Tag Archives: greek

Classical diplomas

Nationality: United States
Age: 20
Occupation: Student
Residence: Seattle, WA
Performance Date: 04/12/2021
Primary Language: English

BACKGROUND: My informant, AC, was born in the US and attended boarding school in NH. As we were talking about our different high school customs, AC brought up our school’s initiation ceremony for everyone who took a classical language at the school.

CONTEXT: This piece is from a conversation with my friend where we talked about our time at boarding school.

AC: –and also the Classics diplomas. The kids who could reach the highest level of Greek or Latin got those laurel crowns at graduation.

Me: And they graduated before everyone else.

AC: Right. I feel like, like they needed to incentive Latin because why would anyone take a dead language. [It] made all those classics students feel special.

THOUGHTS: I feel like academic institutions, especially prestigious ones, thrive on exclusivity. Our high school had many rituals — not just academic ones — in order to separate students from other students and put them in ranks. Although the classics diploma was created to celebrate students who completed four years of a difficult language, many students were upset that they were not given the same attention for completing equally difficult languages like Mandarin or Arabic. Students pointed to the fact that Latin and Greek were eurocentric languages and hence more celebrated than it’s counterparts. Regardless, based on the fact that the classical diploma students were first to walk the graduation stage and were physically separated from regular students, it’s clear that they had some sort of precedence.

Καλαματιανός/Kalamatianos (Dance)

Nationality: Greek American
Age: 19
Occupation: Unemployed
Residence: Anaheim, CA and Thessaloniki, Greece
Performance Date: April 21, 2020
Primary Language: English
Language: Greek

DESCRIPTION

Καλαματιανός (Kalamatianos) is also a greek folk dance that is performed alongside the folk song with the same name.  It is to be performed in a faster Syrtos, 4/4 rhythm.  It is, like it’s musical counterpart, performed at festivals, parties, weddings, and Glendis (Greek Nightclub parties).

“It [Καλαματιανός (Kalamatianos)] is also the most basic Thessalian style dance in Greece.”

MAIN PIECE

The dance is to be performed in a 12 step pattern moving to the right, swingiing your arms while holding them together.  Your right foot to the side on 1, then left crossing forward on 2.  Then your right foot crosses forward into neutral on 3 and then cross FORWARD on 4.  Repeat beats 3 & 4 for 5 & 6, then 7 & 8. Instead of taking a step back to neutral on 9, you will rock back and then close your feet on 10. You will then do a rock step back on 11 and close your feet again on 12.  After this, you repeat the pattern over and over until the song ends.

BACKGROUND

My informant was born in Anaheim, California, however, she spent most of her childhood on Greece’s  Mainland, particularly in Thessaloniki.  Both of her parents grew up and emigrated from Greece only twenty years ago.  SK, my informant, learned this dance from “glendis” in which this dance was done.  SK told me her belief is that this dance, unlike the song that accompanies it, is about coming together and letting loose, while still celebrating your heritage as a Greek person.

CONTEXT

This came from a friend of mine from my church in Southern California.  I got this folklore from a zoom call with her while she was quarantined back in Greece.  I asked her to explain some traditional Greek cultural cornerstones she knows as she ate breakfast.

THOUGHTS

It’s interesting to see my informant see it as a way to connect more with her culture.  In doing further research into this, it seems like more and more greek folk dance lore is performed, not as a way to convey a specific story, but instead the message that greek culture exists and is alive and well.  I find this fascinating as we get into this idea of meta-folklore as this is a reasoning that makes this folklore’s relevance based in the fact that it’s performed because it’s folklore. Folklore performedfor the sake of displaying folklore, how crazy and beautiful!

Καλαματιανός/Kalamatianos (Song)

Nationality: Greek American
Age: 19
Occupation: Unemployed
Residence: Anaheim, CA and Thessaloniki, Greece
Performance Date: April 21, 2020
Primary Language: English
Language: Greek

DESCRIPTION
Καλαματιανός (Kalamatianos) is a greek folk song that is performed alongside a folk dance with the same name. It is performed in a faster Syrtos, 4/4 rhythm.  It is commonly performed at festivals, parties, and Greek nightclubs.

“Καλαματιανός is a song with loose instrumentation, but more consistent lyrics that we’d dance to back in Greece.”

MAIN PIECE
ORIGINAL SCRIPT
Μήλο μου κόκκινο, ρόιδο βαμμένο
Μήλο μου κόκκινο, ρόιδο βαμμένο
Γιατί με μάρανες το πικραμένο
Παένω κ’ έρχομαι μα δεν σε βρίσκω
Παένω κ’ έρχομαι μα δεν σε βρίσκω
Βρίσκω την πόρτα σου μανταλομένη
Τα παραθυρούδια σου φεγγοβολούνε
Τα παραθυρούδια σου φεγγοβολούνε
Ρωτάω την πόρτα σου, που πάει η κυρά σου;
Κυρά μ’ δεν είναι ‘δώ, πάησε στην βρύση
Κυρά μ’ δεν είναι ‘δώ, πάησε στην βρύση
Πάησε να βρει νερό και να γεμίσει

ROMAN SCRIPT
To mílo mou eínai kókkino, roz vamméno
To mílo mou eínai kókkino, roz vamméno
Dióti me pikría to pikró

Páo kai érchomai allá den boró na se vro
Páo kai érchomai allá den boró na se vro
Vrísko tin pórta sas kleidoméni

Ta paráthyrá sas lámpoun
Ta paráthyrá sas lámpoun
Rótisa tin pórta sou, poú pigaínei i kyría sou?

