Tag Archives: anansi

Myth: Anansi Story from a Coworker

Context:

Informant S is a 25 year old graduate student in the film production department of USC SCA and is the collector’s coworker. S is from New Jersey, and their family is from the Virgin Islands. S has “heard various Anansi stories within [their] family. This one [they] remember partially reading it for a project [they] were doing in a class but it also was within the realm of the ones [they] heard growing up [they] just couldn’t fully remember it so [they] just found one.” The informant has studied folklore for their own personal interest in it and employed it in their own filmmaking.

Text:

Informant: “Anansi is essentially like an African diaspora. It’s a spider, like a trickster-spider, and it’s everywhere in the Caribbean, it’s in the whole diaspora. And there’s one Anansi story I sort of remember where he’s hungry and he wants dinner. So he keeps getting himself invited to, like, dinner parties and pretending there’s a bunch of people and then he steals the host’s dinner and just, like, leaves. I think he killed one of them at one point. But it’s all these different like creatures of the forest I think, there’s a fox, a wolf, and a crow I believe? And then eventually he keeps coming home, eating all the food he stole, and not bringing any back for his wife and kids. So, I think his wife rats him out and then there’s like a fake dinner party made to get him and he eats so much food he can’t move anymore. And then all the people he stole the food from capture him and basically tie him up and leave him tied against a tree. And then he eats the rope and escapes. That’s not… that’s the gist of it, I can remember.”

Collector: “Like that’s how it ends?”

Informant: “Something like that. They usually have kind of dark endings but the… essentially Anansi is supposed to teach you […] lessons about why not to trick people and be greedy and selfish and a bunch of stuff. […] Anansi itself is like a… almost universal… one of the few universal diasporic concepts. There’s a whole bunch of them, that’s just one I remember.”

Interpretation:

I was lucky enough to find an informant for this collection entry that was familiar with concepts of folklore itself. S mentioned that their interest in the African diaspora is rooted in their own personal background, connecting them to heritage or family as we’ve discussed in class. It seems like this kind of interest in cultural folklore is common among the children and grandchildren of immigrants in America. S’ story reminds me of the concept of “universal archetype” – though that theory has been disproved, I can see why some folklorists have considered it. The concept of a trickster god, while not archetypal, appears in a number of folklores – notably in Indigenous American folklore, according to Lévi-Strauss’ work in structuralism. Anansi, like Lévi-Strauss’ examples, acts on instincts that are pretty reminiscent of human flaws, and is connected with a specific type of animal – a spider. Though S believes the story is to teach people not to mess with trickster gods, I believe it has to do with human flaw such as greed and gluttony as well. What’s more, I think it’s interesting that the informant specifically mentioned what they believe the story is supposed to teach, and has a pretty clear understanding of this story as a myth.

How The Spider Got Its Long Legs

Nationality: American
Age: 23
Occupation: Music Industry Assistant
Residence: Los Angeles, CA
Performance Date: April 10, 2019
Primary Language: English

Piece:

JG: Want to know why a spider has long legs?

I: Sure.

JG: My dad told me this story when I was little. Here it is: Once, there was a spider named Anansi and Anansi was a greedy spider. He was about to have dinner with his wife and his wife was a great cook. But he was greedy and wanted to go out and try his friends’ food. So he leaves his wife at his house and he goes to Rabbit’s house. He is drawn in by the smell of something cooking. He finds Rabbit cooking delicious greens. “Oh rabbit,” said Anansi, “those greens look mighty fine.” “Well they are going to be really good and you can wait for them to be done,” says Rabbit. Now, Anansi knows, if he were to wait, Rabbit would just give him a lot of chores to do. Anansi hates chores. “Oh no,” says Anansi, “I got some chores to do on my own. But I don’t want to leave these greens. So I have an idea” “What’s your idea?” said Rabbit. Anansi made a string of web-material. He tied it to one of his eight legs. “Now when you are done cooking the greens, pull the web and I will know it’s done.” So he left. Down the road, Anansi smells something really good, so he goes down the path to Bear’s house. Bear is cooking some delicious looking porridge and invites Anansi to wait for it to be done. “Oh yeah bear I would love to have some, but I still got some chores to do. So why don’t I just tie this string of web around my leg. When it’s done, you just pull on it and I’ll come on back.” And on Anansi goes visiting all of his friends. In the end, Anansi ends up with a string of web tied to each of his eight legs. Anansi thinks, “Now I just need to wait for one of them to pull the string and I can have some delicious food. Then, his foot pulls. “Oh Rabbit must be done.” Then, four of the strings get pulled, and then stretch out his legs, then 5, then 6, then 7, then 8, until all 8 of his legs are being pulled at one time. And they pulled and they pulled. And Anansi finally pushes himself down to the water, which dissolves the webs. When he comes out of the water, he finds he now has 8 very, very long legs.”

Context:

The informant was told this story as a child by his father. The informant believes his father likely read it in a book of fables and used it to teach about greed as well as tell a funny story. The informant thinks of it as a silly fable, but says it stuck with him until now, so therefore it must have been entertaining enough to remember since childhood.

Analysis:

This is a classic fable that uses fairytale-like elements– for instance, talking animals and an element of suspended reality. There is no explanation for Anansi’s greed, which implies that perhaps greed is a natural “human” urge (or an urge of living beings) we all must fight. The use of animals rather than people connects the theme of the story– greed– to an element of nature outside of humans, especially as greed causes a visual result on the spider children can recognize.