Tag Archives: tradition

Tinikling

Context: My informant is a direct family member

My informant says that Tinikling is “like a dance in the Philippines, you do with bamboo sticks”. She describes it as a traditional dance where two people are supposed to hold very long bamboo sticks on the opposite ends and there are two dancers coordinating together in the middle. It can be a very difficult dance, and it is a lot like a game. But it is still a performance.

My informant recalls that a lot of Filipinos kids (mostly girls) might learn this in school, or even outside of school because of the game aspect. And she notes that this tradition along with many Filipino traditions may stem from Spanish culture due to colonization.

It can be difficult to do it correctly, and you could easily trip if you and your partner make a mistake. But a lot of Filipinos have fun with this traditional dance.

She does remember this dance from her early years in school where it is thought so that it can be performed in a yearly school performance or presentation. She also interprets this dance as a fun part of Filipino culture. Because it is not strict to just performance but because it can be done by anyone even without it being something that has to be presented in a certain way.

Analysis:

Tinikling is certainly a folk tradition and folk dance. The dance is also performed at festivals.

Tinikling seems to be a part of Filipino culture for a very long time. And although it is a part of the history of colonization that the Philippines has endured, the tradition has seemed to be fully embraced and seen as something endearing and fun. It has been removed from the possible pain that the colonization has caused. Because the dance is flexible in its form, it can be done “formally” and traditionally through performances and yearly performances done at schools but it is also done at the homes in the Philippines or even right by the streets.

As my informant mentions, this dance is taught at many Filipino schools, it is well-known by many. The folk dance seems to be carried by pride, fun and even nostalgia. If this dance was not taught to someone in the Philippines, someone who does know could gladly teach it.

12 Grapes at Midnight on New Year’s Eve

Text: Every New Year’s Eve, the informant’s family eats 12 grapes within the minute-or-so leading up to midnight. Each grape represents one of the 12 months, and as they eat each grape they make a wish for that month. It is a way for them to bring consistent good luck into the new year.

Context: The informant has participated in this tradition every year as far back as they can remember, and their family is who taught it to them originally. The informant and their family are Argentinian and have always lived in Los Angeles. The informant said that this is their favorite New Year’s tradition because it becomes a fun competition between her and her siblings (as to who can finish the grapes the fastest) and looks forward to it every year.

Analysis: This is far from the first time I’ve heard of this New Year’s tradition, as it seems that many Spanish-speaking cultures partake in similar traditions. Potentially, I could see this tradition as an expression of optimism for the incoming year. I could also see this tradition as a way of trying to attract what you want into the new year, as in class we talked about how many New Years traditions revolve around manifestations during the liminal time that is the transition from year to year. In this case, the grapes might symbolize wealth or luxury.

Birthday Morning Tradition

Text: The informant’s parents wake them up with balloons and by singing the happy birthday song every year.

Context: The informant thought that everyone had this tradition when she was growing up. She learned that it was specific to her family at her 10th birthday sleepover party, where the informant’s friends woke her up that morning before her parents did, without singing or balloons. She refused to start the year off badly so she went back to sleep until her parents woke her up with the singing and balloons she was expecting. Additionally, her parents were the one’s who started this tradition for their family. They did not learn it from other generations. The informant has had this tradition every year since she can remember.

Analysis: Traditions like this, which are only between family, could be a way of creating a feeling of distinction from other families or people outside of the family. Since this family is the only one who knows the tradition, it is a way of expressing that they are an in-group. It is also a way of expressing love and affection from the parents to their child and making them feel special. Additionally for the informant, since she’s grown used to experiencing this tradition, not experiencing it on a given year is a sign that the year will be thrown off.

Theatre Pre-Performance Ritual for RENT

Main Piece

“[This ritual] is very common: the whole team tapping a sign before a game. In RENT, we have a plaque hand-carved by Jonathan Larson’s uncle that he carved when he died that his sister gave us. She came in and talked to our cast, and her and his college roommates gave us this plaque for the duration of our show. And it’s this big hand-carved plaque that says “Thank you, Jonathan Larson” on it. It’s hung up backstage, and after our group circle, we all have to go up to it one by one [before every performance] and like, place our hands on it and thank him before we go onstage to perform…Really simple, but we all do it and constantly remind each other of it and it’s really important to our cast.

