Category Archives: Rituals, festivals, holidays

Winchester Rubber Duckie Festival

Nationality: Venezuelan American
Age: 18
Occupation: student
Residence: usc
Performance Date: april 17, 2018
Primary Language: English
Language: Spanish

What is being performed?
TA: I’m from Winchester, Massachusetts which is like 30 minutes from Boston and every year
we have a Rubber Duckie Festival that the whole town comes to.
AA: What’s the rubber duckie festival?
TA: I don’t even really know. But I’ve been going my whole life. Basically, though, it happens
every summer and every kid brings a rubber duckie and a crane drops all the rubber duckies
into the river and they race. The duckie that makes it to the end gets a cash prize but it’s really
hard and completely dependent on luck.
AA: What are you celebrating?
TA: It’s about summer. I’m not exactly sure if other places do this but the rubber duckies are
supposed to just be symbols of happiness.

Why do they know or like this piece? where/who did they learn it from? What does it mean to
them?
AA: When did you first discover this festival?
TA: When I was a little kid my parents took me. And then I kept coming back because my dance
class would always perform.
AA: Do you like the festival?
TA: When I was a kid it was super fun because I would want my duck to win but now it’s just a
time for me to catch up with my friends and do something for Winchester. For my incredibly
small town, it means the world.
Context of the performance- where do you perform it? History?
The Winchester Rubber Duckie Festival happens annually in June. It brings the entire
community out, features youth performers, and has live music. It is a way for Winchester to be
united for a day.

Reflection
I have never heard of this festival before but think it’s cool and wish my town did something like
that. Having the racing of the rubber duckies is a fun way to get even the littlest children
involved. I think this is something that only works super well in small towns like Winchester but
is a good idea in theory for all towns.

Juneteenth

Nationality: African American
Age: 60
Occupation: part time elementary school supervision aid
Residence: Carson, CA
Performance Date: April 24, 2018
Primary Language: English

What is being performed?
LA: I think Juneteenth might be the most important celebration in the City of Carson.
AA: What is juneteenth?
LA: Juneteenth is a festival that takes place every year in mid June to celebrate the day the
slaves were freed. I think they were freed on June 13th, but the story goes that the slaves
couldn’t say “June thirteenth” so they said “Juneteenth” and that’s where the festival name
comes from
AA: What kind of activities happen at Juneteenth festivals?
LA: There’s a lot of food. A lot of Watermelon. A lot of children, African dancing to remind you of
your roots, and jazz music.
AA: Where do Juneteenth festivals usually take place?
LA: They are almost always outdoors in parks
AA: Is there any structure to the festivals?
LA: There’s usually an opening ceremony of “Lift Every Voice and Sing,” a main event of praise
dance or other African dance styles, and a closing where you pray to your ancestors
Why do they know or like this piece? where/who did they learn it from? What does it mean to
them?
AA: Why do you like this piece?
LA: It’s a reminder that freedom can’t be taken for granted.
AA: How did you find out about this festival?
LA: I grew up in Compton and my mother used to take me to Juneteenth. Now, I hear about it
through flyers from the city of Carson.

Context of the performance- where do you perform it? History?
Juneteenth is performed around June 13th annually predominantly in Black communities but
could be found in other places. It’s meant to celebrate the freedom of slaves in America and
give thanks to ancestors that were enslaved and beaten for the freedom of future generations.

Reflection
Growing up I have been to multiple Juneteenth festivals and see them as a safe space to be
joyous about my culture, black excellence, and African aesthetics. I have participated in praise
dances that usually take part in these events and see this festival as very important festival to
take place in America, especially today.

Going to the wagons

Nationality: American
Age: 70
Occupation: Journalist
Residence: Berkeley, CA
Performance Date: 4/1/2018
Primary Language: English

A family friend, Ruth, grew up in a small town outside of Boston that had an unusual 4th of July tradition called “going to the wagons.” The following is a conversation between us about the tradition. “R” is Ruth and “L” is myself.

