Category Archives: Folk Beliefs

New Years Eve Ritual

text: “Every New Years Eve, my family puts a $100 dollar bill in their pockets before the clock reaches midnight. We do this because it brings prosperity in the New Year and the hope that you will be rich. My grandparents on my Filipino side put round objects in their pockets, such as coins or grapes, which also will bring wealth and good fortune in the New Year” -Informant

context: The tradition and superstition of these comes from both his Italian side and his Filipino side. He is 50% Italian, and 50% Filipino and has multiple traditions for every holiday. On his Italian side, his mom introduced putting a $100 bill into his pocket, maybe to just give him a hundred dollars, or maybe to bring him good fortune. On his Filipino side, his dad would make him put grapes, coins, or anything round also in his pocket to bring wealth and prosperity in the New Year.

analysis: What’s interesting about the combination of both of these New Years rituals, is that the informant will probably pass down these traditions to his kids. It will be a combination of them and be his way of passing down his culture to his kids. These New Year’s Eve superstitions and rituals serve as a prime example of Jame George Frazer’s theory of sympathetic magic, in specific, homeopathic magic. In his theory, he explains the belief among folk groups that certain practices can be carried out on a smaller scale that then produce major effects on a larger scale, that if which affecting the future.

New House Ritual

text: “In Filipino culture, when you move into a new house, you put coins in the corner of every room in that new house. This supposedly brings prosperity and good fortune for your new chapter in life.” – Informant

context: This superstition/ritual was learned from the informant’s grandmother on his Filipino side. She learned this from her parents whenever they moved houses and passed it down to her son, the informant’s father. It is a huge part of Filipino culture, and the informant stated that superstitions are also huge in his culture. In Filipino culture, money is the biggest part of becoming successful, therefore, putting coins in the corners of rooms can act as a way of helping one achieve that wealth.

analysis: This is both a tradition and a superstition because it is passed down from generations, but also used to supposedly bring prosperity. When moving into a new house, it seems like a way to make it your own and ward off any negative energy. Everyone wants to be successful and there are coins are a huge motif to display that.

Running Over Lemons

Nationality: American
Age: 20
Occupation: Student
Language: Tamil & English

Text:

Driving over lemons with a newly purchased vehicle.

SB: We place a lemon under every tire of a vehicle we just bought, and then we drive it over so we crush all of the lemons, so it’s as if all the lemons are taking the brunt of the bad luck that the new vehicle might be running into in the future. It’s a preventive measure type of thing…because all the lemons have taken the bad luck, you’re not supposed to step onto a crushed lemon you see on the street because all that bad luck could transfer to you.

Context:

SB is uncertain about the tradition’s origins or what the exact context is. However, she mentions that in in Hinduism, “when you visit a temple, sometimes you break open a coconut, and I’m assuming it has some similar things in terms of destroying these fruits.” She connects breaking these fruits as physical acts of removing bad luck, and she iterates that her family does this whenever they get a new vehicle.

Analysis:

In situations where we feel like we don’t have control, we often try to assert authority through superstitious beliefs. While they may not be scientifically accepted, they can be held true by a community and naturally embed itself into familial tradition. Specifically, when we buy a new vehicle, there’s a lot we may not know: the ins and outs of how the car drives, what it’s like to drive the car amidst a bustling highway, and other factors that could influence our sense of security. When we drive, our lives are in the hands of everyone else on the road. These acts to ensure safe driving can remove the stress from a very anxiety-inducing activity for some people.

There are many driving rituals that exist to prevent bad luck or appreciate good luck, such as holding your breath when passing a graveyard or hitting the dashboard when narrowly escaping a yellow light. Despite laws and policies that attempt to keep our roads safe, institutions can’t really dictate belief. So much of this unofficial knowledge and these individual and communal rituals blossom from a desire to claim more direct control and exercise our personal beliefs. There is no law that tells us how to magically bring upon good luck, and there is no science supporting some of these rituals, but we believe in them anyway and engage in these practices to add an extra layer of security.

Legend – Fog of Bellevue

CONTEXT: 

J is a freshman at USC, and a good friend of mine. He is from Mercer Island, Washington, a town within the Seattle metropolitan area. The island lies between Seattle and Bellevue.

