Tag Archives: Folk song

The Jasmine Song

Nationality: Chinese
Age: 19
Occupation: Student
Residence: Beijing, China
Performance Date: April 10 2017
Primary Language: Chinese
Language: English

Background of informant: 

My informant SS is an international student from Beijing, China.

The conversation was in Chinese.

Main piece:

SS: “It seems that most of the songs that I learned in middle school choir are Red Songs (Chinese Patriot songs), this one is an exception! [laugh] [pause] Oh, you know what, a part of the play Turandot was actually adapted from The Jasmine Song. ”

SH: Really? How so?

SS: “I remember hearing a story like, the play writer got a Chinese music box as a gift from a friend, and the song played in the box is Jasmine Song.”

SH: How did you know about this song?

SS: “hmm… [pause] it should be when I was really young, probably between kindergarten and elementary school. Maybe I was taught by kindergarten teachers.”

 

Context of the performance:

SS was singing in bath as she always does. I coincidentally heard she singing this familiar Chinese melody one day.

 

My thoughts about the piece:

Though this song, The Jasmine Song, is a familiar folksong all over China, I didn’t realize that there’s a variation of this song which depends on different region of China. Not only is the lyrics changed, the tune is different also. The southern version of the song is with more modification of tune within the song, and the lyric is written in southern dialect, while the northern version is more straightforward and is sang in Mandarin.

The Waltzing Matilda Song

Nationality: Australian
Age: 20
Occupation: Student
Residence: Australia
Performance Date: 4/26/2016
Primary Language: English

Once a jolly swagman camped by a billabong
Under the shade of a coolibah tree,
And he sang as he watched and waited till his billy boiled
“Who’ll come a-waltzing Matilda, with me?”

Waltzing Matilda, waltzing Matilda
You’ll come a-waltzing Matilda, with me
And he sang as he watched and waited till his billy boiled
“You’ll come a-waltzing Matilda, with me.”

Down came a jumbuck to drink at that billabong.
Up jumped the swagman and grabbed him with glee.
And he sang as he shoved that jumbuck in his tucker bag
You’ll come a-waltzing Matilda, with me.

Up rode the squatter, mounted on his thoroughbred.
Down came the troopers, one, two, and three.
“Whose is that jumbuck you’ve got in your tucker bag?
You’ll come a-waltzing Matilda, with me.”

Up jumped the swagman and sprang into the billabong.
“You’ll never take me alive!” said he
And his ghost may be heard as you pass by that billabong
“Who’ll come a-waltzing Matilda, with me?”

The Walzing Matilda is a popular folk song that is well known throughout Australia. The story is about a man camping alone out in the Australian wilderness by a pond. Seeking companionship, he finds a wandering sheep and puts it in his food bag. The man who owns the land where the camper is staying on soon arrives with three officers, demanding that the sheep be returned to him. Instead of giving in, the camper jumps into the pond and drowns himself. His ghost stays by the pond, hoping to spend time with anyone who walks by. According to the informant, the song is an iconic Australian piece of folklore that is recognized by all Australians. It is often sang at celebrations and large group gatherings, as it unifies all Australians together.

The informant, Angus Guthrie, is a 20-year-old student who was born and raised in Australia. Because he and his family have been in the country for a very long time, he believes that he is quite familiar with Australian folklore and traditions. Angus learned the song from a children’s music album that he enjoyed listening to as a child. Many artists have covered and recorded this song over the years, so he believes that it is nearly impossible for an Australian to have never heard the song. He loves the song because it represents a different time period in Australia, where people walked across the land with few belongings and slept under stars. For Angus, this song evokes a strong sense of national nostalgia that all Australians can relate to.

Because Australian is a nation that was erected after taking over Aboriginal land, it is curious to see folklore that was created by Australians themselves instead of by the natives. Because the Aboriginals have such a rich history of folklore, it would be easy to simply reappropriate it for Australian audiences so that they wouldn’t have to make any folkloric pieces for themselves. Songs like this prove that this is not what occurred, however, as their lack of Aboriginal influence shows that Australians did create folklore for themselves.

