Tag Archives: Theater

Theater Good Luck Ritual

Age: 21

Text:

Informant: “One that I learned growing up that when I’ve done it in other places, people are like, “What the hell are you doing?” It’s like before the show, you’re all standing there behind the curtain waiting to go up. Usually I only end up doing this if it’s a show that I start in the first number, not if I come on later. You know one of those shows where you’re in the ensemble and everybody is standing behind the curtain waiting there. One that I always did was this” (holds hand in fist and raises thumb and pinky finger.) “Like if you’re doing sign language and signing “you and I.” You go around to the other people in the cast and you link pinkies and bite your thumb and it’s just a little way of saying “break a leg, have a good show.” It’s just a little good luck thing. I always did that at the theater that I did shows with growing up and then I went to other places and they were like, “What the hell are you doing?” I was like, “Oh,” (laughs) “Nevermind.” Other than that, when people say “Good luck” to me it makes me really anxious. I’m like “No. That’s bad luck. You can’t say “good luck,” you have to say “Break a leg.””

Interviewer: “Do you remember being taught how to do that or was it just that you observed other people doing it so you just did it, too?”

Informant: “The hand thing, I think it was something that – I did children’s theater and it was just sort of something that was in the culture of that theater. I don’t even know if they do it anymore. When I was there, I think it was the second show I ever did was Mary Poppins and everybody who starts on stage for the ensemble are frozen in their spots so we’d be standing there behind the curtain and all of the older kids would come around and show us how to do it. From there, that was something that I did most every show I was in, and teaching the younger kids how to do it.”

Interviewer: “So was it mostly younger kids and teens or were the adults doing it, too?”

Informant: “It was a children’s theater so the oldest kids were seniors in high school. The group that I was part of was late middle school and high schoolers so we wouldn’t really interact with the younger younger kids, but it was definitely the seniors in high school teaching the youngest.”

Context:

The informant was part of a community theater growing up. They learned rituals specific to their theater from the older students. When the informant went on to join college theater, they learned that other people had never heard about that particular good luck ritual.

Analysis:

Theatre has many superstitions, likely because it has been around for over 2500 years. The superstitions are shared amongst theater members who participate in plays and musicals. Traditionally, these rituals are passed on by the adults or older teens to the young children. Many of them are widely known across theater’s everywhere, such as “Break a leg” for good luck. Naturally, certain theater members will create their own superstitions or rituals that get passed on and stay within that theater, and are foreign to people outside it. The goal is that it gets taught to the younger kids by the older kids to keep the tradition alive. It can be considered a functionalist approach because it’s meant to bring good luck for the performers to do well on stage.

Musical Theater Ritual

M: “So basically, when I was in high school, I did a lot of like musical theater and stuff, and we had a ritual before every show where like after warm-ups and rehearsals and stuff, we would, everyone would stand in a circle, crew, cast, directors, and then hold hands and close their eyes. 
And we did this thing. It was called, like, ‘pass the squeeze’, where you basically, one person starts, and they squeeze their person next to them’s hand, and it goes around the circle, but everyone has to keep their eyes closed. Um, and it was basically just a way to, like, calm everyone down and take their focus off of it and just focus on like one particular thing. 
And then it was also like, I think the explanation that our director gave was also to, like, connect everyone in a way before the show. We did 4 shows every year, so we would do it every time for those. But, yeah.”


interviewer: “I was gonna ask, is it usually, like, um, everyone who’s within the show? When do you learn this? And, like, who teaches?”

M: “Yeah, so we would do it, like, literally on the day. 
So, you know, by like the 2nd year of doing the shows in high school, I knew it. But the 1st year, it would be show day or technically our 1st show was like a dress rehearsal for the community. But, um, it would be that day, which was usually like a Monday. You would get in a circle, the director would be like, okay, everyone circle up, hold hands, and then she would just explain it in that moment. 
And usually on the 1st day, it took, like, 2 or 3 tries for everyone to kind of get it, but then once everyone got it, by the next couple of days, it was just, like, instinctual because it wasn’t, like, crazy hard or anything, you know? So she would just explain it in the moment.”

context: Maggie is a CS games major at USC who went to High school in New York City. She grew up in the area and was heavily involved in her school’s theatre group.

