Author Archives: Chia Okwaraibekwe

The Legend of Eze Nri

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Story:

Accoring to the Informant, The Nri Kingdom, one of the oldest and most sacred kingdoms in Igbo history, is said to have been founded by a divine ruler blessed by Chukwu (the supreme god). According to legend, Eri, a spiritual figure sent by Chukwu, arrived at Anambra and established a community. His descendants later formed the Nri dynasty, with the Eze Nri (King of Nri) serving as both a political leader and a spiritual intermediary. The Eze Nri was not a conventional ruler but a priest-king, responsible for performing rituals to cleanse the land of abominations (nso ani) and maintain harmony among the Igbo people. He held immense religious influence, and his kingdom was known for its peace, diplomacy, and sacred authority rather than military conquest.

Context:

The informant, an Igbo elder, grew up hearing stories of the Nri Kingdom from their elders. They learned about the legend through oral storytelling, cultural ceremonies, and historical discussions within their community. For them, the legend represents the spiritual depth of Igbo heritage and serves as a reminder of the role of tradition in leadership. They see the story as a way to understand how pre-colonial Igbo society was organized.

My Interpretation:

The Legend of Eze Nri shows how the Igbo people saw leadership as something that needed to be both political and spiritual. The Eze Nri wasn’t just a ruler in the usual sense; he was seen as someone chosen by Chukwu (the supreme god) to maintain balance in both the physical and spiritual worlds. This idea of leadership suggests that it’s not just about making decisions or leading a community, but also about keeping peace with the gods and ancestors.

Obanje Child

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Story:

PA: “Ah, my child, in the old days, people feared the Ogbanje. These were children who came from the spirit world, but they were never meant to stay. A mother would give birth, love the child, care for them, and just when she thought they would grow strong, eh, just like that, the child would fall sick and die. But it wouldn’t end there, no. That same mother would take in again, and when she gave birth, the baby would look the same, act the same, even carry the same stubborn ways.

People knew what was happening. It was the same child coming back to torment the family, to bring sorrow again and again. That is why they would go to the dibia, the healer, to find a way to stop it. Sometimes, they would cut a mark on the child’s body small, small scars, so that if they died and returned, they would see the mark and know they had been caught. Other times, the dibia would search for the child’s Iyi-uwa, a secret thing the Ogbanje hides in the earth, tying them to the spirit world. If they found it and destroyed it, ah, the child could stay. They would become like any other child, no more running away.”

Context:

The informant is an Igbo elder who grew up hearing about Ogbanje children from their own elders and witnessed how deeply people believed in them. They first heard about it as a child from older relatives and saw families who lost children seek out traditional healers for help.

My Interpretation:

The Ogbanje story is a really interesting way that Igbo people explained something as painful as losing a child. Instead of seeing it as just bad luck or illness, they believed some children were spirits that came and went, causing grief for their families. The idea of marking the child or finding their Iyi-uwa was a way to stop the cycle and make sure the child stayed.

Even today, some people still believe in Ogbanje, or at least know someone who does. It shows how strong traditional beliefs can be, even when times change. Whether or not someone believes in spirits, this story makes it clear how much families struggled with repeated child loss and how they tried to find ways to protect their children.

Masquarade (Mmanwu)

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Story:

The informant explained that seeing a masquerade (Mmanwu) for the first time is something you never forget. She remembered being about seven or eight years old during a festival. The whole village was celebrating when the deep sound of the ikoro drum rang out which meant the Mmanwu were coming. She held onto her mother’s wrapper as the masquerade appeared. She had always been told that Mmanwu were spirits of the ancestors, but at that moment, all she felt was fear.

She recalls the Mmanwu suddenly running toward the children. Everyone screamed and scattered. She ran as fast as she could, losing her slippers in the sand. Her uncle laughed and called out, “Run! Mmanwu will catch you!” And in that moment, she said she truly believed it would.

She said that later, her mother just laughed and told her it was all part of the tradition. Looking back, she found it funny too, but she still respected the power of the Mmanwu.

Context:

The informant is an elderly Igbo woman who grew up in a traditional village in southeastern Nigeria. She recalls this childhood experience of seeing a masquerade (Mmanwu) for the first time during a festival. She had heard about Mmanwu from her elders, who explained that they represent ancestral spirits. As a child, she believed the spirits were real and feared being taken away. Now, as an elderly, she sees it as an important cultural tradition and laughs at her childhood fear.

My Interpretation:

The informant’s experience with the masquerade chase shows how these traditions mix fear and respect for the spirits. The masquerades aren’t just part of the festival for fun, they are seen as powerful spiritual figures. The fear the informant felt reflects how these spirits are both respected and feared by the community. Even though she was scared at the time, the memory helped her appreciate the importance of these ancestral figures in her culture.

“Clap for yourself!”

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Text:

“Clap for yourself!”

Context:

The informant, I, remembers hearing this phrase a lot in Nigerian culture when someone does something that doesn’t really deserve praise but acts like it does. It’s usually said sarcastically, especially when someone makes a mistake or brags about a small task. For example, when she would boast about doing something simple like cleaning up her room, her mother would often say “Clap for yourself!” to humorously point out that it’s not worth bragging about.

Analysis:

“Clap for yourself” is a funny way to tease someone who thinks they’ve done something great when it’s actually not that impressive. It’s often used to make fun of someone who is overestimating their actions. This phrase is a part of Nigerian culture and is used to joke with friends or family in a lighthearted way. It shows how humor is used to remind people to stay humble and not get carried away with small achievements. Even though it points out someone’s mistake or exaggeration, it’s said in a fun, teasing way to keep the mood relaxed and friendly.