Some of us like, if we’re feeling especially emotional, will literally sit in front of it and cry. I’m so serious, I’ve done that, ’cause Jonathan Larson is really important to me.”

Interpretation

Informant Interpretation: Informant related ritual to common sports team rituals of tapping a specific sign for luck or protection before a game. They also mentioned that the pre-RENT performance tapping of the sign was a means of “community building” and enabled cast members to “ground themselves” and “remind themselves about why they’re doing this piece of art.”

Personal Interpretation: This is clearly an important tradition to the informant and their cast, furthered by the subject matter of RENT (queer people living in NYC during the HIV/AIDS crisis) and fact that its creator, Jonathan Larson, died one day before the musical’s original opening in 1996. The sign is a physicalized reminder of the humanity and weight the show carries, and gives the cast members a material way to remember the real people it’s grounded in before going onstage. To me, it sounds like tapping this sign is a ritualized remembrance of the responsibility to tell and represent an important, nuanced story to the audience, and for the cast to honor the people around them–cast, crew, relatives, friends, and more–as well as the source of the art they’re bringing into the light.

Background

Informant is a 21 year old college student studying theatre at USC. The performance of RENT mentioned happened this semester, with rehearsals running January-April and performances in April. It was put on by the USC School of Dramatic Arts–informant performed in the ensemble for all performances. Informant is mixed race (white and Pacific Islander), and identifies as queer and fem-presenting.

Club Initiation Ritual

Main Piece

“[A club I joined this semester] has certain traditions and rituals that we have to undergo before we are onboarded slash, um, official members of the club – not on paper, but in the eyes of the members already. So…what they did is each new member or “newb” was blindfolded and led into a room where we were distracted and sc–I wouldn’t say they ‘scared’ us but they would like yell “BOO!” in our ears and scare us while we were blindfolded, but it never got too out of hand, it was never too scary, they were never too mean – just light, playful, pranks on us. And they would read–they read the constitution of their organization to us at hyper-speed while we were getting lightly hazed slash pranked and blindfolded by other members, and when they were done, we were taken back to our meeting room and we were each assigned — or they told us, in a big form of display, who our “Big” of the club was. We have “Bigs” and “Littles” — basically a new member is mentored by a past member, a member that has been reoccurring on the board — and they kind of take them under their wing to lead them throughout the club and the motions of the club, and we can come to our Bigs for advice, etc. And each of our Bigs ripped off our blindfolds and they would be standing right in front of us with their arms outstretched, ready to give us a hug. And we each had to go to different corners of the room with our Bigs and we were given 2-3 other members of the club as “delegates”, and we were all given champagne bottles. And each Little-Big pairs, along with their committee/chosen few delegates, had to chug the champagne bottle, and the first to finish got to pick karaoke for every other group.

I know that their tradition tends to wave and flow based on the constraints or number of new members that they get, but they always have traditions of light hazing, a grand Big-Little reveal, a reading of the constitution, and something where there’s a drinking competition.”

Interpretation

Informant’s Interpretation: Informant added context that this ritual happens at the beginning of the semester, and found it to be a fun tradition that unified the group. They also noted that it was hyped up to be a much more jokingly-frightening affair than it was in practice, and that partaking in it made them excited to be a part of a fun group. It also “broken down any of [their] nerves about being ‘new’ in the space.”

Personal Interpretation: While I believe hazing rituals sometimes take harmful forms on university campus, this one seems much more lighthearted and welcoming–particularly as recounted by informant, and with the knowledge that informant and peers were given context beforehand. Most importantly, the fact that it was something they were willing to share openly means no implication of absolute secrecy was present, which can often be a manipulative tactic for more intense hazing rituals. On a more analytical level, this reads as an initiation ritual–a way for new members to symbolically cross a boundary into being part of a group–and officially establish their ties to it. It also serves a purpose as a means of community bonding, and creates an experience only people part of the group have experience.