Category Archives: Myths

Sacred narratives

The Spirit of Chipeta

Occupation: Director of Ute Indian Museum
Residence: Montrose, CO
Performance Date: 10/29/20

Background

The Ute Native Americans are in three reservations in Colorado and Utah: Unitah-Ouray, Southern Ute, and Ute Mountain. They have their own sovereign nations that have their own tribal leadership. Within reservations there are different bands of Ute Natives. The story told takes place in the Ute Indian Museum Montrose, Colorado. There Chipeta and her brother John McCook are buried. Chief Ouray, Chipeta’s husband, is said to be buried in Utah.

Chief Ouray was designated chief by the U.S. since he spoke English. He was Apache and Ute, he belonged to the Uncompahgre Band. He had one child with his first wife Black Mare, however she passed away unexpectedly. Since Ouray spoke English, Spanish, and Ute, the U.S. government decided to make him the proxy for treaties, regardless of how the Ute governed themselves. Nevertheless, Chief Ouray always strived for peace.

When gold was found in the San Juan Mountains, settlers began to encroach. The lands of all natives got smaller and smaller. The Utes were moved to what is now known as Montrose County. A settler was ploughing land near the reservation assigned to the Utes. The young Utes, as accustomed, raced their horses. However, they had raced on some of the ploughed land. This dispute eventually exploded, but no one knows who shot first. The incident did lead to the involvement of Nathan Meeker, the Indian agent at the White River Indian Agency that managed the Utes. Meeker did not care about the culture and customs of the natives, he was predisposed against Utes. The small dispute led to more conflict and eventually Meeker called on federal troops. The Utes viewing it as a threat rebelled, and took Meeker’s wife and daughter. After, finding out what had occurred, Chipeta wept for Josephine Meeker and her daughter. She showed kindness. The U.S. successfully negotiated to have them released and they went to Ouray and Chipeta’s ranch.

However, the Utes were forced to relocate, after a final battle, to Utah and further away from their lands. Chipeta didn’t have children, but she loved them and adopted many. Chief Ouray was blamed for the relocation of the Utes, and labeled a traitor, but given U.S. history, Ouray also saved his people from genocide, he saved the children of the tribe and their future.

It is extremely important to recognize that the entities and spirits in the Ute Indian Museum are not malicious

The museum has been here since 1956. It closed down in 2015 to remodel, and expand the museum. The original structure is still present. The staff has reported viewing orbs of light and shadow-people. When they watch the cameras, they move around quickly. They move around real fast, and trigger sensors, so they do get a police officer. He was scared of coming out to the museum.

The Story

We sat in CJ’s office at the Ute Indian Museum. Flute music played in the background. Photographs of the museum and her children lined the walls, along with Ute artifacts. Two words describe CJ, spiritual and calm.
My name is CJ Brafford. I am the director at the Ute Indian museum, I am Ogologo Lakota. I was born on the Pine-Ridge Indian Reservation and have been the caretaker of the Ute Indian Museum for 24 years. When I came here for the job, the doors to the museum were locked, and no one gave me a key. I wandered the grounds and met Chipeta. I didn’t know yet, who she was.

Being Native I have been around many things, and seen many too. I have been here for 20 years and I have traveled and researched the Utes. So, I think I about gathered as much information as I can. I have seen many archival records, but one day a community member of Montrose called. She wanted to see me and share something with me. When she arrived at the museum she came in and she showed me a picture. I had not seen this picture, and I got so excited, like oh my gosh, I’ve never seen this picture. Chapita is buried here, she died in Utah in 1924 but she was brought back to Montrose in 1925. The Ute were removed in 1881, but nonetheless Chipeta is here today. On the museum grounds next to her brother John McCook. So, when she came in, I thought she was showing me a picture that she found at the archives or found somewhere else. It’s a picture she took just the night before on the museum grounds. She wanted me to identify the person in the picture. She knew it was an Indian woman, but I knew it was Chipeta.

Another time, I was at the front desk when somebody in the gift store said, “I don’t want you to think I’m kind of strange, but Chipeta’s standing right behind you”.

