Tag Archives: reversal

“Why did the chicken cross the road?” … “Because it was stupid.”

Text: “Why did the chicken cross the road?” … “Because it was stupid.”

Minor Genre: Joke, Anti-Humor

Context:

M said, “When my oldest daughter B was three, she told this joke, and everyone thought it was hilarious. She was telling it to my dad and she was trying to tease him back for all of the teasing he was doing to her.”

Analysis:

Although I don’t remember my original telling of the joke, this joke has been repeated frequently over the years in my family, its hilarity stemming from the idea that someone – a three year old girl, no less – had finally put my joke-loving grandfather in his place. I grew up hearing jokes all of the time from my grandfather, who loves to tease people. This joke arose likely as a combination of frustration about hearing the same joke one too many times and a desire to make him laugh.

It is interesting to look at this joke outside of my familial context, as it serves as an example of “anti-humor.” Anti-humor is a branch of humor that relies on irony and reversals in order to create a surprise factor within an already-familiar joke. This is ironic, because the traditional form of the joke (“Why did the chicken cross the road?… To get to the other side.”) is already seen as an example of anti-humor. The listener expects a funny punchline, but instead receive a flat statement about what is logical. In turn, my family’s joke is an anti-anti-humor: the listener expects the traditional answer, “to get to the other side,” and instead receives an abrupt quip: “because it was stupid.”

Macbeth in the Theatre

Nationality: American
Age: 19
Occupation: Student
Residence: Los Angeles, CA
Primary Language: English

Context: Subject had worked Theater production in high school and had been exposed to many superstitions surrounding ideas of bad luck, prevention, and reversal methods.

Informant:

[Speaking face to face in a lounge while studying for classes]

“The whole Macbeth rumor… where if you are in a theater and you say the word ‘Macbeth,’ you have to leave the theatre and… is it spin backwards in three circles, or forward…?”

“Um… I feel like it might be backwards”

“I think you have to spin in three circles backwards and like… spit or something. Um, and basically, people are very superstitious about it, even if it’s not… even people who aren’t generally superstitious or worried about it. Like my friend who studies stage management at Syracuse… um… was like… complaining to me about some kid who said Macbeth in the theater and refused to do the circle thing and their play went horribly… And she legitimately believed it was his fault. And in a way, it’s interesting because just since you think it’s going to ruin the play, like you subconsciously ruin it yourself… so that’s interesting.”

Introduction: The informant was introduced by fellow theater crew members when they joined stage production in high school.

Analysis/Interpretation: This is interestingly, a common phenomenon seen within the theater community. Given that I hadn’t been exposed to theater until becoming employed at one, I hadn’t been exposed to any theater folk beliefs or customs. As of recently, I have come to see more commonalities between theater-based folklore. Specifically, regarding Macbeth, it seems as though much of what is actively practiced and reinforced within the theater community, consistent amongst even the most different regions is contingent upon ideas of prevention of bad luck from pursuing during a production.