 

Bath Song and Family History

Nationality: American - (Greek Cypriot, German, Argentinian)
Age: 18
Occupation: Student
Residence: Los Angeles, CA
Performance Date: Friday April 22nd, 2016
Primary Language: English
Language: Greek, Mandarin

A is an 18-year-old woman. She is currently studying Biomedical Engineering at the University of Southern California. She considers her nationality to be American, but more specifically she is one quarter Greek Cypriote, one quarter German and half Argentinian. that being said, she strongly identifies with her Greek roots. She is fluent in both English and Greek, and is currently learning Mandarin.

A: Um, I don’t know if this is a me parable or family parable but I really hated taking baths when I was little, so they used to sing a song about a little kid who wouldn’t take baths and would turn into a pig. Cause she was so dirty. But I think its real because it actually has a tune, like I don’t think my Grandmother actually made up a song, but the song is like “I’m a little piggy, cause I stink a lot,” basically in Greek. And it goes like “well you’ll turn into a piggy too unless you take a bath.”

Me: Aww

A: So yeah, I was afraid I was gonna turn into a barnyard animal. It was fun.

Me: But you took the bath!

A: This is true.

Me: Did they sing this to your siblings? Do you have other siblings?

A: I don’t, I’m an only child. And this was with my grandparents too, and I’m the only grandchild as well.

Me: Aw. But you’ll probably do it with your kids too.

A: Oh yeah. It was so much fun. It’s got it’s own song! My grandfather told me a lot of stories about donkeys, I don’t remember exactly what they contain, but every story that had a moral always involved a donkey. Like a donkey on an adventure.

Me: Your grandparents liked farmyard animals is basically…

A: You know what, my grandparents grew up in the village with farmyard animals, so I’m sure this is how their parents told it to them.

Me: So the songs and the stories are like based on that?

A: Oh yeah. And it’s definitely based on the old village, which is like way the heck up in the mountains, like I’ve been there.

Me: Is there a name for it?

A: Yes, Ayiosgiannis. So my last name is the name of the village, just shortened. The name of the village is St. John’s in English. Um, Ayios is St. in English and that’s where Ayiotis, my last name is from.

Me: Ohhhh

A: So the last names were very frequently based on the area where you are from or like what you were called in the village. So I’m pretty sure my great-grandfather made up that name.

Me: So that’s generally where Greek last names come from?

A: I believe so. A lot of them, like a couple of them, are professions, but a lot of the ones are places.

Me: So places and professions but mostly places?

A: Actually let me rephrase. If you got out of the village then it’s a place cause you wanted to honor your village, but for people in the village, why would they all have the same last name as the village?

Me: True.

A: So it was in the village it was by profession or by nickname or sometimes you will genuinely find people name “Andreas Andreou” like “Phillip Phillipou,” like people with the same last name as their first name, and it’s very funny. Um they’ll do like men’s first names as well as last names cause that was your dad’s dad. So basically common ways to distingush between people with the same name in a village.

Me: So your last name, does it change?

A: It can. We didn’t have last names until the British came and were like “why the heck do you not have last names?” And that was in the 30s, um the 20s. Yeah, Cyprus was a British colony up until the 60’s.

Me: Wow.

A:  Um that’s when they gained their independence.

Me: You didn’t have last names until the 20’s?

A: Yeah, why would we need it? We’re farmers, we’re farming.

Me: That’s true.

A: I remember my grandfather was born in like 1934 and he told me he saw a car in his village once when he was like nine years old and that was probably the only car on the island of Cyprus, driving through all the villages like “oh my god I bought a car!” So it was very…

Me: Secluded?

A: Yeah. And it’s still very farm-heavy. Its still agricultural.

Me: Is Cyprus an island off of Greece?

A: It’s an island actually closer to Lebanon than it is to Greece. It’s north of Egypt and south of Turkey in the Mediterranean Ocean, but since that area used to all be ethnically Greek in the Greek, Egyptian, and Ottoman Empire and since Cyprus is an island it saw less change over time as more people moved in and out because it’s harder to conquer an island. So the people who are Greek there, like our dialect of Greek is more similar to ancient Greek.

