Category Archives: Kinesthetic

Body movements

Dayenu on Passover

Nationality: Persian
Age: 63
Occupation: Small Business Owner
Residence: Los Angeles
Performance Date: April 21, 2019
Primary Language: English
Language: Farsi

Context: My informant is a 63 year-old man of Persian descent. The piece is a ritual practiced by Persian Jews at traditional Passover seders, which is a generations-old gathering where specific foods are eaten to remind oneself of the hardships faced by Jews in Egypt. Each food symbolizes an aspect of the suffrage, and is consumed after reading stories and prayers from the Haggadah – the text recited at the seder.

 

Background: The morning after I had a Passover seder with my family, I decided to ask my informant about a tradition almost exclusively practiced by Persian Jews. He explained that they had practiced this tradition while still living in Iran, before they moved to Los Angeles after the fall of the Shah. It remains a staple of Passover seders at any Persian Jewish home.

 

Main Piece: “When it’s time in the seder for the green onions, we do Dayenu. This food symbolizes how we remember that the Jews were beaten and whipped as slaves in Egypt. Persian Sephardic Jews have a fun twist on this to make the seder more fun and enjoyable while also remembering these hardships. After reading the piece from the book and saying the prayer over the green onion, everyone starts singing the Dayenu song and runs around hitting each other with the onions. It’s fun and chaos, and it makes such a long traditional seder a little more lively and bearable. I’m not sure how this ritual originated, but only Sephardic Jews do it usually. It mimics what the slaves went through in Egypt but it also brings a fun and enjoyment to the holiday.”

 

Analysis: It’s interesting to see the distinction between practices of different sectors of Jews. While Orthodox and Ashkenazi Jews take a more traditional aspect to the Passover Seder, Sephardic Jews practice this ritual to celebrate the remembrance while also bringing excitement to the tradition. There is debate about where the custom originates, but it’s typically practiced by Sephardic Jews from Iran and Afghanistan.

 

Spitting on the Devil

Nationality: Russian American
Age: 21
Occupation: Student
Residence: Los Angeles
Performance Date: 4/21/19
Primary Language: English
Language: Russian

Description

“Whenever you talk about something good happening, like if you mention you’re doing good, you have to spit over your shoulder three times. The Russians believe that’s where the Devil is, so you’re spitting on the Devil real quick, just to make sure that he doesn’t, uh, to make sure that nothing negative happens. Speaking of that, you usually don’t want to talk about anything good happening in the future or anything, you wanna be pessimistic. Or else it means that it won’t happen, if you talk about it a lot.”

Context

I asked the informant about his Russian culture, and he proceeded to tell me a lot about Russian superstitions and things that his family practices. He said that he first encountered this when he was very young, because when he was young he wanted to talk about what he wanted to do when he was older, but his mother would always remind him to spit on his shoulder, as outlined above.

Analysis

This is interesting to me because as someone who grew up without “culture” aka, my family is generations removed from its original culture from wherever in Europe, I never encountered the idea that talking about the future could be bad. I think this says a lot about Russian temperament that a lot of people talk about — I’ve heard that Russians are in a bad mood all the time, etc. I like the idea that something could be ruined by talking about it, as I’ve had good news that is almost true, but didn’t want to share it with people in case it didn’t actually end up happening.

 

Up You Men

Nationality: American
Age: 19
Occupation: Barista
Residence: Burbank
Performance Date: March 16, 2018
Primary Language: English

Official pep song of the Aleph Zadek Aleph (male Jewish teen youth group). Commonly started by president/board member/event leader drawing out the first word before everyone jumps in and forms a mosh pit.

Lyrics (More shouted than sung): Up you men and sing to AZA

Time will pass and we’ll be on our way

As the years go by there will be

Happiest of memories (Ra ra ra!)

Stand and then

We’ll sing this song again

All you loyal men

Sing the praises of our order

Sing up you men of AZA

(Once it reaches this part the song usually winds down with everyone matching a “heartbeat” rhythm pattern on their chest.)

 

The song is a shortcut for whatever peer leader is running a given meeting or event to bring up the energy in the group and get them to pay attention in one fell swoop. The lyrics themselves serve to hype up the group and its individual members in a way that’s somewhat jingoist. No official origin is known, but the full lyrics are included in the official AZA handbooks which speaks to its deep history and significance to the folk group. The organization’s origins (also detailed in the handbook) as a very pro-American group which contributed to the nation’s WWII war effort probably explains the jingoist vibe of the piece. Little details such as the second verse present in the handbook being absent in favor of the heartbeat rhythm (explained to me once with “Every Aleph’s heart beats the same way.”) as well as the mosh pit aspect (the handbook doesn’t comment on dances for the song) indicates that the song is still a living, breathing folk tradition that defies standardization and continues to evolve in use.

“Black and White” Chinese Children’s Game

Nationality: Chinese
Age: 78
Occupation: Retired
Residence: San Mateo
Performance Date: 2/15/2019
Primary Language: Chinese
Language: English

[The subject is MW. Her words are bolded, mine are not.]