L: So what is the name of the town you’re from?
R: Dedham, Mass. And this would happen in Oakdale Square.
L: Okay.
R: And so the night before the 4th [of July], late at night, um like, we were young kids so we would go to bed first and our parents would wake us up and we would walk down to Oakdale Square, to take us to the wagons. And we would get there and y’know there’d be a crowd of people and like kids–it was kids I guess–who would roll these burning wooden wagons into the square. [It was called] “going to the wagons.”
L: So they were on- like what do you mean they were on fire?
R: They were burning!
L: Like they had, they were just set ablaze? Like the whole wagon?
R: Yeah!…I think what prompted them to stop this custom was, um, the drugstore windows broke from the heat of the flame, and so they stopped doing it. This was in the ‘50s.

The 4th of July is usually celebrated with fireworks, so in a sense this tradition seems an extension of the pyrotechnic theme present in the holiday. It makes sense that peculiar local traditions surrounding independence day would be most common in the Northeastern United States, particularly around Boston and Philadelphia, as that region was the site of much of the early political history of the U.S. as a nation-state.

Shooting guns to welcome visitors

Nationality: American
Age: 17
Occupation: High school student
Residence: Washington, DC
Performance Date: 4/8/2018
Primary Language: English
Language: Arabic

My friend Amal is of Jordanian and Lebanese descent. She told me the following story about a tradition in the town of Fuheis, Jordan, and a chaotic culture clash resulting from it:

“My grandfather was from a wild west of Jordan, otherwise known as Fuheis. And like, so in Jordan like, at weddings- not weddings but like parties the night before the wedding; I don’t know if there’s even an equivalent in America ’cause it’s not like a bridesmaid’s, it’s not like a shower. So at the party the night before the wedding you like shoot guns in the air. And then also like, sometimes to like, welcome someone who’s coming to your town you like, or if there’s a party, you just shoot a gun in the air. And so there was this um, famous Arabic singer who was coming to do a concert in Fuheis, um, I forget his name…But um, famous Arabic singer, like really big concert, blah blah blah. And uh, he’s like introducing himself and his set and my grandfather yells and like runs up on stage and is like, ‘welcome! We’re so happy to have you in Fuheis!’ and whips out a gun. And shoots the gun in the air. And this guy has uh, has never been to Fuheis, he doesn’t know this tradition, and he is terrified and security drags my grandfather away. And uh, that’s my fun story about our traditions.”

This personal account of a tradition in practice demonstrates the ways in which local folklore can create unpleasant or funny results when placed in a context with outsiders who aren’t familiar with it. These kinds of recontextualizations result from an increasingly interconnected and officialized world in which non-institutionalized local traditions often remain.

Three Kings’ Day

Nationality: American
Age: 18
Occupation: Student
Residence: Southern California (Huntington Beach/Los Angeles)
Performance Date: 4/9/2018
Primary Language: English
Language: Spanish

My friend Rudy, who is Mexican-American, shared the following description with me of how their family celebrates Three Kings’ Day:

“Three Kings’ Day is a really big one- that one we celebrated specifically. So that was like, January 6th, it’s the day that the three wise men finally reach Bethlehem with the baby Jesus. And um we- you’re actually not allowed to throw out your Christmas tree, in like, Mexican culture, like until Three Kings’ Day. So you have to keep your tree until then because that’s like, the official like, end of the season. And like, you put your shoes out and you leave food for the camels and then they fill your shoes with like sweets or a toy as a thank you for um, feeding the camels and giving them a rest. And like as a congratulations for being a good child. And so that was um, always important, and then you have a rosca de reyes which is um, a bread shaped like a crown so it’s like, circular bread. And um, there is sugar on it and dried fruits and there’s also tiny baby Jesuses inside it…There’s like multiple babies in roscas sometimes cause people like, like to play with fire. And um, well it’s like, when you get the slice and you get a baby Jesus inside your slice then you are obligated to throw a party on February second. And that’s the uh, day that Jesus is presented to the temple. Um, so you have to throw the party that day. But at that point it’s less about Jesus and more about more partying.”

When I heard Rudy’s description of the rosca de reyes, I recognized it as a variant of the “king cake” eaten in New Orleans on Mardi Gras. Mardi Gras king cakes are also circular and have a tiny plastic baby representing the baby Jesus baked into them. The version of the king cake tradition I learned from my aunt, who lives in New Orleans, says that the person who gets the baby in their slice has to buy the cake the following year. The king cake/rosca is a prime example of folkloric foodways that are present, but variable, across cultures.