Category Archives: Digital

99 little bugs in the code

Nationality: American
Age: 21
Occupation: Student
Residence: Los Angeles
Performance Date: February 2023
Primary Language: English

“99 little bugs in the code, 

99 little bugs… 

Take one down, 

patch it around, 127 bugs in the code!”

Genre: joke/song

Source: 20 year old USC student majoring in computer science

Context: The student doesn’t remember exactly when she learned this tune, but says it is the coders’ take on the classic “99 bottles of beer” song. 

Analysis: In this adapted version, the number of bugs increases many instead of going down by one classically. The student explains this is the focus of the joke, because the patching of an error frequently leads to the creation of more “bugs” in the code. Where the traditional version of this song is normally heard during monotonous tasks, or when killing excess time. In this 21st century rendition, the song achieves the same purposes, as fixing code is often a seemingly endless and time intensive process. 

Bot

Nationality: USA
Age: 20
Occupation: Student
Residence: Los Angeles
Performance Date: 2/20/2023
Primary Language: English
Language: Spanish

Background:
The Informant is a video game player. They play multiplayer games online.

informant: If I got paired with a really bad player, I would say that this guy is such a bot. It means that they are bad at playing the game as if they are the practice bot that the game provides in the beginning stage. Sometimes I would say that they are Artificial Intelligence bot because they are talking to you in the chat, but they play like a bot.

Analysis: This simile is broadly used by video game players, especially when a player cannot choose their teammates. It’s a saying to express frustration. This also shows how people believe AI bot is worse than human when it comes to gaming, which is a debatable statement.

Video Game Taunting – Online Insults

Main Perfromance:

In the online game series called “Halo,” CS was exposed to the start of a long running insult to one’s opponent called “tea bagging.” The movement, crouching up and down over a dead enemy, was so infamous that it got its very own name.

Background:

This action of crouch spamming over an opponent that the player killed, has since expanded to pretty much all online shooters, but is less often called by the name. Instead, the action is by far the most recognizable part of the gesture.

Context:

When playing the online game “Overwatch” with CS, he got killed and “tea bagged” by the enemy team.

Thoughts:

Disrespect and crude humor is a common occurrence in online video games, especially when it gets very competitive. The same way that basketball players might taunt each other before and after making shots, online gamers treat the sport with a similar attitude. With more and more humor coming from the internet, on occasion, this emote/crouch spam taunting makes its way even into the material world.

Reference:

I found one other post about this online taunt/humor in our archive:

http://uscfolklorearc.wpenginepowered.com/video-game-celebration-american/

AI Poem

Background:

Informant (T) is a student studying at USC.

Main Piece:

“Nothing is so good or so bad that it can’t be both at the same time.”

Context:

“My friend likes to create poems using AI, and this was a sentence made from one of them, and we like to use it a lot now.”

Analysis: 

The usage of digital technology in folklore is now a primary topic of debate. Whether or not this saying can be constituted as folklore could certainly be contested, but as according to my informant, they use it amongst their group, thus being passed around orally. Folklore studies are also generally less concerned with the origin of a piece of folklore in recent years, so despite the technological origins of this piece, I believe it still counts as folklore. This particular saying is both vague and universal enough that it emulates an actual proverb, which are popular as they are short and easily understood, and also embody a form of historical wisdom. In this case, the saying speaks on moral balance and the inherent gray nature of things (rather than having a clearly defined good vs. evil), which perhaps aligns with the moral compass of my informant and his circle of contacts.

Using digital technology as a means to create folklore also raises interesting questions on copyright and ownership, which are also increasingly prevalent discussions in the 21st century. While my informant didn’t specifically touch on ownership, it is highly possible that such pieces of digitally-created media are then owned by its creator (perhaps the most prominent example of this would be NFTs), and while in this case the saying is attributed to my friend, if it spreads across a larger population, the origin of such a saying could eventually become blurred.

Twitter Slang: “Drinking from the mother lake”

Text:

FC: “There’s a saying, when someone serves seismically, you say that they drank from the mother lake. And the mother lake’s not a real lake, believe it or not. It’s kind of a metaphorical, symbolic source of power for, like, motherly behavior. And motherly behavior, anyone who serves, who delivers some sort of jaw-dropping performance, piece of media, they’re mother. They’re queen, they support me, they nurse me. And in order to gain those powers, that ability, they had to drink from the mother lake. The primordial source of power.”

Context:

The informant is a 20-year-old college student from St. Louis, Missouri who has been using Twitter since his early teens. He describes the community he occupies on the app as “stan Twitter,” which is an online community of young people who bond over their fandom for certain musical artists or pop culture interests. Stan Twitter has a specific sense of humor and vernacular, much of which is derived from the cultural practices of the LGBTQ community, of which which many members of the online subculture are members. Black drag queens in particular are responsible for the creation and proliferation of much of the language employed by stan Twitter users.

“It’s very common to talk about celebrities, music icons as, you know, people say “queen” and a lot of that comes from LGBTQ slang, like drag slang,” FC said. He believes that the term “mother,” a reverential term colloquially applied to usually female artists whose work an individual finds exceptional or resonant, was taken from drag and ballroom culture. Since many people involved in these subcultures found themselves alienated from or rejected by their families because of their queerness, drag houses and drag families, or communities of queer people and drag performers, substituted as the kind of support networks which traditional families usually provide. In these groups, “there’s always a mother of the drag family who is the most experienced queen or ballroom performer with the most knowledge and experience to share,” FC said. “They are just held on a very high pedestal and their abilities and servery is applauded, and I think that’s a lot of where ‘mother’ comes from.”

FC described how stan Twitter humor often involves taking one foundational joke or vernacular element, and continually modulating it into absurd derivations. He thinks that the term “drinking from the mother lake” formed through this process, beginning with trends of calling artists “queen” and “mother” and coming up with increasingly extreme, peculiar, and culturally specific ways to express this same admiration.

Analysis:

         This slang term, and slang used on stan Twitter in general, is deeply grounded in LGBTQ history and identity. Young people on this platform connect with previous generations of queer people by using their language and traditions, arguably creating a community or uniting people of queer identities through common experiences or a common culture. Moreover, stan Twitter users form a community by fostering common interests, a sense of humor, and a vernacular style often derived from culturally specific references. To understand the linguistic traditions used by this community, one must understand what the lingo refers to and how humor functions on the platform. Someone’s ability to employ these vernacular traditions, communicate, be funny, or find others funny identifies them as a member of the community, as a member of the in-group, and provides the opportunity to bond with others who share interests and experiences.

The collaborative process by which this slang term evolved strikes me as particularly folkloric. There is no individual author, instead, people add onto each other’s versions, with different derivations branching off and becoming popular in different circles. With every iteration, a new dimension of strangeness and cultural specificity is added, so appreciation for a song or an artist can be expressed by saying that such artist “drank from the mother lake.”