Category Archives: Rituals, festivals, holidays

Big Cookie Hero

Nationality: American
Age: 61
Occupation: University professor
Residence: Los Angeles
Performance Date: March 24, 2016
Primary Language: English

 

My informant is an American from Minnesota, who has ancestors from Czech republic and Sweden, back to 1880.

“My grandmother used to tell me a story of a big cookie that could roll around and have adventure.  Sometimes it was oatmeal cookie sometimes it was a chocolate chip cookie, but they would roll around have adventures, save kids…She may have the story come down from her ancestors. Sweets are big product in Sweden. She may possibly hear this from her mother. It was like a bed time story. The big cookie was the hero. He would roll down the streets and rescue a lot of stupid kids. I think the cookie did talk, say things like ‘you stupid kid, how did you stuck in the mud? how did you lock yourself in the room?'”

“My grandma, who lives in St. Paul now, she still always has a mass amount of cookies and pastry that she baked before we came. So much culture pass down through food. ”

As an animation filmmaker and teacher, Christine loves this kind of tales that she heard from her family, which has also inspired her a lot in her creation.

I think this kind of folklore tales is really playing a positive role in people’s childhood, which could make the children grow up happily and imaginatively.

 

Salt for bad spirits

Nationality: American
Age: 60
Occupation: Director, Animator, Professor
Residence: Brooklyn, New York
Performance Date: March 23, 2016
Primary Language: English
Language: Polish

My informant is an American from New York, whose family originally came from Poland 100 years ago. His grandfather was a baker and his grandmother was a peasant girl.

“She used to take salt with her when she went to new places, put them at corner and drive away bad spirits.”

“I think it’s their superstition from their peasants’ logic 100 years ago.”

I’ve actually heard this mystic belief of connection between salt and bad spirits in more than one cultures. To me it sounds very random and arbitrary, but if this activity could comfort the people who believe in that from anxiety and insecurity, I don’t think it should be criticized as superstition in a harsh way.

Vision before death

Nationality: American
Age: 60
Occupation: Director, Animator, Professor
Residence: Brooklyn, New York
Performance Date: March 23, 2016
Primary Language: English
Language: Polish

My informant is an American from New York, whose family originally came from Poland 100 years ago. His grandfather was a baker and his grandmother was a peasant girl.

“In my family, when my relatives are dying, they will always see someone who is dead before them, like they’re calling them. Like when my grandmother died, she saw her husband. (But how do you know about that? They’re dying right?) Yeah, but you know, like, when my grandma was dying, she would say ‘did you see grandpa? Grandpa was here.’ It’s within a few days, that week. And my aunt did that too, ‘I saw Raman’, which is her husband, who died 20 years before. I don’t know, who knows?”

There might be some other scientific explanations on that phenomenon, but I think it also make sense to me that when people are dying their brain uses this way of reasoning to release their fear toward death: there is still a good side about death that you’re gonna meet with your beloved one who has also been dead.

 

“Kolo”-Croatian Circle Dance

Nationality: Croatian, American
Age: 80
Occupation: Mechanical engineer
Residence: Los Angeles, CA
Performance Date: February 6, 2016
Primary Language: Croatian
Language: Italian, English

Informant FV is my grandfather who was born and raised in Split, Croatia. As a young boy, he grew up in a traditional Croatian family who upheld their culture through dancing Kolo. Kolo is a series of folk dances that vary by region. The word kolo is translated into “circle dance.”

For those you are not familiar with the Croatian culture, explain what kolo is and what it means.

FV: “Kolo means circle dance and it is a series of Croatian folk dances performed across the different regions in Croatia. Kolo is a type of dance performed in a circle formation where the dancers, both male and female, follow specific steps holding hands in one big group circle. There is always music accompanied with this type of dancing.”

What are the different regions within Croatia?

FV: “There are four different regions in Croatia. The first one is called Croatia proper. This region is the central part of the Republic of Croatia and it is where the capital, Zagreb, is located. Zagreb is also the largest city in Croatia. The second region is the region of Slavonia. Slavonia is mostly the eastern inland area of the country. Next is Istria. Istria is a northern peninsula that is the westernmost region of Croatia. It is famous for the city called ‘Pula.’ Lastly is Dalmatia, which is the region I am from. Dalmatia is the majority of the coastline of Croatia and it includes the southern cities of Zadar, Split, and Dubrovnik.”

Which of these regions perform kolo?

FV: “All of these regions have their own form of kolo. For example, for my region of Dalmatia, we perform a type of kolo called Linđo. Linđo represents kolo for the southern parts of Croatia like Zadar, Split, and Dubrovnik. Other regions like Slavonia and Istria, they perform what’s called Šokačko and Balun. Šokačko means ‘the shaker.’ Slavonia has more of a Turkish influence on the dance because it’s inland and because of past history and Istria has more of a Venetian influence because of how close Croatia and Italy are in distance. The city of Split also has been heavily influenced by the Venetian culture because of its location alongside the coast of the Adriatic Sea. Split and the region of Istria sustained the practices and dances from Italy. Turkey never occupied Split or Zadar, so these cities maintained their Italian influenced dances.”

What styles were the kolo costumes influenced by?

