Tag Archives: creation myth

Celestial Myth- Why Does The Moon Have A Crater?

Nationality: Indian-American
Age: 59
Occupation: Lawyer
Residence: Richmond, VA
Primary Language: English

Story:

Ganesha is a god in Hindu mythology who has the head of an elephant. So one day, Ganesha was riding on the mouse in the forest. The mouse saw a snake – it got scared and ran away. Ganesha fell down. The moon saw this and started laughing at Ganesha. Ganesha got angry and threw his tusk at the moon. The point where the tusk hit the moon is where the moon has a crater. This is also why he has one broken tusk.

Context:

JG is 59 years old and my mother. She grew up in India with a very religious Hindu family, before immigrating to the USA. She still practices Hinduism to this day, and follows all of the religion’s traditions, observes the festivals, and believes in its myths to this day. She tried to pass this on to me as a child, but her religious beliefs never really connected with me. She agreed to retell this celestial myth to me for this assignment.

Analysis:

Ganesha is one of the most prominent and common figures in Hindu mythology. He is mostly known as the remover of obstacles, which is why Hindus like to worship him first before worshipping other gods or starting big tasks/activities. This myth shows Ganesha’s impulsiveness and short temper, which follows as his father is said to be the Destroyer. The origins of this myth probably come from the Indus River civilization, as its inhabitants tried to explain natural phenomenon in the sky with stories about the gods. Now, we know the factual, scientific reason why the moon has craters. However, this story remains as something that’s told to children, to entertain them and to familiarize them with the basics of Hinduism from a young age.

Lord Ganesha

Nationality: American
Age: 20
Occupation: student
Residence: California
Performance Date: 4-4-23
Primary Language: English

Context:

My informant, NT, is my roommate and good friend. She is a junior at USC and she is Hindu. The reason she shared this story with me was actually very random. She has a small statue of a Hindu god in our room, but for most of the semester it was covered by her makeup bag on her desk. When we were cleaning, she said, “OH NO, I’ve accidently had a god hidden, no wonder I’m not thriving,” in a completely humorous and sarcastic manor. This led me to ask why the statue had an elephant head.

Main Piece:

NT’s summary- The Goddess Parvati created her son Ganesha so that he could always guard her chamber, and never let anyone in no matter who they were. One time, Ganesha didn’t allow the Goddess’ husband, Shiva, in the chamber. Shiva freaked out and was so angry that he chopped Ganesha’s head off; this enraged the Goddess so much that she threatened to destroy the world, he was not brought back to life. So, Shiva saw an elephant, cut its head off and gave it to Ganesha. The Goddess was still unforgiving, so Shiva bestowed a great amount of divinity to Ganesha and made it a rule that everyone had to pray to him before any other god.

Interviewer: So why is this the god you choose to have a statue of Ganesha, is there personal significance behind it?

NT- When I was a little girl, my mom took me on my first trip to India. I really didn’t know much about my own culture, which was kind of sad. I would always pray with my parents and repeat what they said but I never really understood what any of it meant. So, when we were in India, my mom decided to buy me a bunch of kid’s books about all the stories of the gods so that I could understand the myths behind each one and why we pray to them. I had probably like 20 of them, but my favorite one was always the one about Ganesha. He’s definitely the most well-known god among people who don’t know anything about Hinduism, mostly because he has an elephant head. But I was always taught (even though I didn’t understand) that we needed to pray to Ganesha first before ANY other god, even if it was a holiday celebrating a different god. I always thought it was so weird, but then i read the story of how ganesha came to be and what happened to him (how his father cut off his head lol) and that was the story that really got me into my culture. so now i even have an idol/statue thing of ganesha in my room because not only is he the remover of obstacles but he also brought me closer to my culture.

Analysis:

NT shared with me a myth from her religion; by her very easy recall of details, it’s obvious that it holds a special and sacred place in her heart. A very common motif amongst religious myths is the creation factor, hence the creation story for the god of obstacles. Using Levi-Strauss’ paradigmatic approach, myths can be analyzed by how they relate to the underlying patterns in life. People can use myths as a guide for what to do on earth, so Ganesha’s perseverance can be translated into one’s own challenges in the real world. Being able to find commonality and comfort in myths is a reason that people hold them so sacred.

Pangu Creation Myth

Background:

Informant is a 53 y/o Chinese woman who is a first-generation immigrant to the US and has lived in the US for around 23 years.

Main Piece:

(trans.) “A long time ago, our world had no shape, just an expanse of chaos, which eventually shrinks into a large egg. Inside the egg was a giant named Pangu who was birthed from this egg. When he stood up, he grew taller each day, and was eventually able to separate the egg into the sky and the earth. Many thousands of years pass as Pangu stands with his arms holding up the sky and his feet firmly planted on the ground, and eventually, he passes away. Pangu’s corpse becomes many different things, his eyes are the sun and the moon, his blood is the river, ocean, etc., the details I’ve forgotten, but just like that we now have our world today.”

盘古开天的故事啊，让我想一想。。。嗯，简单的说，好久以前，我们的世界本来是没有任何形装，混乱的一片，慢慢的缩小，变成了一个大蛋，然后有一个巨人在这个蛋里，就是盘古，出生了。他站起来的时候，越战越高，每天长那么几厘米，就把蛋分为天和地。好几万年盘古就这样的站着，手撑着天，脚踏在地上，最终也去世了。他的尸体就成为了世界里面的各种东西，眼睛是太阳和月亮，血是河，大海，等等，细节忘掉了，反正就这样子变成了我们现在住的世界。

Background:

This conversation took place over the phone. I asked my informant about Chinese creation myths she knows of.