I kyría den eínai edó, pígaine sti vrýsi
I kyría den eínai edó, pígaine sti vrýsi
Pigaínete na vreíte neró kai gemíste to

TRANSLATION
My red apple, my maroon-red pomegranate,
My red apple, my maroon-red pomegranate,
Why have you turned me bitter?
I come and go, but can’t find you
I come and go, but can’t find you
I opened your door, and it always is locked.

Your windows are always lighted
Your windows are always lighted
I ask at your door, “Where’s your lady?”

My lady is not here, she is at the well
My lady is not here, she is at the well
She’s gone to drink water.

BACKGROUND
My informant was born in Anaheim, California, however, she spent most of her childhood on Greece’s Mainland, particularly in Thessaloniki. Both of her parents grew up and emigrated from Greece only twenty years ago. SK, my informant, learned this song from dancing to it at “glendis” (greek folk dance nightclub parties of sorts) in which this song was performed in a variety of different forms, but with similar lyrics. SK says that she believes it’s some sort of universal message and story based on unrequited love that no matter who you are, you can relate to.

CONTEXT
This came from a friend of mine from church in Southern California. I got this folklore from a zoom call with her while she was quarantined back in Greece. I asked her to explain some traditional Greek cultural cornerstones she knows as she ate breakfast.

THOUGHTS
I personally agree with my informant that it is a Greek song based in this idea of unrequited love. It’s universal and can be put into any style of greek music you are doing to a Syrtos beat, whether it is more modern or traditional. The way it talks about chasing someone that you can’t seem to catch is something we see in so many different culture’s folklore as this idea of reaching for something that is just out of reach is a universal truth of life. The way greek people have interpreted it into a song like this one that is supposed to be danced to is absolutely fabulous.

Breaking Plates in Greek Culture

Nationality: Greek American
Age: 19
Occupation: Unemployed
Residence: Anaheim, CA and Thessaloniki, Greece
Performance Date: April 21, 2020
Primary Language: English
Language: Greek

MAIN PIECE

“Breaking plates is not some silly thing we only see about Greeks in the media.  We don’t do it every day, but at big occasions, we break some plates!  Like spitting, it is more popular among Greeks in Greece than ones who are in the American world of Greek Orthodoxy.  Also like spitting, it is meant to ward off the evil spirits.  It is believed that the loud sounds the plates make are meant to scare off evil spirits, but also to symbolize when the party can really begin.  It is common for very civil, professional parties  to turn wild after the breaking of a plate.

BACKGROUND

My informant was born in Anaheim, California, however, she spent most of her childhood on Greece’s  Mainland, particularly in Thessaloniki.  Both of her parents grew up and emigrated from Greece only twenty years ago.  SK, my informant, learned this from not understanding why parties would get wilder after the breaking of the plate and said she remembered it being like a food fight level of energy.

CONTEXT

This came from a friend of mine from my church in Southern California.  I got this folklore from a zoom call with her while she was quarantined back in Greece.  I asked her to explain some traditional Greek cultural cornerstones she knows as she ate breakfast.

THOUGHTS

This dual meaning of  both scaring away spirits through the breaking of plates  and getting the party truly started fascinates me as it seems from  much of my research that a lot of  Greek folklore  has dual meanings, tending towards one being fun and celebratory and the other based in the spiritual world.  It makes me think about how religion is so important in the country as it is one of the most Christian countries in the world.  Looking into that, it makes me ask how ghosts and spirits fit in with  that.

Spitting at Greek Weddings

Nationality: Greek American
Age: 19
Occupation: Unemployed
Residence: Anaheim, CA and Thessaloniki, Greece
Performance Date: April 21, 2020
Primary Language: English
Language: Greek

MAIN PIECE

“That common stereotype that Greeks spit at brides down the wedding aisle you see in [My] Big Fat Greek Wedding, although exageratted, is based in truth.  More in Greek-Greek culture than in Greek-American culture, you will see people spit on the bride, not walking down the aisle, but while she gets ready.  Also this “spitting” is not accompanied by saliva, but instead is like a mock spit. What it’s supposed to do is ward away evil spirits and the “evil eye”,  which a lot of us characterize with a redness on the face.  This can be acne or just simple irritation of the skin, but we have done it at weddings moreso to wish the bride luck and hope her husband doesn’t run away.  Yeah, it can be a little condescending at times because people could do it to say, “Just so your man doesn’t leave you at the altar”.

BACKGROUND

My informant was born in Anaheim, California, however, she spent most of her childhood on Greece’s  Mainland, particularly in Thessaloniki.  Both of her parents grew up and emigrated from Greece only twenty years ago.  SK, my informant, learned this not from her church in America, but her church back in Thessaloniki where there is more of a belief in bad spirits surrounding big occasions.

CONTEXT

This came from a friend of mine from my church in Southern California.  I got this folklore from a zoom call with her while she was quarantined back in Greece.  I asked her to explain some traditional Greek cultural cornerstones she knows as she ate breakfast.

THOUGHTS

When you watch the movie My Big Fat Greek Wedding, it’s easy to write off a lot of the stuff in it and other culture-specific movies as overblown stereotypes, however, in asking someone with firsthand experience, it’s very interesting to see a piece of folklore interpreted into a joke or comedic form.  As well, I find it interesting that this has such a dual meaning.  It can be seen as helpful or insulting and that really opens up a conversation about how one bigger folk group could be divided into  sub-divisions based on how they interpret the same piece of folklore.