Category Archives: Kinesthetic

Body movements

Dabke

Nationality: American, Lebanese-American
Occupation: Student
Residence: Los Angeles, CA
Performance Date: 3/26/23
Language: English, Arabic

[L]: For weddings, we always have like specific instruments for like the ceremony. We have tabals, which are a certain kind of drum that will be at every wedding, every Lebanese wedding reception. There’s also the darbuka which is another type of drum and then there’s also a little like flute…I don’t really know what it’s called but if you googled “lebanese flute” you could find it. [I did google it, and it’s called a zamour] And those three instruments are essential for Lebanese weddings.

[Me]: Do you happen to know why?

[L]: Well those are just the instruments that are used for all parties, aka hafle, but those instruments are just like at the center of almost all like party music and they’ve all been used in the region forever. You’ll find variations of those instruments in every other country in the Middle East..but yeah.

[Me]: Are there particular types of songs that they play? Or even a particular mood or tone or rhythm of them?

[L]: Usually very upbeat, um, and the mood or rhythm…there’s a very iconic Lebanese party music if you look up Faris Karam, he’s a very….iconic singer and his songs will always be at weddings. There’s also a dance that we do called dabke and we do that at all of our parties and weddings.

L is 20 years old and a student at USC. She grew up in Michigan, but spent most summers in Lebanon with family. Her dad grew up in Lebanon and immigrated to the United States in his early 20s, and her mom grew up in the United States in a Lebanese immigrant family. L has been to multiple Lebanese weddings—though only in the United States—so this information comes from her first-hand experiences as well as her general knowledge of Lebanese culture from her upbringing. 

I was fortunate enough to attend a USC Lebanese, Egyptian, Persian club crossover event with L very shortly after conducting this interview, and was able to experience and witness dabke first-hand. The dance didn’t make an appearance until about 2 hours had gone by of vibrant Arabic music blasting all around, but when it did surface, it was unstoppable. There was no distinction between those of Lebanese or Egyptian or Persian origin, this was a moment of people coming together to perform a dance that they knew as well as their own names. The most wonderful part of dabke, in my humble opinion, is that it works in a similar fashion to a conga line—participants can keep joining at the end of the chain—but instead of being linear, the front of the line begins to spiral inward to create a sort of pinwheel of people, all holding hands and united in dance. It makes perfect sense that this would be a dance performed at weddings and other celebrations alike—upon doing a little bit of research, I found that the dance has ties to community, family bonding, and resilience: “A simple message of locking arms together, stomping to the ground, and singing or chanting has left a deep mark in the culture…it unifies us against our oppressor” (Dabke Dance: A Shared Tradition of the Levant). Dabke is a folk dance known well in regions like Palestine, Lebanon, Syria, and Jordan, where people live and die by their connections to their family and community. Speaking to the specific wedding performance of dabke, a wedding is a liminal period in one’s life, and thus a dance promoting and encouraging resilience and unity would serve to reassure the newlyweds and make sure that they know they have the strength and love of the community behind them. All in all, dabke is a beautiful manifestation of the dearly held beliefs, ideals, and traditions of both Lebanese and other middle-eastern cultures.

Chinese promise gesture and accompaning phrase

Nationality: China
Age: 20
Occupation: student/rapper
Performance Date: 2/21
Primary Language: Chinese
Language: English

Text:


“Here is a gesture that might be interesting. The gesture is for making a promise. I think the U.S.’ is very similar. You hook your pinky finger with your friend and touch your friend’s thumb.”


“But what’s different in China is that at the same time, you need to say ‘la gou shang diao yi bai nian bu xu bian.'”


“The two thumb touching is what we say like putting a stamp on the promise.”


Context:


FG is a student studying history and economics at USC. He is currently in a program in Ireland. He performed this folk gesture and folk speech to me through a zoom call. This piece of folklore is something that is performed many times by the informant when he was young.


