Monthly Archives: April 2021

Worthless Men

Nationality: American
Age: 22
Occupation: Student
Residence: California
Performance Date: 04/25/2021
Primary Language: English

Context

The joke was collected when a friend came over for dinner and told the room about this family custom.

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Performance

The following is a joke told to me by the interviewee.

A joke that we always say in the family is that the men are worthless whenever they do something wrong. Cherokee legend that women were created because men were worthless and so my family will say, when the men in the house were being trash, that they are so horrible that women had to be created. So if my Dad did something wrong, my mom would joke that of course he did something wrong, because men are worthless and that women had to be created to solve all the problems.

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Analysis

This joke is one that is used to make fun of the men in the household. While very funny and can very much be used as a means to poke fun of the guys in jest, this joke actually holds historical meaning as well. Cherokee women, unlike many early women colonizers from the West, had a lot more power. They were independent, could own land, could leave or divorce their husband, etc. The Cherokee society was based on matrilineage, it was the women and the mothers that determined the family. And thus this joke holds true in how the Cherokee people were brought up.

Don’t Step On The Foul Line

Nationality: Caucasian
Age: 19
Occupation: College Student
Residence: Utah
Performance Date: 4/21/21
Primary Language: English

Intro

The following is an explanation of a contagious folk-magic that took place with my friend’s high school varsity baseball team. My friend played baseball from freshman to junior year, playing varsity his junior year. He now goes to college out of state so I had to call him to get him to tell me the tradition that they had. This is a direct transcribed script of what was said in the story, with the various “umm’s” and “uhh’s” omitted.

Piece

“Do I have to explain how I played baseball again? *I shake my head*. Okay. So another thing that we (his varsity baseball team) had was that we would never step on the foul line. And I mean like never. A lot of people might know of that little superstition that pitchers have where they jump over the line when they’re going out to pitch. I guess it would bring bad luck or something. But our team took it to another level. During stretches you better not step on the line. It didn’t matter if it was a practice or a game. Don’t step on the line. When we would play catch you weren’t supposed to step on the line. That kind of evolved into not straddling the line either. Probably because it was really easy to forget and step on it. So you either chose in front or behind the line. Most went behind because you had more room to work with…

I don’t usually believe in superstitions but I swear when kids would not care and just go and step all over the line we would lose games. Course, it might’ve just been made by the coaches so we didn’t tear up the paint on the lines… you know, metal cleats and all. But ya, our team was real superstitious about that and all the new freshmen caught on to it.”

Analysis

This superstition that my friend’s baseball team had is an excellent example of contagious folk-magic. I’m guessing at some point, the team was walking all over the line and then they had a bad game. Now, the line is cursed or something, and stepping on it brings the same bad luck. Of course, it is possible that the team just adapted the classic pitchers jump over the line before going to the mound. The same thing is probably the origin of that too though. Hearing this from my friend was interesting because I always knew about superstitions like that, but didn’t know people still believed in them. I’m curious as to what other superstitions that team might have, as well as other superstitions around sports in general.

Indian Proverb – “After the Ramayana is over, she’s asking who is Ram and who is Sita.”

Nationality: Indian
Age: 28
Occupation: Corporate Healthcare Lawyer
Residence: Los Angeles, California
Performance Date: April 20, 2021
Primary Language: Gujarathi
Language: English

Main Piece

Informant: “Another saying translates to “after the whole Ramayana is over, she’s asking who is Ram and who is Sita.” The Ramayana is a super famous story in Indian culture and history, and is also very long. Ram is the main prince character, and he is also a god reincarnated, and Sita is his wife. So basically you are saying you just heard this long story and now you’re asking who the main characters are.

Background

My informant is a practicing lawyer in Los Angeles, California. She is of Indian descent, and her knowledge of Indian folklore comes from her father. 

Context

Informant: “It’s used in situations where someone asks a really obvious question after hearing the whole story, which they would have known if they were paying attention.”

My Thoughts

I have studied the Ramayana before. I know how intricate and complex the stories are, and I am familiar with how long they can be. Having researched and learned about the Ramayana, this proverb was something that I can understand and laugh at, which is why I enjoyed this proverb. 

I have heard variations of this proverb before in English. But clearly, the English version does not reference the Ramayana. This shows that a proverb can be translated into more than one culture. In other words, proverbs can be cross-culturally valid. But during the translation process, certain key elements are changed to make it more culturally relevant and accurate. In this case, the Ramayana would be substituted for another work. In the English version, I have heard Harry Potter used instead of the Ramayana.