Analysis:

Around the world, myths are few in number—myths are often creation stories with transcendental truths in them that answer why the world is the way it is, exploring the relationship between humans and the cosmos. The belief in myths doesn’t stem from the literal narrative it tells, but rather from the sacred meaning behind it, which is why myths have many different variations, but they generally do not change over time. Myths can be analyzed using Levi-Strauss’ structuralism approach, which takes the smallest components of a myth and how they relate to each other, which is most commonly presented through binary oppositions, and thus come to an understanding about that particular culture’s ways of thinking. In this Chinese creation myth, there are a couple of key symbols. First, the primordial chaos that is contained, specifically, into an egg, the egg is then separated into Earth and Sky, there is then the birth and growth of a giant, who eventually dies, and finally his corpse turning into various celestial and natural elements present in the earth and sky. While extremely simplified, these binaries are all somewhat related to the ideas of recycling and reincarnation, and that nothing is ever truly destroyed—Pangu splits the egg, his body dies but turns into the natural world. 

Either way, it is interesting to think about this creation myth in the context of modern China, which generally doesn’t push for any specific religion, and these myths are now usually found more in written texts rather than passed along by speaking. This myth is generally associated with Daoism, though elements of reincarnation lean more towards Buddhism. 

For another version of the Pangu myth, see Goldin, Paul R. “THE MYTH THAT CHINA HAS NO CREATION MYTH.” Monumenta Serica, vol. 56, 2008, pp. 1–22, http://www.jstor.org/stable/40727596.

Legend of the owl.

H is a Caucasian-Native-American male originally from Tucson, Arizona. H is currently a corporate manager based in Austin, Texas.

H performed this folklore while visiting LA on a business trip. I met H in Downtown LA for lunch in order to collect folklore he had previously agreed to perform for me. The following is the second of two stories he provided. H first heard the following story from his grandfather.

H: Another legend is of the owl. The Apaches have nothing to do with owls, they see them as the night creature and if you see an owl, you run, my Grandfather would stop if we saw an owl and the trip would be over. The big owl in the Apache stories was evil, he was a giant. Sometimes he was man-like. They were able to paralyze humans with their stare or they could cry and everyone who heard it it was like thunder, and it would cause you to stop, uh, some owls were seen as cannibals and they would eat children, and so you avoided them. The Apaches claimed that the big owl was the sun of the sun, and.. when he was slain, his body hit the earth and his feathers flew off in every direction and those feathers transformed the owl that now live in the forest. And if you saw an owl, you turned and went home.

Reflection: Owls in Apache culture appear to have the same negative connotations that crows have in European culture. As far as I know, crows are not perceived the same way in Apache culture, so I find it interesting that their culture happens to consider the owl, a different type of bird, an evil portent. Based on H’s detail that owls in Apache legend have the power to paralyze people with their cries, there appears to be a direct link between how unsettling or intimidating a bird sounds and how it is perceived across European and Native American cultures. The deep “hoots” of an owl are an evil omen just as the harsh “caws” of a crow are associated with death in European culture.

Story of the Salt River.

H is a 50-year-old Caucasian-Native-American male originally from Tucson, Arizona. H is currently a corporate manager based in Austin, Texas.

H performed this folklore while visiting LA on a business trip. I met H in Downtown LA for lunch in order to collect folklore he had previously agreed to perform for me. The following is the first of two stories he provided.

H: This is a story of the Salt River, as told by my Grandfather, a member of the White Mountain Apache Tribe. The Apaches did not call themselves Apache. The called themselves “Dene,” or “people.” The term Apache comes from the Zuni for “Apachu” or “the enemy.” Well the Apaches were raiders and warriors, but overtime they settled in Northern Arizona in the Mogollon Rim.. and led peaceful lives.. hunting, fishing.. and living off the land. They battled the Spaniards, and then ultimately the Calvary.. And the government came in and took their land, they acquiesced and lived on the reservation. And the treaty they signed so they could stay on the reservation as long as the grass grew and the rivers ran.. One group of Apache’s however, refused to sign the treaties. And they lived in a basin. The Apaches called them “Tonto,” or “fools” for continuing to fight. That basin the “Tonto Basin,” is ultimately where the Salt River is. The creek that was found was named “Tonto Creek,” but ultimately became the Salt River. As the Calvary tried to capture their chief, Del Shay, they were unable to do so. They fought fiercely, they tried to shoot him, and poison him. But ultimately, the Federal Government gave a few silver dollars to one of Del Shay’s nephews, to kill him. And they went into town-camp, took his head, and brought it back to the Calvary. His wife it is said, cried for a hundred days and her tears filled the river of the Tonto Basin and turned it salty. And forevermore, the Tonto Basin river remains salty from her tears with the Calvary capturing her people and killing her husband.

Reflection: I was impressed with H’s telling of this creation myth, as I could tell he had the whole story well-memorized and rehearsed. I was also able to gain a greater appreciation for the Salt River, a body of water with great significance where I grew up in Arizona. The way the story links American violence against the Apache and a permanent change to the landscape (Tonto Basin becoming forever salty) appears to be a symbolic microcosm of how American atrocities against the Native Americans wrought irrevocable consequences for all their land and people.