Analysis:


This is a combination of folk speech and folk gesture. The folk speech has to go in combination with the gesture to make any sense. As a matter of fact, because this folk speech has been around for too long, part of the content doesn’t make sense anymore. “La gou shang diao yi bai nian bu xu bian,” or “拉勾上吊一百年不许变,” translate directly to “hook, hang, a hundred years no change. ” The “hang” part doesn’t make sense because as this piece of folklore spread in China, the original word for “shang diao”， or “上吊”， or hang, actually is a transformation from the homophone “上调，” which also is “shang diao,” but the meaning is very different. “上调” means the thumbs pull up and meet to put a red stamp on the things we want to promise.


On the other hand, another explanation is formed for the transformed version of “shang diao,” or “上吊.” People start to say that it means we keep our promises til we die. Because “上吊” specifically means a method of suicide: hanging on a rope. Folklore rationalizes itself with different transformations. It intrigues me when I think of the transformation and the rationalization of this particular piece.

Sorority Stroll

Age: 18

Context

AG is my friend from back home in Chicago, Illinois. She was born in Joliet, Illinois and then moved to Chicago when she was five years old. She is of Mexican and Salvadoran descent. She attends university in Illinois and is part of a Latino founded sorority. I am a part of the same sorority here at USC. The name of our sorority was left out for anonymity purposes. 

Text

DO (interviewer) : I think that being a part of a sorority in a way comes with its own sense of community and folklore, wouldn’t you agree?

AG: Yeah totally! I think I see my sorority sisters more than I see my own family *laughs.*

DO: I definitely agree. What do you think are some traditions or rituals or beliefs that we have that come with  *name of sorority?* 

AG: Hmmm. I don’t know. I feel like there’s a lot that other people not in it can think is specific to us. I know people always have a culty vibe to sorority *laughs* 

AG: I think maybe strolling? I know that other non multicultural sororities definitely don’t stroll so I think it’s just POC orgs that stroll the way we do?

DO: Oh yeah! That’s a good example. 

AG: And like. We all obviously have the national stroll that we all have to learn as part of our process. But then I think it’s cool that we all have like chapter strolls and stuff like that. You know? Like our chapter stroll is different than yours. 

DO: It also can differ from class to class. 

AG: Right. Like when I initiated with my class we danced to a certain song and now the new babies know that, that song is a stroll but for their celebration they had a completely different one. So I guess if we’re talking about culture there’s an example of how many little different communities we have even within our little community. If that makes sense. 

Analysis

According to Oring, folklore implies some group of people who share something. Here the informant and I used our social groups to demonstrate how similar and different the same community can be when separated by some factor. Though her chapter is in Illinois and mine is in California, both have some essential elements. In terms of dances and performances, every new class has a show where they reveal themselves to their academic community, and during this, we have to perform a “stroll,” which is a dance. Regardless of where they are in the country, every member of our sorority knows the “National Stroll” and can all dance the same exact moves to the same songs. There are other rituals/traditional elements to these showcases that we all follow. However, as mentioned, we all also have our own chapter stroll. My stroll here at USC consists of different moves to another song than her Illinois chapter. As the informant mentioned, each new class that initiates can also have its own stroll that differs from the two already mentioned. These dances allow unity and sisterhood across all state borders and enough uniqueness to stand out and make a name for our chapters individually. Though we are technically the same community with shared folklore, we also have smaller communities with differing folklore within this larger one. This idea can also be applied to other groups, such as ethnic ones. 

New Year’s Traditions

Age: 18

Context

AG is my friend from back home in Chicago, Illinois. She was born in Joliet, Illinois and then moved to Chicago when she was five years old. Her mother was born and raised in Joliet and is of Mexican descent. Her father immigrated to California when he was twenty five years old from El Salvador. He then moved to Joliet when he was thirty. 

Text

DO (interviewer):  I know that we often talk about certain superstitions or things that our families do during the holidays. Can you talk to me more about which one or ones you consider to be your favorite? Or one, or ones, that you do the most often?

AG: The one we have the most fun with is probably the suitcase one on New Years. It’s so fun dude. 

