Monthly Archives: March 2024

Sichuan Rhyme about Domestic Life

Text:

Original Script in Mandarin Characters:

锅你洗了哇? 碗你洗了哇? 脏衣服一抹多, 你都洗了哇?

Pronunciation in Sichuan Dielect, Noted in Mandarin Pinyin:

guō nī xī lě wā? Wān nī xī lě wā? Zāng yī fu yí mō duō, nī dōu xī lě wā?

Transliteration:

You wash the wok? You wash the bowl? Dirty clothes so many, you finish washing?

Translation:

Have you washed the wok? Have you cleaned the dishes? Have you done the laundry?

Context: 

The informant is a 24-year-old female who currently studies in the United Kingdom, and was born and raised in Chengdu (the capital of Sichuan province). Sichuan dialect is her first language. Like other Sichuan families, the informant’s family used to have their TV on at dinnertime around 7 to 8 PM, when the local channel plays a TV series called The Happy Henpecked (“幸福的耙耳朵”, “耙耳朵” means soft ears and specifically refers to henpecked husbands in Sichuan dialect). The informant first learned the aforementioned rhyme as the first few lines from a rap at the beginning of the series’ opening theme music. As the TV series and its theme music grew popular among Sichuan people, the rhyme became an identity marker of Sichuan people who have seen this widely-known TV series due to its catchiness and somewhat accurate depiction of the Sichuan domestic life.

Analysis: 

Henpecked husband is a Sichuan stereotype that is not only recognized locally, but also transforms into a joke across mainland China. Known for their fiery temper, Sichuan wives are portrayed as the dominant “head of the family” in Chinese mainstream media. The Happy Henpecked is a comedy that depicts Sichuan domestic life in a humorous way, and the content of the aforementioned rhyme communicates exactly what to expect from a dialogue between the series’ protagonists, when a “bossy” wife questions her husband how is his progress in doing chores. According to the informant, most Sichuan Gen-Zs and their elder family members likely remember the rhyme because the popularity of the TV series has made it Sichuan’s cultural symbol.

Structurally, the rhyme is broken into three questions, with the first two questions containing 5 characters each and the last one broken into 2 phrases of 5 characters each. In addition to its rigid structure, the three questions end the same with “洗了哇” (“Have you washed…”) and rhyme together. As for the tones of the endings, they all end with an upward tone which is favored in the way Chinese people usually end a question or a poem. 

Rejecting socially constructed gender roles and gender stereotypes, the rhyme portrays a domestic relationship symbolized by a dominant wife and a submissive husband who finishes most chores. Unlike what people oftentimes expect from a piece of folk speech decades ago, the Sichuan henpecked husband stereotype proposes an anti-conservative family dynamic that embodies a relatively new view on gender and domestic life.

Shanghai Proverb Against Forgetfulness

Text: 

Original Script in Mandarin Characters:

阿拉做事体伐好脱头落襻

Pronunciation in Shanghai Dielect, Noted in Mandarin Pinyin:

ā lā zù zi tì fá háo té te lò pie

Transliteration:

We do things better not with a fell-off button and a dropped button loop.

Translation:

The proverb is used to remind people to not be forgetful.

Context: 

The informant is a 24-year-old female who was born and raised in Shanghai, and currently studies in the United States. Shanghai dialect is her first language. The informant first learned this proverb from elder family members, who oftentimes use this proverb to educate younger generations to mind their habits and social upbringing. The informant found the metaphor of button and button loop to be quite intriguing.

Analysis: 

Though the informant did not know about the origin of the metaphor “脱头落襻” (button falling off and the button loop dropping) when she first heard it from older generations, she later deliberately searched for the proverb’s origin. As it turns out, it’s likely that this proverb first emerged in the Shanghai dialect in the late 19th or early 20th century, when the old-fashioned clothes from that time period were known for having buttons and button loops to fasten. Hence Shanghai people started correlating a person being forgetful and being slovenly in their appearance with worn and unattended clothes characterized by their fasteners falling off. After learning about the button metaphor, the informant was both intrigued by it and surprised to find out that the proverb has been so natural in Shanghai dialect that she never actually found it to be incomprehensible.

Correspondingly, this proverb helped us learn about old-fashioned Shanghai clothing, but more importantly, it inevitably revealed how much Shanghai people value social upbringing and decency as reflected in their clothing and manner. Shanghai is historically known for its cosmopolitan lifestyle, and in this highly modernized metropolis delicacy, dignity and pride for themselves are highly valued. It’s no wonder that Shanghai people choose a metaphor regarding one’s looks to remind themselves to pay extra attention to their self-image, sending a social signal that they are decent, mindful people who don’t easily forget.

