Monthly Archives: May 2025

Minor Genre: Proverb – The Wolf

  1. Text: “Έβαλαν το λύκο να φυλάει τα πρόβατα.” or “They put the wolf to guard the sheep.”
  2. Informants Context: We often had sheep around us when I was young in Greece. The shepherd was one of the most common working jobs in Arcadia, my home region. We existed in a very natural, pastoral part of Greece where wildlife was very prominent and allowed to grow. This meant that wolves often surrounded the area. The shepherds knew all about the wolves – where they existed in the region, what they acted like. The shepherd was the great guardian of his herd. The wolf is a very smart creature though, often trying to find a way to get to the flock of sheep. The wolves are the enemies of the sheep. The battle of these two animals was a common occurrence in my village, we would often watch shepherds outplay the wolves or lose a sheep. The shepherd would often lose sheep at night if anything, if the flock ever went undefended. Someone had to watch the sheep constantly, even during the night. So because of this, we developed the expression “They put the wolf to guard the sheep”. We use this expression to describe when someone is being deceitful, clearly acting in a position that they cannot be trusted in. Someone has joined or infiltrated a group to clearly destroy it.
  3. Collectors Interpretation: The themes and ideas surrounding the proverb, “They put the wolf to guard the sheep” is clearly indicative of a culture that values truthfulness and loyalty. Juxtaposing those values is a skepticism toward anyone who might practice deceitfulness or make an effort to be dishonest. One could also assume that the culture deeply prioritizes the strength and sanctity of an inner-circle, refusing to let just any stranger become closely associated with families and friends. Greeks are a culture of very keen, skeptical individuals. These concepts of truth and lies, enemy and ally are clearly at least partly informed by their observations of the natural world. The hierarchy of animals proves to be a useful metaphoric tool for the class of Greeks that grew up in a pastoral setting without having the opportunity for education. It can be assumed from this proverb that the natural world has always been a tool of education for these pastoral Greeks, informing their worldview and perceptions. Not to mention that this proverb feels closely associated with or similar to the Christian proverb, “Watch out for false prophets. They come to you in sheep’s clothing, but inwardly they are ferocious wolves.” These similarities may also represent a folkloric culture in Greece that has been distinctly shaped by Christian theology and its ideas, reshaping Christian proverbs to suit their specific viewpoint. This is consistent with the theory of multiplicity and variation, how common proverbs are repeatedly restructured to fit the context of a certain culture.

Fields

AGE: 87

Date_of_performance: May 9, 2025

Language: Greek

Nationality: Greek/Canadian

Occupation: Retired

Primary Language: Greek

Residence: Canada

Minor Genre: Gesture – The Moutza

  1. Text: Gesture of someone thrusting their open hand forward at someone else, all five fingers spread out. Used in Greek culture.
  2. Informants Context: I come from a family of Greek immigrants who haven’t necessarily chosen to teach me about this gesture, but I’ve inevitably learned it from them. The moutza is the Greek equivalent of the middle finger, for better or worse. It’s definitely less offensive than the middle finger and can be used more playfully. It’s ultimately a confrontational gesture though, meant to be displayed as a form of disagreement. The sign also has some superstitious connotations as technically the person giving the moutza is sending a curse to whoever is receiving it. This curse generally just means bad luck. The place I most often learned and observed this from was with my Papou (grandfather). He’s an entrepreneur, completely self-made from the villages and may rank among the smartest, most boss guys I’lve ever known in my whole life. That said, sometimes he has been known to blow the fuse a little bit, and when he does, it’s the moutza that he whips out (laughter). If he wants to double insult someone, he might throw his other hand behind the one that is already thrust open, layering the two of them like pancakes. That’s the ultimate disrespect. This gesture is recognized by Greeks globally but rarely in other cultures. An open hand like the moutza might even be misunderstood as a friendly gesture by certain cultures, including in America where it could be seen as something like a high-five. I personally use the moutza in a mostly fun way, in the kinds of spaces where I could get away with that kind of offensive joke. For example, when I’m with some Greek friends and we’re having a laugh, I might throw it one of their faces to get a reaction. They’ll understand I’m being funny and play along.
  3. Collectors Interpretation: The moutza is firstly a demonstration of power by Greek people. When used in a non-playful context, the gesture is clearly rooted in a show of force or intention to shame people. This might reflect a greater value on the part of Greek people about personal pride and their eagerness to defend it. Moreover, as a potential way to “curse people”, the practice could be seen as a form of contagious magic. It functions on multiple levels as a demonstration of folklore. The fact that the gesture is not universally understood, reflecting different contexts in different parts of the world, continues to demonstrate its folklore roots. It is a practice specific to Greek people, inside the country and abroad, but nonetheless specific to culturally attuned Greeks. This might also reflect a broader culture within Greece surrounding how its people perceive confrontation. If the purpose of the moutza is to pass shame onto someone who has done you wrong, perhaps this reflects a value towards honor. Shame cannot be of value without dignity simultaneously being a high-priority as well.