Car Rituals dealing with Hazard Avoidance – Automobile Superstitions

Nationality: Persian-American
Age: 52
Occupation: Business Development, Pharmaceutical
Residence: San Ramon, CA
Performance Date: April 28, 2021
Primary Language: English

Description of Informant

PV (52) is a pharmacist and businesswoman from St. Louis, Missouri. Raised in a Persian household, PV spent some of her early childhood between the US and Iran, prior to the revolution. For the last two decades, PV has lived in the San Francisco Bay Area.

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Context of Interview

The informant, PV, sits in her kitchen browsing Twitter, while her daughter, LK, snacks on french fries. The collector, BK, is PV’s son, and lives with her and LK.

Interview

BK: So tell me about these car games/superstitions.

PV: I think… my memory is… so there’s all these things, when I was a teenager, right? And we would be driving with friends, you started to pick up some of these, kind of, rituals that people had in their own— because, like, when you’re friends and you’re not driving in a car you never really, like, pick these things up. So it was more like when I turned 16 and we were driving, all of a sudden I noticed— we’d be driving and it would be a Friday night— and all of a sudden I remember a car went by and one of the headlights was out, and all of a sudden [my friend] went, “Perdiddle!” And I’m like, “What?” and she’s like, “Oh, don’t you guys do that?” and I’m like, “Don’t I do what?” *laughing* And we were like, so we were like, “Oh okay cool!” So whenever another car would go by that had a headlight out, then somebody would yell “Perdiddle!” So that became kind of a thing, right?

PV: And then there was this thing about if you go over a bridge… now that’s the part where I can’t remember. I think some people would tap the ceiling when you go over the bridge. I don’t know what that was about. But other people would lift their feet up [in the car] when they’d go over a bridge. Silly games, I guess.

BK: And LK you said you had something about…

LK: We’d just hold our breath. When we’d go through a tunnel. And see who could hold their breath through the whole thing. I don’t know really when it started but it’s— I feel like a lot of people know about it. Like whenever I’m with friends or whatever I’m always like, “Okay, ready? 1-2-3!” And we all hold our breath and like, everybody just does it and knows that it’s a thing, but we don’t, like, know how we all found out about it. Like, I felt that probably one time it happened and we all did it— like nobody was shocked when we all did it. It was like nobody was surprised.

PV: Oh, when I was with [my ex], they always honked when they went in the tunnel. 

BK: Honked… long? Or, was it just like a “beep!”

PV: Well, I will tell you. The idea was you were only supposed to honk when you went in the tunnel. Just a tap, I thought that’s all it was. But one time I got really mad because, we were in… believe it or not, of all things we were in, you know, like Monte Carlo? We’d gone from south of France, Monte Carlo, south of Italy, you know, like that area. And we were going through a tunnel. The whatchamacallit had been going on… the Tour de France. And we were in a tunnel and he’s going honk! honk! honk! honk! for the entire long tunnel. And his daughter starts crying cuz her ears are hurting and he doesn’t stop. He’s like “You’re supposed to honk in tunnels.” So like, his desire to do the honking in tunnel… was stronger. That ritual was stronger than his daughter crying.

Collector’s Reflection

Looking over each of these car games/activities, one may immediately suspect they are methods to keep yourself occupied on a long drive, especially pre-smartphone. However, upon inspection, a pattern becomes clear: hazard avoidance. Each of these games is performed in the presence of a potential hazard, and seems to be a superstitious ritual to protect oneself/the occupants of the vehicle.

Take the bridge and tunnel examples. Both present the threat of imminent collapse. Perhaps tapping the roof represents lifting the car over the bridge. If there’s water under the bridge, you may lift your feet to keep them from “getting wet”; otherwise, raising your feet may help you float above the bridge, or avoid adding excess weight so the structure stays standing. Holding one’s breath in a tunnel seems to be an act of prayer, akin to holding your breath in a high-stakes situation. Again, superstitious and intangible, but for good reason.

These car games can have more practical origins/applications too. Perdiddle (or padiddle as it’s sometimes known) can keep the driver and passenger aware of reckless drivers on the road. If a car approaches with one headlight, calling perdiddle ensures that your driver is aware of the potential risk. Such a threat posed by these single-headlight cars is their similar appearance to motorcycles in the dark. If the driver isn’t paying attention, they might get too close, not realizing the oncoming vehicle is much larger/wider than it seems.