Analysis: This pre performance ritual is a rite of passage. It functions as an initiation from an “out” group to an “in” group (esoteric and exoteric). Freshman being taught this ritual are now part of this folk group once they perform at their first show, signifying their entry into the theatre community. I would argue that this is also a type of contagious magic ritual that prevents anxiety before a show. Its a transfer of energy from one person to the next through physical touch. It reinforces group identity as well.

Theater Superstition

“Bad dress, great opening”

Informant: “Basically it’s this superstition that if the dress rehearsal is terrible, then the opening night will be incredible. I’m pretty sure we just say this to make ourselves feel better about a bad rehearsal.”

context: The informant has performed in multiple plays and has many years of experience acting and singing on stage. They are heavily involved in theatre culture and has heard and participated in many theatre rituals and folklore. They also frequently travel in order to perform in or be on the crew for plays across multiple states.

analysis: This could technically fall under occupational folklore, since the informant has experience working in this field, and the beliefs are shared amongst performers specifically. This is also a proverb that specifically helps calm anxiety before they have to perform. I also understand the need for sayings like this since acting on a stage and putting on a show is such a high energy and chaotic activity to do. It also helps to reframe something bad into something positive, since a lot of things can go wrong during a theater show. It is a way to recognize and recontextualize the meaning of an uncontrollable event. This proverb also strengthens group identity as performers of the show.

College theater beliefs

Informant: I know we did this in college, but you always have to leave what’s called a “ghost light” on stage. I think the idea is that if all the lights in the theater go out, it’s bad luck, like they won’t come back on the next day, so you leave one light on.

It’s literally just a single light bulb on a pole that rolls, and you place it on the stage when everything else is off.

Context : Informant has participated in main stage theater productions at the university and has experienced this superstitions themself. Informants knew about this superstition when they were in high school, but did not practice it until they were in college. Informant attends school in Southern California. 

Analysis: This is quite classic theater-based superstition. Traditions like the ghost light are widely recognized within theater communities and are passed down informally rather than taught in any official way. The ghost light functions as both a practical object and a symbolic one. While it may have a safety purpose (preventing accidents in a dark theater), it is also tied to a belief that leaving a light on wards off bad luck or ensures the theater will function properly the next day. This, while not a conversion superstition, is more of a ritual meant to prevent misfortune, even if participants don’t fully believe in the consequence.

College Theater Macbeth Superstition

Informant: Yeah, actually—when I got to college, there were a lot fewer theater traditions. But one thing we usually still do before shows is kind of tied to theater superstitions, especially around Macbeth. You’re not supposed to say “Macbeth” in a theater, and if you do, there’s this whole ritual you’re supposed to follow to undo the bad luck.

I think what we do comes from that idea. Before a show, we all chant together:
“Shit, damn, motherfucker, motherfucker, damn, this dumb bitch just stole my man, gotta find another fucker better than the other fucker—shit, damn, motherfucking motherfucker, damn.”
And then we repeat it a couple more times, getting louder each time.

It’s kind of our way of shaking off nerves and maybe warding off bad luck.

Context: Informant has participated in main stage theater productions in university and has experienced these superstitions themself. Informant did not learn about this conversion superstition until they came to university. Informant attends school in southern california. 

Analysis: The knowledge about the superstition around saying “Macbeth” during the production of a show is fairly widespread. However, the conversion superstition performed in this entry is not as common. It represents how niche folk groups can make their own beliefs. This performance of a conversion superstition is not something the informant was familiar with when they participated in theater in high school across the country, so it could possibly be evidence of more regionally folk belief as well. This conversion superstition is performed to comfort the actors in a show and help them fight back against any fear they might have at their production being harmed by an individual saying the words “Macbeth.”