Fields

AGE: 21

Date_of_performance: May 9, 2025

Language: English

Nationality: American/Greek

Occupation: Student

Primary Language: English

Residence: United States of America

Minor Genre: Proverb – Truth

  1. Text: “Από μικρό και από τρελό μαθαίνεις την αλήθεια.” or “From a child and from a madman, you learn the truth.”
  2. Informants context: When I was a kid, I was sometimes difficult to deal with. Maybe oftentimes. I was really energetic and rambunctious. You could imagine me as being pretty ADHD. My parents always were going back and forth trying to get a handle of me, particularly my mom who was most responsible for disciplining me. I had an issue with self-regulating, often saying out of line, maybe socially awkward things that would be perceived as rude. For example, during one summer my family was having a pool day. This meant that my cousins, aunts, uncles, grandparents etc were all present as we hung out. We got a great barbecue going. I have one older cousin who is my senior by about fourteen years. At this time I was probably seven years old. Long story short, while we were in the pool with our shirts off, I saw my older cousin and noticed that he was looking a lot heavier. So I just told him very directly that him and I should work out together because he’s been getting fat. I’m not sure what I was thinking because I didn’t even know how to work out at that time. My mom was in close-proximity while I said this and immediately snapped at me. She told me to apologize and take it back. I don’t think my cousin cared that much but I was pretty paralyzed in that moment. I apologized and felt like garbage. Later my Yiayia (grandmother) was talking about what I said with some of the other women, and then she pulled me into the conversation, laughing. She shared the expression, “Από μικρό και από τρελό μαθαίνεις την αλήθεια.” or “From a child and from a madman, you learn the truth.” My grandmother actually agreed that my cousin needed to get himself in better shape. I didn’t fully understand the saying at the time, but it always stuck with me. Now that I’m older, it seems increasingly clear that it requires someone unfiltered to give us full truths on difficult topics. It’s something my grandmother continues to say to this day. It’s one of her many sayings that she sourced from her time in Greece.
  3. Collectors interpretation: The concept of the child or madman as a source of truth is almost a radical concept. There are multiple possible implications of such a statement. Firstly being what the informant mentioned: the unadulterated truth will only be given by people untethered by social norms. This implies that truth is rarely spoken for in fear of people being persecuted. The second implication is that it requires the uninhibited mind of a child or crazed person in order to allow truthful thoughts to emerge. These are fascinating concepts. Ultimately, the proverb functions well because of how simple it is despite the complexity of its idea. Additionally, it feels distinctly folkloric as it stems from the small villages of Greece. The actual implications of this proverb on Greek culture are multi-varied. I believe the proverb implies that the culture is self-aware, honest about its shortcomings and irreverent of consequences. This is the mentality of a culture that values genuine honesty, even when its not practical or politically smart. This also echoes a Christian proverb: “And he said: ‘Truly I tell you, unless you change and become like little children, you will never enter the kingdom of heaven.'” Children and madmen are pure in a way, abandoning political maneuvering in favor of genuine honesty, regardless of the consequences.

Fields

AGE: 21

Date_of_performance: May 9, 2025

Language: English

Nationality: American/Greek

Occupation: Student

Primary Language: English

Residence: United States of America

Canadian Nanaimo Bar Recipe

The Informant

The following recipe was shared by CM, a Canadian from Alberta, with verification from his mother.

