Author Archives: Ina Ycasas

Boodle Fight

Text: 

I: Sometimes, when we had a lot of family over for a gathering, we would prepare a boodle fight. My aunt would lay down some banana leaves on the table and the food would just pile on. Rice, seafood, pancit, beef and pork. And there were no dishes, no utensils. You eat with your hands. Just family sharing a meal. Oh, and a lot of napkins.

Context:

The informant is 48, and was born and raised in the United States, and whose parents were born and raised in the Philippines. This wasn’t a feast that happened often, but also wasn’t necessarily exclusive to special occasions. Whenever there were many family members in the house, a lot of food was prepared so that everyone would eat. Rather than being a meal that celebrated a certain occasion, it was a time for family members to share a meal while also catching up on each other’s lives.

Analysis:

The “boodle fight”, also known as the kamayan by some Filipinos, refers both to the communal feast and the act of eating with your hands. The term “boodle fight” specifically, comes from American military slang that was used to describe contraband food. According to sources, the kamayan was an indigenous Filipino practice that existed before pre-colonization. Though it was continually practiced through Spanish occupation, it was during American military occupation that the practice was suppressed due to forced conversion of American standards and etiquette. The resurgence of the kamayan in Filipino households, especially those in Filipino-American households, marks a conscience return to Filipino cultural roots, with the tradition being passed down from family member to family member, without the threat of American confirmation or suppression. The commercialized version of the boodle fight, now available as an option in some modern Filipino-American restaurants, continues this tradition and also extends it to people outside the cultural group as a meal shared amongst friends.

The Magic of Vicks VapoRub

Text:

I: Whenever someone in my family was sick or feeling under the weather, the usual go-to before any over the counter or cough medicine was Vicks VapoRub. It wasn’t necessarily a solve-all, but it was known in my family to make things feel a lot better and it would help you breathe better if you were congested. Funny enough, if I was only feeling a little bit sick, putting some of it on my chest before sleeping would make me feel better the next morning.

Context:

The informant is 48, was born and raised in the United States, and whose parents were born and raised in the Philippines. The informant isn’t sure where the use of Vicks to “cure” illnesses came from, but knows that it is a somewhat widely held belief in Filipino culture, and popularly satirized by Filipino-American comedians like Jo Koy. 

Analysis:

Within the informant’s family, the use of Vicks VapoRub is both a cultural inside joke while also acting as a type of folk medicine. While there is no scientific evidence suggesting that Vicks has physical benefits to ailments, the widely held belief that it is soothing during the healing process is passed down between Filipino family members. The reliance on the mentholated ointment may stem from a cultural stigma surrounding healthcare and accessibility to healthcare within Filipino communities. A sentiment shared by our elders was usually: “if you could fix it at home, there was little reason to seek help outside”. Though the sentiment remains, it’s relevance has faded with the newer generations, who look to Vicks not as a miracle drug but as a home remedy that soothes and is nostalgic, but does not necessary solve the problem.

Pag Pag

Text: 

After a Filipino funeral or wake, it is a widely held superstition that the mourner does not return immediately to their home, but instead stops at another location before returning home. That way, the spirit of the deceased cannot follow you home.

Context:

The informant is my 67, and was born and raised in the Philippines, and still continues to live there. After the funerals she attended in her youth, she was told by her parents and other elder family members that they had to go someplace else, and could not immediately return home. Usually, this other location was a restaurant, where family members shared a meal before going home after the funeral.

Analysis:

The term “pag pag” literally means “to shake off something”, usually used in the context of dust or dirt. In other contexts, this term could refer to dusting off your shoes before entering the house. However, this “pag pag” is more meaningful and symbolic in that the thing you must shake off before entering the house is the deceased spirit from the person laid to rest at the funeral. Filipinos have many superstitions surrounding the dead, pag pag being one of them, and act as a means of warding off evil spirits or malevolent forces. By stopping at another location before going home, you avoid leading the spirit of the dead directly to your home, which Filipinos believe will bring bad luck.

Tinikling

Text:

The tinikling is a dance performed by Filipino people where the dancers hop between two bamboo poles held on either side by other performers, as the bamboo poles are tapped on the ground in a specific rhythm.

Context:

The informant is 67, was born and raised in the United States, and whose parents were born and raised in the Philippines. She performed this dance for school as part of physical education and sometimes for school performances. The dance was taught by the school as the national dance of the Philippines. 

Analysis:

Tinikling, the national folk dance of the Philippines, is a dance inspired by the movements of the bird that it is named after. Though there are many stories about the origin of this dance, the one with most historical context is that it arose among the indigenous Filipino people after Spanish colonists would punish the Filipino people working in their plantations by smacking their feet with bamboo sticks. Therefore, the form of folk dance that evolved from this punishment serves as an act of rebellion against past colonization and occupation, as well as a celebration of Filipino heritage. The dance is performed not only in the Philippines, but survives in the younger generations who perform the dance, usually in cultural clubs at universities.

Philippine Debut

Text: 

On her 18th birthday, a Filipino girl is usually expected to have a debut ball.

Context:

The informant is my maternal grandmother, who was born and raised in the Philippines, and still continues to live there. She celebrated her debut in 1956. For her, the ceremony was a special and important occasion that allowed her to celebrate her birthday with friends and family members in a grand and unforgettable manner.

Analysis:

In Filipino culture, the debut represents a coming of age ritual. Since the age of adulthood for Filipino girls is 18, the debut is held on their 18th birthday. The debut holds a significance similar to the Quincenera (age 16)  for Mexican and other Latin American cultures as well as the sweet sixteen for some North American cultures. As in most coming of age rituals, the celebration marks the crossing of the threshold between childhood and adulthood, and in this specific case, childhood to womanhood. After the debut, the debut celebrant is recognized by her society as an adult woman.