TEXT:

“So I lived on an island (Mercer island), and it was surrounded by this big lake, and past the lake, it’s surrounded on two sides – one side by Seattle and the other by Bellevue, and there used to be this legend that the Native American people that used to live on our island would see in the morning – there was a lot of fog, right – and so they couldn’t see through to bellevue on the other side. But in the afternoon, when the fog cleared, they could see the land on the other side. So it was said that they used to believe that the island would rise up out of the water during the day and sink under the water during the night. My grandpa lived right on the lake, and I used to visit him a lot, and so he would tell me that story a lot of times when I was a kid, and one time when I was working at Subway just before I moved here to Los Angeles, there was a guy that came in who said the same thing. As a kid, when I was at my grandparents’ house, I would not see the land in the morning and then see it in the afternoon, and I thought maybe that it was true. I think it’s kind of cool to think about – when you’re a kid, you don’t know that Bellevue – that a city is a city, like you see a city landscape, like “oh those are things,” but you don’t really think about there are people there, so when I was a kid I just thought it was a landmass, and it was a really cool idea that it would sink and rise and it was just part of nature, and I guess I still like to think of it that way, so it’s kind of nice to think of nature as something unaffected by other people.”

ANALYSIS: 

The ways urban legends tend to grow out of a mystical view of indigenous people almost seems like a way to detach oneself from superstition. Especially in more modern and developed areas, there is a strong societal detachment from what is considered spiritual or legendary. In this sense, while modern, non-indigenous people may still believe in this story or be able to perceive it, it is much easier to apply that culturally to an indigenous group much more associated with ideas of spiritualism and natural phenomena. Yet the story regarding those previous folk who believed this still persists, striking a narrative about previously held beliefs that then affect the perceptions by those who currently interpret it. In a sense, this is folklore about folklore.

Legend – Slenderman in Real Life

CONTEXT:

J is a freshman at USC studying screenwriting, and a good friend of mine. 

Slenderman is an online-created urban legend spread throughout the site CreepyPasta. It originated with photoshopped images of a slender, tall and faceless man in a suit.

TEXT:

J: So one time when I was a kid, my cousin and my mom were talking about Slender Man, because I guess they both heard of it. And I was like, eight at the time. And I had never heard of this because I was like, eight years old. And I had no connection to like, creepy pasta or anything on the internet. And so I asked them to tell me a story about it because I wanted to know what he was like. So they told me this story about this girl who was home alone one night, and she forgot to get water before she went to bed. So when she was in bed, she was like, oh, I need to get up and get water because I’m really thirsty. So she went to her kitchen. And as she was getting the water, she saw this weird, creepy figure in the corner of her kitchen, and it really freaked her out. But instead of going back to bed, she continued to get the water. And so then when her parents came home, they saw that she wasn’t there. So they looked around, and they asked a bunch of people. And eventually they found out that she was at the hospital. And so they went to the hospital to talk to her and ask her what happened. But her ears and her tongue and her eyes were all cut out. And her hands were cut off. So that she couldn’t see if he was going to come again. She couldn’t hear if he would come again. She couldn’t speak what happened, and she couldn’t write down what happened. And so that way, he would remain anonymous. 

Me: They told you this when you were eight?

J: Yeah. And so then I remained afraid of Slenderman until I was like, in the middle of high school. Because the legend goes that like, if you cease to believe that Slender Man exists, then he will come kill you. But so long as you believe that he exists, you’re sort of safe. And so that made me not want to stop believing in it. But then it kept freaking me out.

ANALYSIS:

Slenderman is a curious case of folklore in which it takes on a life of its own outside of its place of origin: the internet. Creepypastas tend to be another form of scary storytelling for children and young people, and they are, in a way, a place akin to campfires for the exchange of scary stories. For something as famous as Slenderman, however, it evolves into a cultural being despite having been started with fan narratives that were written down, which is not how we traditionally think of folklore. Yet because there is no official canon nor a copyright, the people are able to be communally creative while making agreements on who this character is and what he should be.