Tag Archives: conversion magic

Loss of Knowledge Conversion Superstition Ritual

Context: The informant, A.V., is an 18 year old student with parents who immigrated from Gujarat and practice Jainism. This isn’t necessarily specific to North India, as she has seen South Indian people do it. However, she’s never seen anyone non-Indian do it. She was taught to do this from a young age by her parents, and continues to do it even when on her own/living away from home.

Text: The informant explained that every time she accidentally touched anything containing the written word with her feet, she would have to touch the item and, with the same hand, touch her forehead immediately after. These items could include books, loose papers, and iPads, as long as the written word was directly on the item.

Growing up, she was told that the reason they did this was because if anyone touched the written word with their feet, they were disrespecting knowledge. If knowledge was disrespected, the goddess of knowledge, Saraswati, would take it as an offense and leave; knowledge would abandon you. By this, her parents meant that one’s intelligence and opportunities would disappear. Touching your hand to the item and then to your forehead would allow you to apologize, making it clear that you had not intended to do that.

Analysis: This is a conversion superstition ritual, done to rectify or invalidate actions that would normally result in bad luck in the future. Feet are considered dirty, and touching something with one’s feet is seen as a way of saying that whatever was touched doesn’t matter enough for you to treat it well. Knowledge, being a goddess, is held sacred in Indian culture, and books/words are seen as an extension of her. Much in the way that like produces like in homeopathic sympathetic magic, disrespecting items of knowledge with one’s feet is an imitation of disrespecting knowledge itself and will convey that message unless some apology is made.

Irish Knitting Superstition

Text

“Irish people culturally believe that when you knit something, you knit a piece of your soul into your project. And so Irish knitters purposely knit one mistake into their project so that their soul can escape. Otherwise you’re breaking off little pieces of yourself every time you give someone something that you knit.

“So I’m like, ‘Oh, I haven’t been giving my soul away to anyone because I always make a mistake or two.’ Still, there’s certainly some pieces that people have that are a tiny little expression of me.”

Once having heard of this belief, GR began to express it as her own. “It actually makes a lot of sense to me because knitting is just such a labor of love,” she said, adding that she could never sell the pieces that she knits. “No price could quantify the work that I’ve done. It’s so deeply personal. When I’m knitting, I feel like I’m tapping into something cosmic.”

She added that part of this feeling comes from the labor of making something entirely by hand. “There’s no machine that can ever replicate it. Using a knitting machine doesn’t feel as personal. It feels like cheating, honestly.”

Context

GR is a 21 year-old college student from Portland, OR, currently living in Los Angeles. Her grandparents were Irish immigrants.

GR knits a lot in her free time, mainly making beanies for herself and her friends.

GR originally read about this belief online, but her Irish roots in addition to her love of knitting made it easy for her to identify with this belief and adopt it as her own.

Analysis

This belief captures the deeply emotional experience of creating something and gives words to the profound connection an artist feels to their work as an expression of their soul. It also provides a rationalization for any flaws in one’s project, which reduces the pressure on the creator to attain perfection. Such an understanding of the value of mistakes is especially relevant in the art of knitting, a very precise and meticulous craft in which one mistake might make you want to unravel the whole piece until it’s perfect. This belief helps calm the unforgiving pursuit of perfection, which is the enemy of creativity.

This folk belief contains two elements: first, the magical belief that the act of knitting places a piece of one’s soul into their work. This is an example of the law of contagion, in which a non-material bond is established between a person and object. In this belief, the ritual that breaks this bond is the act of knitting a mistake into a piece, allowing the soul to escape. This second element of the belief is an example of conversion magic, a form of performative magic that offsets another magical thing.