Category Archives: Kinesthetic

Body movements

Greek Compliments

Nationality: American
Age: 20
Occupation: Student
Residence: Los Angeles
Performance Date: 4/30/14
Primary Language: English
Language: Spanish

In Greece it is customary that if you give someone a compliment you must immediately spit on them, making a sound like “p-th p-th”

My roommate is half Greek and she learned this tradition from her mother.  She explained that the spitting is to prevent the compliment from going to their head and inflating their ego.

This is interesting because it promotes a humitity above all else.  This custom illuminates a light on a culture which retains a mentality that people are ordinary and must always remember that.  This seems to be particularly strong in Greek culture where they had a theological system where gods were very similar to humans, they experiences human desires and intereacted with humans on a regular basis.  As a result people were very aware that they were less than gods, who weren’t that special to begin with, leading to a humility and a custom that exists to prevent egos from being inflated.

Softball Ritual

Nationality: Canadian
Age: 19
Occupation: Student
Residence: Los Angeles
Performance Date: April 29, 2014
Primary Language: English

Informant’s self-description: “Both my parents were born in Canada but both my parents on either my mom or my dads side were born in China or in Wales so I identify pretty equally with both of those cultural backgrounds. Even though I didn’t really get a chance to get to know any of my grandparents because they died when I was very little. So I don’t really know that much of the cultural background from those sides but I would like to explore it sometime. Mostly just Canadian though. Born and raised. Very Canadian. Obnoxiously so.

“I do a lot of sports. I grew up playing – my mom wouldn’t let me. I tried to play hockey but she wouldn’t let me. She told me my brain hadn’t finished growing and I would damage it by falling down skating on the ice. And I could start playing when I was twelve. But the thing is is that by the time you’re twelve, you’re already so far behind on the skating skills that catching up then becomes a mess and its not even worth starting, which she probably knew. So I never played hockey. I played soccer and softball and volleyball growing up and I did gymnastics for a while until my mom made me pick between that and soccer. I chose soccer. I’m also into fandom culture and general nerdiness. I’m in the cinema fraternity at USC. Also a social sorority somehow. I don’t know how that happened. ”

Are there any rituals among your sports things that you took part in and continued?

Softball and baseball are very superstitious sports, not sure how much of that you’re aware of. But some of the general ones including not stepping on the chalk when you’re starting a game – in the on deck circle and the batters box, ‘til the game starts you don’t step on the chalk. And then in tournaments once you slide or get your uniform dirty, it’s lucky dirt – you can’t wash your uniform. Some people take it to the point where they can’t wash their socks either, between days of the tournament. Which is kind of gross. Like after you play five games in one day and then you go to play five games the next day. But usually our team would change the color of the socks we were wearing so that you could wear different ones. ‘Cause they stank.

Did that happen to you where you couldn’t wash your uniform?

I generally subscribe to the belief that it was unlucky to wash my uniform. Yeah, It’s like a lot of smaller rituals. I wouldn’t say there’s a big one but probably the not-washing-the-uniforms is the biggest one.  But also stepping into the batters box the same way each time, like when you’re sitting up in the field – or I used to be a pitcher, so when I was standing up to pitch it would be the exact same motion every time. Which is kind of a muscle-memory comfort thing.

Talk about one of them in particular. Which one did you ascribe the most to?

Aside from not washing the uniform between games, I think the biggest one would be the batters box. [Informant demonstrates] I’d always sort of scrape the dirt up, of the box and sort of make sure I”d have – with my cleats and make sure it was a nice flat surface. And then I would go like – back foot in first, then touch the far side  – the outside of the plate with  the end of the bat. Front foot in, and sort of dig myself in, set up, put my bat out – and get into batting stance. And I would do that every time and then sometimes when I would step  out, I would knock off the dirt between my cleats with my bat. And I would feel weird if I didn’t do it for whatever reason.

Did someone tell you about this ritual? Where did you first hear about it? Do you remember?

Most of the players have a sort of getting-in-the-box ritual that they have, that’s different from player to player. A lot of it is just from watching the national teams play when I was little or watching the professional league – like you’d want to emulate your favorite players. So you’d kind of adopt what they did stepping into the box until it became your own habit, and then you’d adapt them a little bit as you got more comfortable with your own batting style. So I’d say it definitely – from players on team Canada that I would admire growing up. I have no idea where they got it from.

Did you ever talk about that to your teammates?

A couple times. We’d always say like, “yeah I always” or “[Name A] always taps her helmet when she gets in the box.” Or “oh, you always do that when you get in the box.” “Yup, it’s weird if I don’t” A lot of us who took the sport more seriously would discuss our weird little habits on the field that we always do – like [Name B] always spits in her glove, and she has this old batting glove that has holes in it and smells like rancid manure but she doesn’t throw it out because it’s her lucky batting glove, even though it’s mostly just a strap of a glove now ’cause it’s so worn down – like all of the – like the entire palm is gone but she still wears it in her glove. And then [Name C]  always twirls her bat when she steps into the batting box even though it looks kind of dumb. But she can’t stop at this point. It’s definitely something we talk about.

You said you do it as a comfort thing. Does it get you prepared, mentally?

Yes? I’m not sure if the action itself gets me mentally prepared – it’s more like the absence of the action makes me feel unprepared.