DO: Can you talk more about it? 

AG: So, the saying goes. Once midnight hits on New Year’s Eve, so technically I guess it’s New Year’s Day at that point. Anyway. Once it hits you run around with an empty suitcase. Just around your block a few times and this will ensure that you travel a lot in the upcoming year. 

DO: What does this tradition mean to you and what’s your stance on it? Do you believe it works?

AG: Well, growing up we were mad poor. You know this. Even after we moved to the city we didn’t have much money, you know? So it was fun to just run around with my parents and just dream and hope. I’ve traveled a few times throughout my life so I’d say that even if it doesn’t work I’d like to think it does. I’ve never not done it because I wanna travel girl! 

Analysis

The informant and her family have this holiday tradition/ritual every year to bring in lots of traveling. My family also has similar stories of performing this tradition when they were younger, so there are cultural ties to this. However, this empty suitcase travel method is a ritual not tied to a specific cultural community; many cultures have some variation of this lore. Past just performing it because of cultural beliefs, the informant holds a particular superstition about it. She believes that if she doesn’t stick to this tradition, then she will travel less. As she also mentioned, this was a way for her and her family to remain hopeful for future fun during rough times. It is special to the informant for this reason, and she continues to perform it and believes that it helps her travel more. 

New Year’s Traditions

Nationality: Colombian American
Age: 19

Context 

SD is my close friend here at USC. Her parents are both from Columbia and immigrated to the US. Her mother is from Cartagena, Colombia, and immigrated to Newark, New Jersey, when she was sixteen. Her father is from Salento, Colombia, and immigrated to Clifton, New Jersey, when he was twenty. They all now reside in Orlando, Florida. 

Text

DO (interviewer): I’m interested to know if your family has any New Year’s Eve or New Year’s Day traditions that you practice to ring in the new year?

SD: I think we have a couple different ones in my family. The first one has to do with grapes. With eating grapes. Basically, you get a bunch of grapes New Year’s Eve early in the morning. Then you wait until it’s ten minutes before the New Year comes. So 11:50. Then you start eating grapes. 

DO: Is there something specific that you do or say when eating the grapes? And what significance do the grapes have for your family’s New Year? 

SD: Yes! So. Each grape is the equivalent of one wish. So for each grape that you eat you’ll have one wish granted. So you just have to close your eyes and make a wish and really believe that the wish is gonna come true, then eat the grape and it’s done. 

DO: Nice. I like that. Are there any other traditions that you especially like? 

SD: I wouldn’t say that I like this one per say, but my sisters do. This one just says that you wear a specific color of underwear to sleep on New Year’s Eve and when you wake up on New Year’s Day the process to getting you that thing starts. *pauses* 


SD: Wait, that sounds confusing, let me reword that. Essentially, let’s say that you want to manifest love into your life. You’ll wear red underwear. And so on for all the colors. The colors go like this: yellow is money, green I think is more time outside or in nature, pink is friendship, white is peace, and blue is health. So you wear whatever color underwear to bed right. Then you wake up the next morning and lets keep with the red example. So you wake up the next morning and the universe or God or whatever you believe in is now making the path to get you a nice relationship.

DO: You mentioned that your sisters like this one a lot. How do you feel about it?

SD: I think I’m more of a grapes type of person. Honestly, I’ve been doing that one since I was a kid so I think to me it still has that spark of childhood magic to me. But the underwear thing seems like a scam to me. But who knows. 

Analysis

After speaking more with the informant, she said these beliefs came from her parent’s Colombian roots. In my family, we also share a similar tradition both with the grapes and the colored underwear, so I believe that this holiday tradition does have ties to Latinx folklore. The grapes can also be considered children’s folklore in this informant’s case. She mentioned how when she was younger, she started off performing these “rituals” so even if they may not actually grant her wishes, she chooses to continue to do so. This shows the importance of children’s folklore and the types of impressions that it leaves on us as we continue to grow. Sometimes things that we consider “magic” as children continue to be a connection to that feeling as we age.