A talks about a song that her grandparents used to sing to her when she was little to get her to take a bath. This is a fond memory that she has and she said that it works, the song was effective in making her believe that if she were not to take a bath, she would turn into a pig. A also explains that the song might have to do with her grandfather’s origins, which are especially important to her as the root of her last name is the name of the village. Her grandfather lived in a very agricultural, farm-heavy village, and this is likely where the song originated. The dirt being the result of farming all day, and turning into a pig being the result of not cleaning yourself, so turning into one of your farm animals. The name, the village, and the song are all connected in one way or another.

“Raiders” Fraternal Song

Nationality: American
Age: 21
Occupation: College Student
Residence: Los Angeles, CA
Performance Date: 4/18/13
Primary Language: English

The informant speaks about a certain song his fraternity sings with everyone after brotherhood events such as bid night.  The informant learned this tradition a few weeks after joining his fraternity.  He explains that the fraternity uses this song as a means for celebrating as well and often uses the song after events that warrant a worthy celebration.  The fraternity brothers either run out to the middle of the street or to their backyard and circle up and perform the song.  The singing of the song is described as being very loud and rowdy, but in a good-spirited way.  Below are the lyrics of the song.  See below:

OOOOOOHHHHHHHH!

We’re (insert fraternity) raiders of the night,

A bunch of rowdy bastards that rather fuck than fight,

So fuck ‘em, fuck ‘em, fuck ‘em, who the fuck are we?

We’re (insert fraternity) the best fraternity.

(insert fraternity) once, (insert fraternity) twice, holy jumping Jesus Christ,

God damn, son of a bitch, rah rah fuck!

Yeah hell yeah!

The informant describes the purpose of this song as a chance for the brothers of the fraternity to all come together and feel the fraternal bond.  I find this song intriguing because it a classic example of how a certain group of people use traditions such as music to strengthen their connection with one another.  A commonly shared song can serve to build just a much stronger bond than does paying the dues for the house to be an active member.

Waltzing Matilda

Nationality: Australian
Age: 53
Occupation: Homemaker
Residence: Edina, MN
Performance Date: April 23, 2012
Primary Language: English

Once a jolly swagman camped out by a billabong
Under the shade of a coolibah tree,
And he sang and he sang as he waited by the billabong:
“Who’ll come a-waltzing Matilda, with me?”

Waltzing Matilda, waltzing Matilda
You’ll come a-waltzing Matilda, with me
And he sang and he sang as he waited by the billabong:
“You’ll come a-waltzing Matilda, with me.”

Waltzing Matilda is a famous Australian folksong from the outback about a workman sitting by the riverbed. This version from the informant is much shorter than some other versions. However, this change is what makes it folklore. The song was “originally” written by A.B. Patterson, but since then it has been appropriated by may people and turned into a folksong. The song is held dearly in Australia. They have even created a Waltzing Matilda Centre and a Waltzing Matilda day. (http://www.matildacentre.com.au) I found another longer version of the song on this website as well, at http://www.matildacentre.com.au/the-song.

The informant learned this Australian folksong back home in primary school and when growing up. He can’t remember the first time he heard it. However, this shorter version is all he remembers. When he moved to America, he brought this folksong with him and taught it to his children and wife. Thus, he spread the song across the globe. The informant says that the song means a lot to him, because it reminds him of his home and his heritage. There isn’t much in America that celebrates Australian culture, so little ditties like this one serve to reaffirm his Australian roots. Furthermore, he says that the song is pleasant to sing and to listen to. It has a cheerful tone.

I also like this song, and I have heard it before. It’s fun to sing. I looked up the song online and was surprised to find the the real meaning is not about a man by a river singing to his lover, Matilda, like I originally thought. Instead, Matilda refers to a specific type of bag, and the song is about a man who hunts a sheep and then drowns himself to avoid being arrested. (http://www.songmeanings.net/songs/view/3530822107858856415/) However, I still like the song and it still reminds me of my ties to Australia. There are people who assert that the song is a protest song against the law, and others who believe that it is just a song with a sad narrative. I think it could probably be both, because even if it wasn’t written with protest in mind, people could still appropriate it as a song of protest. I also think it’s interesting that such a sad and graphic song is regarded so highly by the Australian population. It shows the power of romantic nationalism.