Tag Archives: China

Dragon Boat Festival

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JK: Dragon Boat Festival, an Asian festival, you can see it in Taiwan, in China, in a lot of different places. I’m not exactly sure, but it’s the 5th day of the 5th month in the Chinese calendar, so around June for us. It’s about this guy called Qu Yuan who was the Prime Minister and known for his wisdom but there’s a story where he was correct about something he told the king, but his enemies convinced the king to kill him. So the king did not believe him and the kingdom fell to ruin. Qu Yuan committed suicide by falling into a river. The villagers were so upset, they wanted to make sure his body wasn’t eaten by fish. So they dropped wrapped “zongzi” into the river so the fish would eat that instead. So now the Dragon Boat Festival exists because there are a lot of Dragon Boats and races across the river. So we eat the zongzi as a way of remembering Qu Yuan and thanking him for his wisdom and his service.

It’s near the summer equinox and you can also balance eggs on the floor. 

Context:

JK’s family is from Taiwan, he grew up celebrating this festival every year. He has participated in eating zongzi and balancing eggs for the Dragon Boat Festival. 

Analysis:

Festivals surrounding other folklore are fairly common. In this case, the festival is surrounding the legend of Qu Yuan. Similarly to other festivals around the world, the Dragon Boat Festival honors a historical event through ritualistic storytelling. It also involved communal activities designed to foster a sense of community and cultural identity through the use of culturally significant objects like zongzi and dragon boats. Its practice of honoring historical events and culture bears similarities to the Japanese Obon Festival, a vibrant festival celebrating deceased ancestors similar to the Day of the Dead in Latin America. Another example is the Korean Dano Festival that involves cultural foods similar to zongzi in the form of rice cakes.

Yunnan/Sichuan Torch Festival

This is a story from when my informant, who is Chinese-American, went back to the rural town in Yunnan, China that her father’s family hails from when she was around 10 years old.

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“So in Yunnan, China (and Sichuan, which I’ve learned from outside research) there’s this festival that happens at the end of summer called the torch festival, with a lot of stuff like people dancing around bonfires, lighting paper lanterns, lighting torches, etc. When I was younger and in China during that time, I participated in the festival at the rural town that my grandparents live in called Xiangyun. One of the activities I remember most about it is people gathering in a circle around the fire and jumping over it. I accidentally ran towards it as the same time as another person and burned a hole in my shoe haha.”

Context

“When I asked my parents about it, they said it was to ward off insects as the harvest season started. When I did more research on it, I found out it was based around a specific legend of how a hero warded off a swarm of locusts with fire (I believe this story comes from the Yi people, but double check me on that). As far as I know, I think the custom is endemic to that specific area of Yunnan, cause I couldn’t find it in the resources on the torch festival online. Although I was only looking at sources in English, so that might’ve affected it.”

Interpretation

This festival shares a lot of similarities with many holidays that occur at the end of summer and usher in autumn and winter. It focuses on the presence of light and warmth (lighting torches and lanterns) to ward off the increased darkness of the following days and emphasizes creating a bountiful harvest by warding off harmful insects. The ritual of people jumping over a fire is interesting because it seems like people want to take the risk of being burned to heighten their spirits and get ready for the gloominess of winter.

Chinese Mid-Autumn Festival Myth

Nationality: Chinese-American
Age: 19
Occupation: Barista/Student
Residence: Mercer Island, WA

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A very long time ago, there were 10 suns in the sky. Crops and people were dying because of the excess heat from too many suns. One day, a really good archer named Houyi decided he’d solve the problem by shooting down the suns. He succeeded, shooting down nine out of ten of them. The people were happy, and afterwards, Houyi married a girl name Chang’e. He was rewarded for his feat with a special medicine ball, but told only to eat it when he was about to die. Later, Houyi went hunting, leaving his wife at home. Thieves broke into their house and demanded that Chang’e give them the medicine ball. Chang’e refused, but when the thieves insisted, she ate it rather than risk it falling into their hands. As a result, she floated all the way up to the moon. Houyi was extremely sad. Chang’e is said to still be there today. There are other versions of this story where Chang’e chooses to eat the ball without the intervention of thieves or where Houyi grows evil and Chang’e eats the ball to prevent Houyi from using it.

Context

AZ was between 4 and 5 when she first heard this legend. She can’t remember where she first first it, but recalls that it’s generally told during the Mid-Autumn Festival or in school. This celebration is all about the moon at its brightest and roundest, and the legend is shared to honor Chang’e for eating the ball to protect it from being used for bad things. AZ says this story is the origin of the Mid-Autumn Festival. The story is very nostalgic for her. AZ told me that she prefers the version she told over the alternate versions. She doesn’t know what the story might mean or represent.