Questions

After the story I had two questions, why is Chipeta still on the grounds and why is Chief Ouray not buried beside her, CJ provided answers.
Chief Ouray went to go sign another treaty, but he got sick and passed away in Utah in 1880 away from his home. The Southern Ute did not allow his body to be taken back with the agent from the White River Indian Agency. A year later, two Ute bands in Colorado were forced to relocate to Utah. The Ute at that time placed their deceased in caves. Chief Ouray was placed among other chiefs. Chipeta was with Ouray when he passed, and she knew where he was buried.

A federal troop account said that they saw Utes and a horse with a body over it. It is believed that Chipeta brought him back and buried him in a disclosed place. Utes have come by and said he is in the Black Canyon. There was an attempt to bring Ouray to Chipeta’s burial ground, and Chipeta to Ouray’s.

CJ heard was that after the Ute bands were removed, Chipeta would travel from Montrose to Dragon, Utah through train. Chipeta befriended a wealthy man, who had the first car. His employers would pack Chipeta a picnic lunch and he would drop her off here. She would sit here to do her choosing, and she would cry. I think part of her spirit is still left here, even when she journeyed over. This was her home, and up there it was foreign. The place given to them was barren, we had mountains. There was greenery here, they were given a desert.

Chipeta is a guardian, consoling all who are tied to the land where her history is in the landscape. When it was taken from the Utes, she came back to Montrose, rueful that many of the Utes would not return.
Chipeta and her brother John McCook remain buried in Montrose, Colorado.

Sources
CJ Brafford Ute Indian Museum Director
Platts, Henry. “Ouray.” Colorado Encyclopedia, https://coloradoencyclopedia.org/article/ouray. Accessed 29 October 2020.

Saraswati – The reason not to step on paper and books

Nationality: United States
Age: 16
Occupation: Student
Residence: Redwood City, CA
Performance Date: 4/30/20
Primary Language: English

Main piece:

AI: So there’s a Hindu goddess named Saraswati who represents, like, knowledge, and a folk thing is that she lives inside all, like, books and paper and shit. So anytime you step on paper and cardboard you have to like, ask for her forgiveness for stepping on her. It was literally so annoying when I was little. It was a thing I was taught to do growing up. Whenever I stepped on paper my parents would be like, don’t piss off Saraswati!

Context:

The informant, AI, was born in the US, but her parents are from India. Both parents grew up in North India but are culturally tamil brahmin (South India.) She learned this tradition from her parents, and even now, she still avoids stepping on books and paper. This story was collected through a phone call.

Thoughts:

I met the informant in high school. We attended a school in Silicon Valley which had a big focus on STEM, and the general culture there was quite academically competitive. I think that this story, while obviously not originating from the Silicon Valley, has a great similarity to the reverence of wisdom and intellect present in SV (although, minus the snootiness). The informant, AI, is still in high school and still in that culture herself––I think the fact that she chose this story is a reflection of the similarities between both cultures.

The Story of Izanami and Izanagi

Nationality: United States
Age: 23
Occupation: USC Annenberg Digital Lounge Media Support Specialist
Residence: Los Angeles, CA
Performance Date: 4/25/20
Primary Language: English

Main piece: 

EG: So my dad’s from Japan, and there’s this story about how the island of Japan was made with the gods izanagi and izanami, and there was something about how izanagi was stirring the sea to create the island of Japan. And then there was something about izanami hiding a cave, so the sun wouldn’t come up because he’s related to the sun or something. And then she would come out of that cave when she heard music, and that’s why they have Taiko drumming.

Interviewer: And how does that relate to your childhood?

EG: Uh as a kid my family went to Japan every summer so it can relate that way. And since we were in the countryside, or like suburbs, or like near the mountains, there’s a lot of shinto shrines and stuff and a lot of the Japanese kids shows had elements of Japanese folklore like kappa and stuff. 

Context:

My informant, EG, grew up in the US and visited her dad in Japan every summer. Being surrounded by Japanese suburban culture there was a very special experience to her, which is why she remembers the story––especially when Japan in western media is generally only depictions and stories about the very urbanized areas. EG was also the president of the Taiko club at USC, which would explain why she remembered the bit about Taiko drumming. This story was collected over a phone call about her time in Japan.

