules that they don’t think are necessary. They also embellish stories of their lives to make them seem more interesting and with higher risks, like how they view those of adults. Thus, the hobos in the castle will eat them if they are caught, not merely tell them off.

Andre Jackson

Text:

Andre Jackson is a football player who grew up here, in the suburbs of Chicago. He was the size of King Kong, could lift 500 pounds, and most of all, he was a hell of a football player. You should be like Andre Jackson. 

Context: 

Andre Jackson was a real person who became a local legend while out of town because of being someone extraordinary for his area. He went to the University of Iowa, a D1 school, and played linebacker. 

The interviewee grew up not knowing Andre Jackson, but hearing the legends and that Andre was 5 years older than him. VL thought Andre sounded pretty cool, but didn’t think that much of him until Andre visited VL’s school in 7th or 8th grade and gave a talk about what his life as a D1 athlete looked like, as well as what path he had taken to get there. That, and especially Andre’s pure physical presence in the room, really spurred VL’s desire to follow in Andre’s steps and is why he ended up playing D1 football himself.VL later learned that one of his closest friends was Andre Jackson’s little brother.

 Andre was one of few people in that area to go to college, and he inspired VL and 6 of VL’s friends to do that as well, instead of doing what most would, which is graduate high school and go straight to working a job. He was different and he was special, which inspired others in the area to try and be that as well.

Analysis:

I think the idolization of Andre Jackson speaks to the hope for great success that his existence instilled into a community that was otherwise mostly resigned to their lives being rather ordinary. Other than this, I think the interviewee’s interpretation of the legend is pretty spot on. 

Lake Spirit

Text: 

There was once a young lady who drowned her baby in a lake. As punishment, she was cursed to the same fate of drowning, and now her spirit remains by the lake. She comes to haunt those who do bad things.

Context:

There were lots of Mexicans and Mexican Americans where I grew up, so this was your typical boogeyman story to tell kids so they won’t do bad stuff, just with a deeper connection to Mexico/home. 

Analysis:

In this text, I see the theme of karma/ the golden rule being enforced: you are treated differently based on how you have treated others. Water is also dangerous for younger children if they cannot swim, so stories like this one can help to keep them safe by instilling a fear of the water in them until they are older and capable of being safe when near a lake, or knowing how to swim. This story also gives authority to the fear it attempts to instill by establishing that the lady has already drowned her own child, so she would most likely have no qualms about drowning someone else’s child.

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Baba Yaga as the Bogeyman

Context: The informant is a 22 year old USC student and the daughter of two Bulgarian immigrants. She told me that when she visited her grandparents, they would often tell her stories about Baba Yaga.

In C’s words: “[A]s a kid, my grandmother would bring up the story of Baba Yaga. Baba Yaga is this old witch who lives in a house deep in the forest. She lurks there, skulking the countryside, looking for naughty children to abduct. The only visible sign of her witchcraft is how her house moves around on its own two skinny chicken feet”

Analysis: C told me afterwards that her grandmother told her these stories in order to scare her into behaving, with Baba Yaga functioning much in the same way the Bogeyman would. Here, Baba Yaga is treated as a legend, with C’s grandmother purposefully attempting to make it seem as if being kidnapped by her is a genuine possibility; this is a common tactic to get children to behave.

Interestingly, this version of the story doesn’t emphasize that Baba Yaga is terribly ugly or scary in any way physically — the only way to tell that she’s a witch is to see her cottage, at which point it would be too late for a potential victim. This makes it easier for Baba Yaga’s story to function as a legend, as she could essentially be anyone around you, making it easier to think that she’s real. It seems that because there’s no popular hero/villain story with Baba Yaga’s defeat in it, it’s almost easier to transition her from a fairy-tale creature to what could be considered a legend. In comparison to, say, the Big Bad Wolf, who also seems to function as a manifestation of the consequences of one’s behavior, Baba Yaga is much more believable as a real and present fear because she isn’t clearly associated with a narrative in which she is killed. By this, I mean that saying that the Big Bad Wolf might come after you doesn’t work as well partially because the most popular version of Red Riding Hood today ends with his death.

Part of the associated fear seems almost as if it’s due to an inversion of the grandmother stereotype/figure/character; rather than being maternal, Baba Yaga steals children. As mothers or grandmothers would typically be the ones telling these stories, it would only further that feeling of discomfort due to some sort of transgression upon the traditional concept of an older maternal figure.

Lunar New Year Origins

Context: the informant is a 21 year old USC student with two Taiwanese immigrant parents. She told me that this was the story behind Lunar New Year. I was unable to record her exact words, but I was given permission to paraphrase.

The story goes like this: a long long time ago, there was a village that was attacked on the same day every year by a monster named Nian, which is the Chinese word for year. Year after year, people would die and they couldn’t do anything about it. Somehow, the people found out that Nian was afraid of fire, and so before he came to attack the village that year, they hung up red lanterns, tapestries, and banners outside their doors, hoping the monster would mistake the red color for fire and leave them alone. That year, when Nian came, he saw the decorations and was frightened away; that was the first year that nobody died. Every year after that, on that specific day, they would put up red decorations, hang red lanterns outside the walls, and set off firecrackers at night to make sure that the monster would never come back. During the day, children would also be given red envelopes to put under their pillows for protection. After that first year Nian was driven away, he never came back, too scared of the red colors that he thought were fire. Now for Chinese New Year, everyone wears red and puts up red decorations as a tradition, but this is the way it started.

Analysis: From the definitions we work off of in class, this would be classified as a legend because, while it’s an origin story, it’s an origin story for a tradition rather than a people or a land. It’s clearly set in our world and isn’t necessarily sacred, so if anything, it would be a legend, considering its veracity cannot be verified and it seems like something that, though supernatural, has the potential to be true.

Considering the red is supposed to mimic fire, it seems in theory very similar to some points that Francisco Vaz da Silva made about chromatic symbolism. He argues that the use of the black/white/red tricolor symbolism was “part of a general encoding of cultural values in sensory based categories” and while his argument was in relation to womanhood, I would say that some of might still apply. Red, in his example, was more of a sign of blood or maturation in Europe, but he goes on to reference a paper on African color symbolism that considers red as associated with activity or life-giving, much in the same way that blood might function.

Here, it represents similar concepts — red is a marker of life-giving in the way that it is a symbol of protection and its presence means the continued existence of life. Fire, and by extension, red, are both connected to the idea of life, resulting in an association of fire with vitality. Fire also brings light, driving away darkness and fear, creating another association with life-giving and continued success/safety.

Fire is also among one of the first things children are taught about (usually in the context of safety) and considering few things in nature are that color, I wonder if there’s more association of red with fire rather than blood for children who grow up hearing this story.