Analysis

There’s a lot to this myth, which seems to have many variations and hold lots of value in Chinese culture. I designate this as a myth because it is not only a creation story, but also appears to be sacred. It’s the origin of a large, annual celebration, denoting its importance in China. I think that this myth expresses the importance of the Sun and moon in Chinese culture, as well as their intrinsic connection to human beings. This is because both bodies have major importance in the story: Houyi is reason there’s only one sun, and his shooting down of the other nine leads to his to his ownership of the ball; and Chang’e’s choice to eat the ball takes her to the moon, where she remains to this day. Chang’e’s and Houyi’s decisions to take action in order to protect the world around them highlights the importance of strength, virtue, and courage in Chinese culture. This is further emphasized by alternate versions of the tale mentioned by AZ. In the one in which Houyi turns evil, Chang’e’s choice to eat the ball is still courageous, strong, and virtuous. In the one in which Chang’e chooses to eat the ball, being stranded on the moon is her punishment, warning others to choose virtue over desire. Since this myth still shapes an important celebration in China and continues to be told, I believe that these values are still important to the culture in the modern day.

Tomb Sweeping Day: Annual Family Gravesite Ritual

Nationality: American / Taiwanese
Language(s) spoken: Chinese Mandarin, English
Age: 19
Occupation: Student
Residence: Los Angeles, CA / Taipei, Taiwan

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Every year, MC and their family go to visit their paternal grandfather’s grave, usually on his birthday and on a holiday in April called Qing ming jie. The whole family goes, including MC, their parents, their siblings, their grandma, their cousins, etc. First, the family enters a main building, where there’s a plaque with their grandpa’s name and statues of the gods. The family pays their respects to both, praying for peace and protection. They light incense and leave offerings, sometimes for the gods and sometimes for the family members. There are also tables where you can leave flowers. Then, they go up a mountain to visit the gravesite. It’s located in a building eventually meant to hold the remains of everyone in their family. Inside, they clean the grave of MC’s grandpa, pray, make offerings, and leave fruit, wine, and flowers, as well as burn incense. Then, they sit together at a pavilion, talk, and eat food. After that, they read out a poetic prayer three times in front of a pot that represents the earth god. Then they go speak to their grandpa in their head, sharing whatever they like, and ask them for protection and good fortune.

Context

MC has been participating in this tradition for as long as they can remember. For them, it’s not extremely sad, as they never knew their grandpa. It is a bit sad, though, because they know their dad and grandma are really sad during this tradition. But it’s also something to look forward to. MC gets to enjoy nice food and spend time with their cousins, which is fun. They think it’s really cool that they get to connect with their grandpa even though they never met him. They described the offerings for their grandpa as a kind of care package for him; he can get those things even in the afterlife.

Analysis

This family (and cultural) tradition reminds me of Valk’s article “Ghostly Possession and Real Estate,” especially its description of what ghosts mean to people. In it, he talks about how adults like “friendly ghost” stories in which people in the afterlife can help those still alive or connect with them in some way. MC’s family tradition isn’t necessarily about ghosts, but it undoubtedly represents a desire to connect with those who have passed on. By offering up food, wine, and flowers to their deceased relative, MC’s family shows their belief that those no longer alive can still interact with them and their lives. This cultural tradition also represents a value of respect for the dead. By visiting their relative, paying their respects, and cleaning his grave multiple times a year, MC’s family shows that they still love and care for MC’s grandpa, even though he’s no longer with them. Finally, this tradition shows an immense value of family. The fact that everyone in MC’s family is buried in the same gravesite house shows that they want to be together even after death, and the way that their deceased grandfather brings together all alive family members further demonstrates dedication to staying close. Overall, this tradition represents a belief in the spirit world, as well as strong family ties.

Zhou Chu Eradicates the Three Scourges (周處除三害)

This is a folktale about the origins of Zhou Chu (周處) a famous Chinese general. I heard it from a Chinese international student (T.C.) currently studying in Stanford.

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“When Zhou Chu was a young man, he was a really violent and unruly person. He terrified the villagers in his hometown so much that he was known as one of the ‘three scourges’ to them alongside a tiger and a dragon. One day, a villager taunted him and suggested that he tried killing the tiger and the dragon even though they were stronger than him. Zhou Chu was arrogant and so he agreed. He went to fight them and the battle took two days. When he returned to the village he saw the villagers celebrating the deaths of the ‘two scourges’, and he realized that he himself was the third scourge. He never really realized just how deeply his actions had impacted his hometown and wanted to redeem himself, so he went to two famous generals, Lu Ji and Lu Yun, for advice. From them he learned how to be a better person and became a general himself and earned the admiration of the people in his town.”

Context

“I learned this tale in middle school. In Chinese schools, you’re required to learn a lot of ancient texts and stories for Chinese literature class, and in some cases, you have to memorize them. The amount of stories that you have to learn and memorize is so tedious and long that it often feels insufferable, but I remember liking this story a lot because it really humanized Zhou Chu. Usually these generals are so heroic and larger-than-life that it’s hard to believe that they were people, but Zhou Chu’s imperfect background (even though dragons are not real) made him feel more relatable and likable.”

Interpretation

I think there’s a lot of stories about heroic figures (kings, generals, gods, etc.) who started off as malevolent or incompetent people and matured into admirable role models. As seen from the stories of King Alfred and Daquwanga that I recorded previously, it seems that this story structure exists across a variety of different cultures and has universal appeal. Maybe the fact that such larger-than-life figures come from ordinary and imperfect backgrounds make them seem even more awe inspiring. I thought this story structure was pretty similar to the hero’s journey because the hero starts off as an ordinary person in the ordinary world before they are irreversibly changed by an inciting event. Often, these protagonists have to mature like how Zhou Chu did to rise to the occasion and become heroes.