FV: “The Croatian national costumes are called ‘Narodna nošnja,’ which means, ‘native or national costume.’ These costumes vary in design, style, material and color based on the location of each region. For example, since Dalmatia and Istria are located on the coast, their costumes consist of Adriatic or Venetian influence. The men’s costumes are usually white or black and have dark trousers that are tighter fitting with a white shirt and a vest. They also wear a red silk belt with a black cap. Women typically wear several layers, which include a white blouse, a skirt with a very colorful apron on top that has red, white and gold stitching and fringe. The women wear colorful scarves with red, white, blue and green, along with beads and coral necklaces, which represents the Adriatic coast.”

In what context would kolo be performed?

FV: “Kolo is danced at every major holiday, festival, party, religious gatherings, weddings, etc.”

When or how did you learn kolo?

FV: “I learned kolo when I was a young boy growing up in my family and by attending special gatherings were it was performed. It is a lot of fun once you learn the steps and the rhythm of the music.”

Does kolo have any significant meaning to you?

FV: “Yes absolutely. Kolo is part of my heritage and culture. It is a large part of our Croatian celebrations and festivities to dance kolo, as it is a form of group dance and performed in a group setting. It is something that we use to express ourselves and the music that goes along with it is very upbeat and fun. Every Croatian knows how to dance kolo. It is something that you learn at a very young age.”

Analysis:

No Croatian festivity or celebration would be complete without kolo. Kolo, or circle dance, is the general term for Croatian folk dance that is performed in the four different regions of Croatia. Each region has their own version of kolo with their own styles of costumes or “nošnja.” Kolo is part of every Croatian social gathering like weddings, parties, and festivals. I personally have a special connection to kolo, as I grew up dancing since I was little with my sister and my friends. I have taught my non-Croatian friends the steps and they find it to be a lot of fun. Our parents and grandparents taught us all at a very young age the steps and songs that corresponded to each dance. Now that I am an adult, I have a greater appreciation that I can carry on my Croatian traditions and rituals to my children. Kolo was an activity that allowed my friends and I to grow closer as it united us together through our cultural ties.

For another version and further information regarding Croatian kolo dance, check out BBC’s article written by Rudolf Abraham:

http://www.bbc.com/travel/story/20140614-fifty-years-of-folk-dancing

Citation:

Abraham, Rudolf. “Fifty Years of Folk Dancing.” BBC. N.p., 14 June 2014. Web. Apr. 2016.

 

Photo credit: Nenad N. Bach 2009

Photo credit: Nenad N. Bach 2009

Bagna Càuda

Nationality: Italian, American
Age: 23
Occupation: Student
Residence: Northern California
Performance Date: March 20, 2016
Primary Language: English

Informant AB is a 23-year-old male who is from the East Bay in Northern California. He is a student at the University of Southern California in his third year as a civil engineer major. AB and his family have made a special Italian dish called Bagna Càuda for Easter for many generations. Bagna Càuda is a traditional Italian dish originated in Piedmont, Italy, which is typically made during the winter months of December and January:

AB: “Ever since I could remember, my Noni would make Bagna Càuda for Easter every year. It’s always been something she has enjoyed making.”

Where did your Noni learn this particular traditional meal?

AB: “She actually learned it from her parents who also learned it form their parents. Once my Noni’s parents immigrated to the United States from Italy, they brought the recipe with them and continued to pass it down throughout the years.”

Can you please explain what kind of Italian dish Bagna Càuda is for those who are not familiar?

AB: “Yes it’s kind of like a fondue, but it’s not like a cheese. It’s more of an oil, garlic, anchovy mixture that is really thin. It’s not a thick mixture. You take whatever it is whether it’s cabbage, mushrooms, red peppers, meat, or chicken and you put it in the garlic, the oil, and the anchovies and mix it all around and let it sit for a while. Once it is ready, it taste delicious.”

As a fellow Italian, I am familiar with this dish being made on Christmas and New Years in particular. Why did your family choose to carry on this dish only on Easter?

AB: “Well my Noni told me once that her parents often would make too much food on Christmas and New Years and there wasn’t enough time to get everything ready so they decided that they would only make this dish on Easter.”

Who do you invite over for Easter dinner?

AB: “Well since it’s Easter, we try to get all of our family members together to celebrate. We also invite a few friends to join in on the celebration. My Noni always ends up making too much food, especially the Bagna Càuda, but it’s a lot of fun.”

Will you continue to pass this traditional meal on as you get older?

AB: “I definitely do plan on carrying on this dish as I get older. Luckily I paid enough attention when my Noni made it over the years so now I can make it myself.”

What does this traditional meal mean to you?

AB: “Bagna Càuda is a dish that will forever remind me of the times as a young boy and the times that my Noni shared with her parents and the times that are spent over this meal.”

Analysis:

AB has fond memories of celebrating Easter with his grandmother and his family. AB’s example of the Italian dish, “Bagna Càuda,” is a representation of a family tradition that has been kept alive over many generations in an effort to preserve his family’s Italian nationality. As a fellow Italian, I am familiar with Bagna Càuda, as my family has made it before during the winter holidays, however, I found it very interesting how AB’s family only makes the dish on Easter. The ritual of making Bagna Càuda every Easter is a way that AB’s family connects to their Italian heritage and it keeps the memory of his grandmother’s parents alive. His desire to uphold his Italian roots is evident and he will continue to carry his family’s ritual along with him.