Cantonese Proverb Examining Appearance VS Reality

Text: 

Original Script in Mandarin Characters:

扮猪食老虎

Pronunciation in Cantonese:

baan[6] zyu[1] sik[6] lou[5] fu[2]

Transliteration:

Play pig and eat tiger.

Translation:

The proverb is used to describe ambitious individuals who pretend to be dumb.

Context: 

The informant is a 23-year-old female who was born and raised in Guangzhou, and currently studies in the United States. Cantonese is her first language. The informant could not remember when, where, and from whom she learned the proverb, but it has always been natural for her to both understand and use it regularly herself.

Analysis: 

The two animal metaphors in this proverb play their own parts, and combined, they work together to describe someone who appears to be ignorant and simple, but is in fact dangerously ambitious. Pig, often seen as a carefree animal, is featured to suggest someone’s simple appearance whereas tiger, the animal correlated with strength and superiority becomes the pig’s prey in this proverb. The seemingly absurd scene of a pig devouring a tiger suggests a dangerously ambitious individual can play dumb to achieve great means, touching on the discrepancy between appearance and reality.

The informant never researched but instinctively understands the proverb and has been using it quite regularly herself. Born and raised in the folk culture, she has no trouble understanding exactly what the two animals symbolize and is able to identify that the “pig” is actually what the proverb is describing. Despite the proverb is only made up with 5 characters, its concise and humorous message fascinates her even today.

Cat’s cradle

Age: 19
Language: English

My informant was a Japanese-American college student at USC who grew up in California. Below is a transcript of our conversation talking about the cat’s cradle, a playground game she played as an elementary schooler.

“A cat’s cradle is a string that you can manipulate into different shapes with your hands by making a series of movements with your fingers. It was taught by my friends in elementary school and requires other people to help out to work since the patterns are easily forgettable; I had to ask people all the time how to do it. If you could make a shape out of a string people thought you were cool because you’re making a new shape out of a simple string. It felt mysterious and skillful, like a cool trick you can do to impress other kids on the playground.

I remember I also tried to teach my mom it, who said that she knew how to do it when she was younger but she forgot how to do it as she grew older. I didn’t play cat’s cradle after elementary school. There was no particular reason why; new trends just came up and I forgot how to make it.”

Cat’s cradle seems to invoke a similar sense of fascination and mystery as performing magic tricks, but this sensation seems to be quite ephemeral. It’s reminiscent of how children grow out of pretend play because they feel childish pretending like they’re something else and they want to feel more “grown-up” (this is reflected in how “too old to play pretend” is a common saying.) Because cat’s cradle was a social activity and needed other people to learn it from, the informant probably felt social pressure to stop doing something no longer regarded as “cool” anymore. The fact that the informant’s mother also knew how to do it but forgot as she grew older suggests that this is a common pattern among young children and occurs with every generation.

Upside down red envelope 🧧

Age: 19
Language: English

The informant was a Chinese international student from Shanghai who goes to UC Santa Barbara. He describes a tradition in his household that takes place during Lunar New Year where his family puts a lucky red envelope (红包 – ang pau) upside down on their front door.

“The character on the envelope means prosperity or auspiciousness. Upside down (福 – fu) in Chinese is the same pronunciation as arrival. So putting it upside down is like saying that prosperity has arrived. People put that on their door during the New Year. Some people also choose to put that only inside their door to signify that the prosperity has entered the household. There’s also belief that the character at the front door should not be upside down since that upsets the prosperity but you can put the character upside down onto other things (like a closet) inside the house. It is a very common and significant cultural practice in China. And my family does that too. We typically put the character upside down outside the front door to our apartment.”

Because Mandarin Chinese is a tonal language where one word can have multiple meanings depending on what tone it is said in, there are many opportunities for word play like this instance. The disagreement between people whether putting the envelope upside down brings or upsets prosperity and whether putting it outside or inside the door is the correct way is interesting because it shows how different people interpret the wordplay differently and that there is no clear cut answer.

Nonetheless, using a lucky envelope to bring prosperity inside the home reminds me of how people across a lot of cultures have rituals to bring them luck for the new year (eating a select amount of grapes, kissing on midnight, etc.) and indicates that many people see it as a hopeful new opportunity to change their lives for the better.