The Text

A common Canadian dessert/treat composing of three layers, commonly found confectionary stores, supermarkets, and occasionally bakeries, and served at gatherings or laid out as snacks.

Base Layer Ingredients

  1. Cocoa Powder
  2. Graham crackers (CM originally recalled this as quick oats before verifying with his mother)
  3. Shredded coconut (sweetened)
  4. Butter
  5. Sugar

Firm Custard Ingredients

  1. Custard powder
  2. Mix with butter, powdered sugar, and milk
  3. Hold back on liquid

Chocolate Ingredient

  1. Semisweet chocolate (or sometimes dark)

Instructions

  1. Mix crushed graham cracker, sugar, cocoa butter, and shredded coconut into melted butter
  2. Fill and chill in inch deep baking pan to set for base of bar
  3. Spread an inch of firm custard over base
  4. Melt and temper semisweet chocalate and fill into the baking pan and chill to set
Image

Analysis

The simplicity of the dessert’s composition, with no baking required, being any variable base of sweet grains from wafers to crackers to oats sometimes mixed in with nuts, a filling that can vary from custard to flavored icing, and a chocolate finish of various chocolate variety lends itself to various ecotypes as it spreads, all identified with the unifying identity of coconut flavor being somehow included in the base and sometimes the icing. Its post-war emergence and rise in popularity after being presented in a global event like Expo 86 leading to it being dubbed “Canada’s Favorite Confection” in a National Post reader survey may hint to Canada’s search for a stronger national identity after the events of WWII reshaping the dynamic of the world powers as Canada enjoyed reinvigorated economic prosperity, general optimism from post-war victory national pride, and greater global political influence during the formation of the United Nations.

Voodoo Village (St. Peter’s Church)

Informant

ET is a Memphis, Tennessee resident who recalls this particular supernatural urban legend he heard from his social groups as a teenager. This is a classic case of teenagers passing rumors along orally.

Text

The Free Masons are a religious secret society. The informant’s mom’s friend is supposedly a member of the Free Masons. They are a cult characterized by chapters across the world and secret handshakes and unique vernacular. They have certain symbols and calls & response that can be recognized by outsiders, but their secret nature encourages conspiracy. Apparently, the requirements to join isn’t high, but faith in a specific God is necessary. A rural neighborhood in memphis referring to themselves as the Church of St. Peter, but everyone else regards them as Voodoo Village due to the vast amount of Masonic imagery desplayed around the neighborhood. It’s located near the backwoods with few ever visiting or residing there, but plenty of rumors come out of it from visits driving through or by. These include:

  • Dead cats and dogs hanging from trees
  • Cars breaking down in the middle of town
  • Hearing whispers following you around
  • Getting chased by crazy people with baseball bats
  • A van is parked by a dead end street that will supposedly pull over and block you in if you enter the street
  • Weird bonfires and spells during the Satanic Panic

It is not advised to exit your car while passing through, but teenagers often dare each other to visit or visit together as a legendary quest, especially on Halloween.

Analysis

This urban legend feels very classic, modern Americana to me from the Satanic Panic to the car breaking down being a very American horror, set in a largely white state with “that one part of town” nobody dares goes to, likely reflecting a marginalized, poor, neglected, and harrassed, lower-class minority neighborhood. It feels akin to the classic Act 1 setup for a 2000s teen movie that would be used as Propp’s 2nd Function, the interdiction warning the hero against something while letting the audience know that’s where the story is headed. Additionally, Tennessee is a highly religious state prone to superstitions as reflected by the Satanic Panic the informant mentioned, and as it’s not exactly a state known for a lot of attractions, the Midwest Blues of “nothing to do” compels the teenagers to seek out thrills such as legendary questing the local devil-town rumors. It represents the “other world” heroes must exit the safety of their home to enter shown by many models of narratives, even Campbell’s hero’s journey, and its attunement on Halloween further reflects how it serves as a space of inversal where the usual norms and rules are no longer in place. This becomes even more true when it is Halloween. The social implications of this location likely being a marginalized and neglected neighborhood somewhat reflects the American south’s xenophobia toward anything that doesn’t match their ideal of a neighborhood.