Tag Archives: Rituals

Improv Warm-up Rituals

Nationality: Caucasian
Age: 20
Occupation: Student
Residence: Los Angeles, CA
Performance Date: 4/25/13
Primary Language: English

“So in improv, because usually there’d be a lot of improv people, within shows, we would get together and, um, the girls would do something where they would just, like, talk about being womanly and then would do– they just go, “fem, fem, fem-prov” and it was femprov. Um, and then the guys would get together and we’d huddle together and this was, like, a big secret thing that no one knew what we did, but we’d go in, like, a corner, like, far away from everybody else and we’d, uh, start slowly, really slowly chant, we’d start chanting the words: “Gay, penis, sodomy, gay.” (LAUGHS) And we start really quiet. You go, “Gay, penis, sodomy, gay.” And you get bigger and bigger and bigger. Do you remember the ‘rape, kill, pillage, and burn?’ That they do here? It’s like that. You just get bigger and bigger and bigger in your circle and you run round and round and round and round and you just finish going “GAY, PENIS, SODOMY, GAY” just like running around. It was really weird but just a lot of warm-upy– like feel connected…

We’d also get all the improv people together and play something called “Golden Ball of Light” where—this would take forever—but, um, you stand in a circle and, um, you say, ‘Imagine that there is a golden ball of light starting at your toes and it’s working your way up. And now it’s into your feet. And there’s a golden ball of light and it’s covering all of your feet and everything’s, from your ankles up now,’ and you’d just work your way up… and once your body’s covered, which takes such a long time. Cause like, ‘Oh, it’s in your hair, it’s coming out of your hair…” And then the golden ball of light is—and everyone’s supposed to have their eyes closed just focusing on this golden ball of light—it comes up and it connects you to all the actors in this room, and now it’s going up it’s connecting to all the audience members and all that And it’s connecting you to anyone who’s ever been in a show before. And then just all of humanity. And now it’s, the golden ball of light, it’s up in the universe and you just feel it, you feel everyone’s presence, you feel everyone. And then you take a deep breath. So its just… it’s one of those things, ya know.”

My informant remembered quite a few rituals that were done in theatre at his high school. He enjoyed remembering all the details about somethings he hasn’t done it quite awhile and said that discussing them made him very nostalgic. Theatre games and warm-ups are done almost always when performing. Not only is it beneficial for cast energy, it is also a way for the cast to bond together.

Baba Marta: Bulgarian Springtime Ritual

Nationality: Bulgarian
Age: 19
Occupation: Student
Residence: Palos Verdes, CA
Performance Date: April 26, 2013
Primary Language: English

Contextual Data: A friend and I were sitting together one day after class and exchanging different bits of folklore we had encountered in our childhood. She mentioned to me that she was Bulgarian and there was one particular tradition that her family continued to participate in, which had just passed the previous month. The following is an exact transcript of her description.

Informant: “Okay, so Baba Marta. It’s a holiday for Spring in Bulgaria, um, and the name—it literally translates as, um, Grandmother March, since March is like the month of Spring, and we start celebrating it on March 1st. And what you do is, um, you put this little pin on you. Um…Or a bracelet. And it has to be with red and white threads because those are, I guess, Bulgarian symbols of Spring. And they kind of symbolize, you know, rebirth and regrowth and newness. And you have to wear that pin or that bracelet. And it can come in, like, many different forms. Um, especially nowadays—they get really creative with the designs and they have like little dolls, and etcetera. But you wear it for the entire month of March. Um, and then you can take it off either when you see a flowering tree, or—like you take it off and you pin it on the tree—or just like at the end of March. And then again, you find some nice blossoming tree or flower and you just kind of pin it on there. And we get ours from our relatives and they just kind of like mail it to us—because you obviously can’t find any here—which is nice. And then you get to… Just kind of wear it and, like, still be connected to the culture and like people ask you about it and they’re like, ‘Oh, what’s this?’ And you’re like, ‘Oh, it’s for Spring.’ Um, which is cool. And… It’s a nice little decoration or bracelet I guess.”

– End Transcript – 

This ritual very much seems to be a part of a life-cycle celebration. My informant explained that the beginning of March marks the beginning of Spring in the Bulgarian calendar, and as can be seen in many different cultures, this time of the year symbolizes “rebirth and regrowth.” That people perform this ritual could therefore be a way of sort of earning luck or signifying a rejuvenation as they move forward. It could even just be away of acknowledging the importance of this “rebirth” in the earth cycle — particularly if the colors stand as “Bulgarian symbols for the Spring.” My informant also mentioned that now that she lives in America, it is kind of a way of allowing her to still be part of the Bulgarian culture and to connect to her family back in Bulgaria (particularly as her grandparents are the one to mail her the bracelets). Whenever she sees those bracelets hung on trees during this time of year, she does get a little thrill of excitement from it — a kind of “oh, that’s nice.”

The Kitchen God and Chuang Mu

Nationality: Taiwanese
Age: 17
Occupation: Student
Residence: California
Performance Date: March 21, 2013
Primary Language: Chinese
Language: English

This story was told during the daytime at a friend’s home. Sitting in front of the shrine her family keeps to honor the ancestors and the deities of Buddhism, it was told in order to explain the reasoning behind some of the rituals done on specific Buddhist holidays. She learned about these beliefs from her parents, who are strong Buddhists, and they are part of her self-identification. To her, they are fully real and are the reasons why luck and fortune come and go out of people’s lives. They are also why she believes that honoring the dead and the deities are so important and can never be neglected without severe consequences. Having lived this way her entire life, it also means her way of living to her as well.