Similarly, honking as you drive through a tunnel signals to oncoming traffic, much in the spirit of old trains. The auditory cue will allow any pedestrians or oncoming cars not yet in the vehicle’s line of sight to clear out, keeping everyone safe.

“Reve-enka” – Norwegian Tale

Nationality: Norwegian-American
Age: 21
Occupation: Student
Residence: Los Angeles, CA
Performance Date: April 21, 2021
Primary Language: English
Language: Norwegian

Description of Informant

NF (21) is a Norwegian-American, born and raised in Trondheim, Norway before coming to Colorado for middle school. She is fluent in Norwegian and English, is a trained dancer, and presently studies screenwriting and acting at the University of Southern California.

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Context of Performance

The informant, NF, sits in her bedroom opposite the collector, BK, her friend and classmate.

Performance

NF: It’s called Reve-enka and it basically translates to “The Fox’s Widow” and it’s a Norwegian folktale, or fairytale, and… God I don’t know when it was written. Like early 1900s I want to say? And once again there was a claymation or stop motion [film adaptation]…

BK: So it’s a piece of authored work? Or…

NF: It’s from a collection. So these two Norwegians were inspired by the Grimms to travel around Norway and collect fairytales. So they would go inside people’s homes and collect their stories. And then they wrote those down, and later on, you know, 70 or however many years later, those were adapted into stop motion movies. So they’re examples of fairy tales that were then written down and it’s not exactly authored literature but it was collected the way that the Grimms collected stories and it’s hard to know how much was altered. But it was collected, I believe from a dairymaid. 

NF: So [Reve-enka] tells the story of this fox whose husband has just died, so she’s the fox’s widow. And she’s beautiful so she’s got all the suitors. So the first suitor is a wolf and on his way to her house he passes an old lady whose nose is really, really long. And it’s been caught in a tree stump like a crack. And she asks for help and he says, “No, I’m off to propose to the fox’s widow” so he leaves her alone and he goes to the fox’s house. Umm… knocks on the door and is turned away.

NF: The next suitor, I believe, is a bear. And he does the same thing. He walks past the old lady, he doesn’t want to help her. Goes to the fox’s widow and he’s turned away.

NF: And the last suitor is a fox himself. And he’s very poor, dirty. But he stops and he helps the widow— or not the widow, but the old lady. And he helps her get her nose out of the stump and of course… She’s. A. Witch! So she makes him look really nice and he cleans up his coat and makes him all shiny and handsome and sends him off to go see the fox’s widow.

NF: The fox’s widow has like this little helper. She’s like… I don’t know what animal she is. She’s like this little cat? Or something similar. And she’s the one that’s been opening the door and turning away the suitors.So she opens the door, and she’s the one who sees this beautiful gleaming fox. And she gives him such praise and is so excited to see him and welcomes him in. He meets the fox’s widow and they fall in love, and it’s love at first sight, and they live happily ever after.

NF: So it’s another one of those stories about, you know, helping people that you come across because you never know who they are. This was adapted into the film version which I have a stronger association with than the classic fairy tale, which I was told by my parents.

Collector’s Reflection

Reve-enka was collected by Peter Christen Asbjørnsen and Jørgen Moe. Their collection of folktales was near and dear to NF growing up, and was her first experience with the tale. In the original story, which is written in old Norwegian, there is no witch. That seems to have been added to the film adaptation NF is familiar with. The story is also told more from the perspective of the widow rather than the suitors. In this version, as suitors arrive, the widow asks for the color of their coat/fur. She only accepts a suitor whose coat matches that of her dead husband.

While the story NF tells seems to be one of helping others (since you never know who may come back to help you later on), the original seems to deal more with grief, and one’s inability to let go. It makes sense that the former interpretation would be pushed for a children’s cartoon.

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To view a translated clip from the claymation film adaptation of Reve-enka, please see:

CLIP: https://www.youtube.com/watch?v=YaUSgu_i3sw

“The Fox’s Widow.” IMDb, IMDb.com, www.imdb.com/title/tt0056409/. 

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For a recording of Asbjørnsen and Moe’s version of Reve-enke, please see:

“Asbjørnsen & Moe Eventyr 3.” Spotify, 1 Jan. 2003, open.spotify.com/album/7LtZBeJjjiLFayAax6MDv1?highlight=spotify%3Atrack%3A7koo6ZKGO8aKWePNaqR6lM.