Tag Archives: performance

Theater Superstition

“Bad dress, great opening”

Informant: “Basically it’s this superstition that if the dress rehearsal is terrible, then the opening night will be incredible. I’m pretty sure we just say this to make ourselves feel better about a bad rehearsal.”

context: The informant has performed in multiple plays and has many years of experience acting and singing on stage. They are heavily involved in theatre culture and has heard and participated in many theatre rituals and folklore. They also frequently travel in order to perform in or be on the crew for plays across multiple states.

analysis: This could technically fall under occupational folklore, since the informant has experience working in this field, and the beliefs are shared amongst performers specifically. This is also a proverb that specifically helps calm anxiety before they have to perform. I also understand the need for sayings like this since acting on a stage and putting on a show is such a high energy and chaotic activity to do. It also helps to reframe something bad into something positive, since a lot of things can go wrong during a theater show. It is a way to recognize and recontextualize the meaning of an uncontrollable event. This proverb also strengthens group identity as performers of the show.

The night-night celebration

Text:

The night-night celebration is a basketball celebration popularized by Golden State Warriors star, Stephen Curry. It occurs specifically during a “clutch moment”, usually when a player hits a three pointer during the final minutes of a close, competitive game. The player clasps their hands together and leans his head on his hands to act like he is going to bed, essentially mocking the other team that they should just go home and go to sleep, as his shot has put the game and opponents to sleep.

Context:

The informant is a 20 year old USC sophomore studying chemical engineering. He grew up in Sunnyvale, California, and is a lifelong fan of the Golden State Warriors and Stephen Curry. This celebration came up during our intramural basketbll game, when the informant hit a three pointer and did this gesture at the opposing team’s bench, who had been jeering all game from the sidelines. When asked about this celebration later on, the informant said that he saw his favorite player Stephen Curry doing this celebration during the 2022 playoffs, and thought the it was badass that the message of the celebration was telling the opposing team to just give up and accept their fate.

Analysis:

At its surface, it may be difficult to see the significance behind a simple celebration from a pro athlete. However, when considering this celebration’s virality during its first performance and the cult following Stephen Curry has, my informant and many others using this same gesture during their own competitions show how folklore performance isn’t limited to specific setting, but can be done authentically in any situation as long as it comes from the same folk group. On that note, beyond its surface purpose of mocking the opponent, this folkloric gesture also functions as a gesture of admiration for Stephen Curry, which is a trait only shared by the folk group of Stephen Curry fans. Hence, the celebration can also function as a marker for one’s membership in this group.

Childhood Song – Down by the Banks

Context:

This informant is a 19-year-old student from Orange County. She learned this song from her classmates in early elementary school. She doesn’t specifically remember from who, but everyone in school knew this song.

Text:

“So this is like a childhood song that my friends and I, like, we would play on the playground. So if we’re bored, we would all like, sit down on the floor, get in the circle. There’s usually at least–like you need at least like three people, but’s usually more. You sit down and then you all hold hands with each other.

So like, your right hand goes on top of the person’s to your right to left hand. And then your left hand goes under the person on your left right hand. And you’re all in a circle with your hands up like that. And then there’s this song It’s called like Down by the Banks.

I mean there’s like different lyrics, but like the one I learned was like, Down by the banks by the Hanky, Panky, where the bullfrogs jumped from bank to bank, in the east frog, soda pop, hey mister something won’t you stop? I don’t really remember the lyrics to the last part.

“But like, on the beat, there’s one person that starts, and then you take your right hand and you, like, clap the other person’s hand. So you take your right hand and you clap, like, the person on your left, their right hand that’s on top of your left hand, on the beat, and you just keep going around.

And once the song ends, whoever it lands on, they’re eliminated, and they like, get out of the circle, and then you keep doing that until there’s only two people left. And then once there’s only two people, you hold you hold each other’s right hand in like a handshake, and then you just like, pull each other’s hand on the beat again, and you keep doing that until it lands on one person and then that’s, who wins the game.”

Analysis:

From what I have heard from other people, there are many variations to the lyrics of this children’s game song. Depending on the region someone is from, it seems they know different lyrics. In this case, my informant is from Southern California so she knows the song as “Down by the Banks.” This seems like a simple clap-to-the-beat game that every child learns. The game just gets passed down from class to class, as kids are bored during recess and play.