Context: MW is my grandmother, who was born in Shanghai and then lived in Hong Kong later on in her youth. She moved to San Francisco as a young adult and has lived in the Bay Area for the last six decades. She is a native Mandarin speaker, but is also fluent in English. I sat down with her and asked her to talk about some stories from her childhood. Before this, she had mentioned a “black and white” game that she played with the other kids, and I asked her to return to that subject and explain it to me.

ME: You mentioned a “black and white” game earlier that you play with your palm.

MW: Yeah, yeah.

ME: Could you explain to me what that is?

MW: Nothing. Oh this? [Holds out hand, palm facing up] Just, we play…

ME: How do you play it?

MW: So we say… and then it’s like, [holds hand behind back, then moves to hold it out in front of her, palm facing up]. You play, it’s the game, right? And then we play game like everybody go, [holds hand behind her back] and only you [holds out hand, palm facing up] is white, is good. Right?

It’s like, we always go like this [holds hand behind back], and then sometimes I go like this [holds hand out, palm up]. Right? That means… I won.

ME: Could you explain why that means you won?

MW: It’s like, we play, who will do okay? If the game, if you throw the ball. Who will be the first one to do it. So we don’t let them know [moves hand back behind her back], and ‘one, two, THREE!’[brings hand back out, palm facing up], right? And with three people, then it’s like we all white, and then this one, this [turns hand over so that palm is facing down], is black.

ME: So ‘white’ is your palm facing up and ‘black’ is your palm facing down?

MW: Yeah.

ME: So how many people do you play it with?

MW: You play it about three people.

ME: If everyone has their palm like this [I have my palm facing down], what does that mean?

MW: Then it’s nothing. But if it’s ‘one, two, three’ and one is out [puts out palm facing up], then he won.

ME: Then why can’t you do this [palm facing up] every time to win?

MW: Because one can start, and then the other ones can follow you, I don’t know. So it’s everybody, like this [palm facing up], then that’s fine, but it should be [flips palm, facing down].

Thoughts: This game stood out to me when MW first mentioned it in passing because I had never heard of a hand game like this, and she called it “Black and White,” which was interesting because the two opposing colors seem to appear a lot in folklore. From what I gathered by my grandma’s description/demonstration, three children play the game and they start with their hands behind their backs. Then, on the count of three, they all put out their hand with it either facing palm up (white), or palm down (black). This part I am the most unsure of, but I think that the goal of the game is to be the only person of the three to have the “white” hand or the “black” hand. Thus, neither “black” or “white” is better, instead, the winner would be the person who chooses how they place their hand uniquely. This is surprising to me, because typically in children’s stories with the colors black and white, one signifies good and the other evil, but in this game they are only meant to signify opposites.

Nepali Winter Holiday Food

Background

Informant: S.S. – a current Senior in college in Indiana, originally from Nepal.

Context

S.S. entire family still resides in Nepal and he always felt very connected to his heritage through food and by cooking the traditional meals from his home country. The collector has personally enjoyed S.S. meals and has observed the performance of Nepali culture and heritage while cooking with S.S. When prompted about special holiday meals or dishes in Nepal, the informant shared this which I have transcribed below:

Main Piece

“So we eat something called Kwati which is like a soup/stew. And it’s made out of 9 different beans- black eyed peas, cow peas, black lentils, chickpeas, adzuki, fava beans, soybeans, Mung dal, green peas. They’re all soaked before and cooked for an hour and a half along with garlic and ginger paste. We usually add momos to the soup too which are Nepali dumplings. And you can eat this anytime, especially in winter because of its high protein value and health benefits but during the holiday of Gun Punhi (Goon Poon-he) we make it and it’s a delicacy too. We add a tempering oil to it after it’s done cooking, which is basically heated oil or ghee and you quickly fry ajwain (carom seeds) and pour the mix into the kwati. So in my family and Newari culture, when the soul is served, before eating we have to look at/for our reflection in the soup and then only we can begin to eat it. This is like a ritual significance to show that eating this cleanses your soul and also rids your body of negative energy but it’s also very healthy so a way to tackle the winter.

Thoughts

From my relationship with the informant, I have learned that food is incredibly important in Nepali culture and that Nepalese people feel very connected to the idea of the clarity and pureness of their soul through the food that they create and consume. Much of the food made in Nepali requires a deep understanding of the rituals of cooking, meaning that each step in the making of the dish is specific and has a purpose. For example, the washing of rice multiple times prior to boiling it, from S.S. telling, serves a dual purpose. One is obviously the practical need to wash the rise of dirt before preparing it, but also the idea that cleaning the rice is important for the body and how the body receives it. Often, there are very specific steps and timing involved in the preparation of the meal, adding things at certain times and this requires a very intricate knowledge of the culture and the meaning behind each step from a spiritual understanding.