The Kitchen God and Chuang Mu are said to keep you safe from evil spirits and misfortune. As deities of the house and home, they take care of the inhabitants if they are respected. As his name implies, the Kitchen God’s domain is the kitchen, but kitchen is very important in meaning to a house. Chuang Mu means the Mother of Beds, and she is the spirit that sits on beds and watches over you to make sure bad dreams and misfortune stays away. Their protection, however, is only bestowed if they are pleased with you and your family. If you anger them through disrespect or neglect, then they will withdraw their protection from your household. As a result, in order to show that you are respecting them and that you have not forgotten about them, you have to burn incense and give offering to the Kitchen God and Chuang Mu every few months.

This piece of folklore shows how much religion is a part of daily life, which is remarkable. It emphasizes respect for the dead and for the gods which is definitively part of Asian culture. It also shows how real religion can be to individuals and how deeply it can be associated with someone’s identity.

 

돌 잔치

Nationality: Korean
Age: 20
Occupation: Student
Residence: California
Performance Date: April 27, 2013
Primary Language: Korean
Language: English

In Korea, a child’s first birthday is called 돌 (Dol), and is celebrated extravagantly with many guests and festivities. From what I learned from my parents and upperclassmen, this celebration dates back to much older times. The reason that the first birthday is so celebrated is because during the time period, babies did not often live long enough to become one year old meaning that when they did survive, it was almost a miracle. This tradition continued on, celebrated by each family for each of their children. Back when I lived in Korea, I went to my younger cousin’s 1st birthday. Almost the entire family was there, along with friends, neighbors, and loved ones. My cousin was wearing traditional Korean clothes, which is known as a hanbok. The thing I remember most is actually one of the key traditions: the fortune-telling ritual. It is the most memorable part of the celebration, when many items including money, yarn of string, rice cake, books, noodles, etc are laid out in front of the child. The adults urged the child to pick up an object out of the many objects displayed before him. The reason for this was that when the child picks up an object, it is an indicator of what kind of person the child would be when he grew up. Indeed, each item was symbolic for a particular future. For instance, the yarn of string symbolizes longevity while the rice cakes symbolize good fortune and strength. Picking up a pen or book would indicate the child would become a scholar, while picking up money means that the child will become wealthy. Everybody eagerly waited for my baby cousin to choose and cheered when he finally picked something up. After this, the guests went up to play with the baby. They gave gifts to the parents to congratulate them and were very much jubilant and cheerful. The food, too, was very traditional. In front of the baby was set a mountain of rainbow colored rice cakes. This was meant to symbolize prosperity and good fortune for the baby. In addition, there were fruits and seaweed soup as well. Seaweed soup is actually a symbol for birthdays and is traditionally eaten every birthday starting with Dol. It was truly not a quiet, reserved party. Everybody was talking, enjoying themselves, and having fun with the baby or talking to the parents about how much they wished good fortune for the baby’s future. Shortly after, the guests began to leave after having blessed the family and given them gifts to commemorate the special day. This day was ultimately very important to me because in my eyes, these events were a time when many relatives, even very distant relatives, would come together. Regardless of where they were or how much had changed, they decided to come together to celebrate the healthy child and to have time to catch up on each others’ lives. If anything, it also was a symbol of how much the parents treasure their beloved child and the hopes that they have for the child they are raising.

The Bot Chon Ghost Story

Nationality: American
Age: 23
Occupation: Student
Residence: Los Angeles
Performance Date: March 25th, 2013
Primary Language: English

Informant Background: The informant is a student in Los Angeles. His family is originally from Indonesia. His parents moved to the United States and they now live in New Orleans. He speaks only English but he said his family still practice many Indonesian traditions especially folk-beliefs. He travels back once in a while to Indonesia to visit his relatives.

 

This is a story of a famous Indonesian ghost called Bot-Chon. In Indonesia when someone die you would wrap them with cloth. Before the burial the cloth is tied around the body. Once in the grave the body is covered with planks of woods. Soil is then put into the cloth to symbolizing the body going back into the earth, or like the body going back nature. Before the body is buried the cloth you are supposed to untie the cloth so the cloth kind of sit loose in the grave so the spirit can flow out after the burial. The ghost is then from people who forgot to untie the ghost…you know it’s like their spirit is trapped inside the cloth…So the ghost will haunt the family and friend until the cloth can be untied. It is kind of funny because  the cloth is tied around the body so this ghost just kind of hop around like a statue.

The informant learned about this tradition when he visits his family back in Indonesia. The untying of the cloth also is a way family and relatives can have the final moment of closure with the deceased. To not untie the cloth represents how the living family did not have a proper farewell moment. The ghost haunts as a way to seek their last goodbyes. To get rid of the ghost is to go back to the original burial site and untie the cloth to release the spirit.

 

 

I agree that the appearance of the spirit has a humorous quality. Since the body is wrapped in cloth the spirit would appear almost as a mummy who could not walk. I think this ghost story shows the importance of funeral as a life event. Funeral is one of the biggest life event that is ritualized and celebrated. In this case the mistake or neglect at the funeral turns the person into a ghost, similar to a lot of ghost stories where ghosts are lingering spirits or souls that did not get proper burial tradition after death. Ghost in many culture are result of a bad funeral; ones that neglect the traditions or did not follow the rules. This case is the same how the ghost is the spirit asking to be released.

The burial and putting soil into the cloth is similar to Western funeral traditions where the family would through dirt on top of the coffin before the actual burial. It is only a symbolic gesture of the last goodbye and putting the body back to nature. Unlike western traditions this tradition from the informant does not put the body in the coffin. So the body will decompose with the soil, the wood planks, and the clothes, all into the ground.