The “Shit Damn Motherfucker Motherfucker Damn” Ritual

Nationality: American

Age: 21

Occupation: Student 

Residence: Mason, OH, USA

Date: 4/29/2025

Language: English

Description

This is a a theater ritual that the people at USC do. And there are different variations of this at other schools, but there’s one very specifically that USC does which I really, really like. It’s [done] before a theater performance. Everyone gets together in a circle. Every actor gets in a circle. And you start really low and very quiet. And you say: “shit damn motherfucker motherfucker, damn! This dumb bitch just stole my man. Gotta find another fucker better than the other fucker, shit damn motherfucker motherfucker damn!” You do it four times, and you get louder and you get higher off the ground until you’re like jumping and screaming. And after that, it’s, like, okay, let’s go. And everyone goes back to their dressing rooms, gets focused, and begin the show. That’s the ritual. 

Subject’s Opinion: 

Interviewer: Do you know where that came from? 

Subject: I don’t know at all where it came from, but I know at other schools, there are variations of this. So I assume that it came from some sort of like, bigger, more professional thing, and then people sort of took from that, like took their own versions from that. From that original typical folklore. 

Interviewer: Why do you you think it’s such a significant thing that’s done here? 

Subject: Well, I think there’s multiple things. I think one people just love saying swear words. And, and also before a performance, you have to get very, like, energized. You have to be very active, even if you’re playing a very inactive and unenergized character. You, as the person who’s playing that character, need to be sort of heightened. Um. And there’s something about the consonants as well…shit damn motherfucker motherfucker, damn. Like the consonants of that are very activating. Um, and also just the community bonding aspect. We’re all like having fun. We’re all like… it’s silly. It’s ridiculous. You can’t take it seriously at all. Like, you cannot take that exercise seriously and getting yourself into that sort of like heightened, heart-beating state, and then having to take it down to like a performance, and having to have all that energy inside of you while you’re like…rocking it with whatever you’re doing. 

Analysis

As an active participant of the theatre community, I’ve seen the ritual performed many times, and can attest to the strong impression it leaves on anyone seeing it done for the first time. Witnessing or taking part in it being performed is a rite of passage for all theatre-makers at USC, as it means you’ve completed a show ready for performance, marking an important moment not only for the actors, but the people behind the scenes. And as one’s theatre career unfolds at USC, they will see this ritual done again and again, each time more meaningful than the previous, as it is symbolic of the camaraderie and pains and joys of telling a meaningful story together.

Ritual: Pre-performance Routine

Date of Performance: 04/30/2025

Nationality: British

Primary Language: English

Residence: Edinburgh, Scotland

My informant is a performing musician, and describes to me his pre-show ritual. He’s a singer, and so his routine is precise – while some of it is mental, any anomalies could compromise the condition of his vocal cords. It consists of several conditions: first, without fail, on the day of a show, he drinks “two full britas” worth of water. This, he explains, is to keep his vocal cords as hydrated as possible. This step is probably the most critical – as an example, he recounts a time when he had several alcoholic drinks instead of water, and embarrassed himself deeply onstage after the fact. Next is his diet: on the day of the performance, he eats only a sandwich with tomatoes and cucumber. Anything oily, like meat or fried foods, throws him off, he says. Before he arrives at the venue, he drinks a thermos of tea, specifically throat coat, at a medium temperature. Finally, while driving to the show, my informant listens to “Boogie Wonderland” by Earth, Wind, and Fire to get him in the right state of mind for his performance. 

He says that he doesn’t necessarily ascribe meaning to each of the steps in his ritual, but that adhering to them keeps his mind and body in the right space so as to perform to his best ability. When asked as to how he formulated each step, he responded that they were things that just sort of stuck with him as he performed more and more. I did witness a concert of his after this interview, and I can attest that his ritual seems to have worked. 

Being a performing musician myself, too, I can understand the importance of a standardized pre-show routine to my informant. While personally, I don’t adhere to as strict of a regimen, the music I perform doesn’t rely heavily on vocal technique, which might be the difference. A lot of singers I know have similarly precise routines, likely due to the biological component of singing properly. Often, they are encouraged to follow more rigid warm-up rituals so as to keep the vocal cords, a muscle, in its best condition, much like athletes would do before a game or competition.