 

Was not able to take video, but the demonstration of the batters box movement was very specific. Informant described each part as they did it.

Cherries and Cherry Queens

Nationality: American
Age: 20
Occupation: Student
Residence: Los Angeles, CA
Performance Date: April 26, 2014
Primary Language: English

My informant is a college junior studying cognitive science and creative writing. He is a casual pot smoker.

He heard this piece of folklore while working on a ranch near his Texas hometown, from an older man who taught him and his fellow ranch hands all about weed culture. He likes it and it means a lot to him because it reminds him of the time in his life when he was a ranch hand and of the people he worked and lived with at the time. He says he hopes to bring the same vibe of that group of people to his friends and smoking pals now.

This interview was performed in the informant’s bedroom.

“What’s a cherry?”

“A cherry is, um, when you light the bowl and then you smoke it and then after you’re done smoking it it’s still like, lit, like there’s still like a red glow in the bowl, so it’s called a cherry and you can pass it and then you say ‘oh it’s cherried!’ and then they quickly but without lighting it continue to just smoke it, and then if they can continue to pass it around the circle and it gets all the way back to you and it’s still lit, then it’s like super cool and like a very rare feat, and then you’re officially the cherry queen. Oh and cherry queen is like an automatic pass, like if you’re cherry queen, and you get cherried, no matter when it stops, it comes back to you and you get to light it again. So like if it goes all the way around the circle and then like two people down it’ll come back to you and reset at you.”

These kinds of very specific stoner traditions and stoner language prove to me that this subculture is very developed and widespread, which counters the notion of stoners as lazy and generally not serious. Within stoner communities or microcommunities, these traditions and lingo are very important and tend to distinguish experienced smokers from newbies.

Mexican Rain Dance

Nationality: Mexican
Age: 21
Occupation: Student
Residence: Los Angeles
Performance Date: 4/29/14
Primary Language: English
Language: Spanish

Mexican Rain Dance

Personal Background:

Stephanie is a junior at the University of Southern California studying biology. She has grown up with a lot of Mexican influence, and has even spent some time in Mexico with her parents and grandparents. She is living in Los Angeles at the moment and is very happy with some of the Mexican influence L.A. has.

Ritual:

In the small, rural area that Stephanie is from in Mexico, crops are a necessity. The people grow and eat all of their own corn, as well as other warmer climate vegetables. When she was around six years old and visiting her grandparents in Mexico, there was a lot of rain happening. It is important for the crops to get rain, but there was more rain than they needed. Stephanie’s family then decided they needed to do the dance that would stop the rain. They all started walking in a circle and started to sing as they walked. She says she does not remember how the song goes, but she remembers she liked it. It then turned out that the dance worked and the rain stopped. She is not sure if it was luck that it stopped, or if the dance actually worked. She has not tried it since, but she likes the idea that worked because of the dance her family did.

Even when there is a lot of rain, there are times when there is no rain. One thing Stephanie’s family has done in the past to help get the rain to come is carry a Virgin Mary statue around in the spots they want it to rain. This starts bringing the religious aspects that come with the Hispanic cultures.

These rituals mean a lot to Stephanie because without the rain her family does not have crops to eat. It makes her feel better to think these rituals work because her family spends a lot of time performing them. They give her memories of helping her family have things to eat, and she remembers having fun as kid getting to really embrace her Mexican culture.

Analysis:

This is some religious folk belief. They are doing the dance is part of a superstition, or even a magic to make the crops grow. It might be more of a psychological thing than anything else. If they think their dancing and prayers and work, then they will continue this way.

To me, this is exactly the type of thing a small area would do. They seem to have more rituals and traditions. They rely to heavily on nature, it is there only way they can feel they have control of anything.

An Armenian Greeting

Nationality: Armenian
Age: 19
Occupation: Student
Residence: Los Angeles
Performance Date: 4/29/14
Primary Language: English
Language: Armenian

An Armenian Greeting

Personal Background:

Arthur is a freshman at the University of Southern California studying applied math. He has grown up in Los Angeles with major Armenian influences. He is fluent in the language, and he speaks it at home with both parents. With a decent Armenian population in Los Angeles, he is able to practice some of his traditions more frequently.

Traditional Greeting:

One very specific rule one must follow in Armenian culture is to respect elders. One way of doing this is the traditional greeting Armenians do. They shake hands, as well as kiss each other on both cheeks. Kids must start doing this when they turn about 14. When they do not, it means whoever is the younger party is, is disrespecting their elder.

The greeting is also a way to show closeness with someone. When it comes to the people who are closer in age, they do not actually kiss each other on the cheek. It is as if they “fake-it.” They only touch cheeks and kiss the air. Arthur says he will only greet Armenians this way, and not people of other ethnicities. He also says he does not need to greet his younger cousins this way, unless they are close in age. It is something that has made him feel close to his roots. He loves being able to use his traditions that are not ones he uses every day.

Analysis:

This greeting is a ritual. It shows respect when it is done, as well as it is something that meant to be special. It is something only Armenians do with other Armenians. It is something that comes with age, and it is not meant to be taken lightly.

To me, this is a way to connect as a culture. Armenians have this greeting nobody else has. Other countries do have other greetings, but they do not have the same ones. It is a way to feel one is part of a heritage.