Thoughts:

Upon doing further research to fill in the gaps of the story, it turns out that Izanagi and Izanami were two, occasionally interpreted as a romantic couple, who created everything as we know it. They created more than just the ocean and Taiko. I think that this story is really interesting because the world springs forth from their bodies; like Izanagi’s eyes became the sun and moon deities, for example. This happens in a lot of other culture’s folklore. A famous example would be the Greek version of the Earth, Gaia, and how the parts of her body create the world. I think it’s interesting that creation stories often have this thread of the world being a singular body.

(For another version of the story of Izanami and Izanagi, please see this link:  https://www.britannica.com/topic/Izanagi, Encyclopedia Britannica.)

The Mythical Plant: Kalo

Nationality: American
Age: 21
Occupation: Student
Performance Date: 4/25/20
Primary Language: English

Abstract: A mythical plant that is known as Kalo in Hawaiin but as Taro in English. This plant is named after mother earth known as Papa and the Sky Father Wakea which are two of the most important entities in Hawaii. This planet is a great delicacy for the people of the island and is known as the Polynesian people’s most diverse plant since it was able to feed all ages. The story of the son of the two deities was Kalo in fact and he was stillborn so his parents decided to bury him in the ground. The burial of their sun brought his mother to tears which hit the soil where he was buried and a plant began to grow where he was buried. 

Background: DM is a student at the University of Southern California who is a native Hawaiin and grown up with many Hawaiin tales to explain how her place of living came to be. She finds great interest in the history of her island She grew up her entire life in Hawaii and with that, has heard a lot of folklore. Unfortunately, she doesn’t remember when she first heard these stories After reading about famous Hawaiin Folklore, I saught to ask her about what she knows about her Island and its origins. 

Transcript:

P: So tell me about some of the foods or ingredients of the food that you think is significant.

DM: There is a plant that many Hawaiin finds to be important and also used in many delicacies, Kalo. Kalo is the origin of Hawaiin culture it feels like such as there is this lau lau where people roast a pig that is wrapped in Kalo leaves. If you pull the Kalo plant from the ground its root is very nutritious and used to make this paste known as Poi and its purple. This plant has a bigger significance than just being a widely used ingredient, its also named after the children of two entities which are Mother Earth and the Sky Father, Papa, and Wakea. They have some kids and one of them is named Kalo and this child died right when he was born which is so sad. Papa then buried the child and cried after she finished burying Kalo. From her tears, it added nutrients to the soil, and the plant known as Kalo grew. 

Interpretation: 

Kalo is the physical incarnation of nature and being a person of the earth. This myth shows the importance of Nature to the Hawaiin and how they personify all of its elements in an effort to protect nature. This is mainly shown with the connection between Kalo the son being born from the two deities of nature and being the main source of food for the Hawaiin’s. This story has the theme of giving as the deity of earth Kalo used her son to produce a powerful substance to feed the people of Hawaii and also present a symbol of nature to them. One could say that true Hawaiin values nature over most in order to preserve the Islands they live and the deities who protect them and the Island they inhabit. For more on the legend of Kalo, you can read this article: Scroggins, Dan. “The Hawaiian Creation Legend and Taro.” The Real Hawai’i, 10 Mar. 2016, therealhawaiitours.com/hawaiian-creation-legend-taro/.

Story of Saint Juan Diego

Nationality: American
Age: 21
Occupation: Student
Residence: California
Performance Date: 4/26/20
Primary Language: English

Abstract: The story of Juan Diego is one of the more known stories in the Catholic faith and by many Hispanic families as well. His story has influenced much of the paintings and illustrations of our lady de Guadalupe. Juan Deigo first encountered Mary who is the lady of Guadalupe while walking to mass one day. This encounter occurred in a vision where he saw her and he was asked to build a shine on a hill outside of Mexico city. In the end, the Bishop was convinced after seeing a mural of Mary on Juan Diego, and a large shrine was built for Mary. This story resonates with H because she has a painting of this mural in her family room where it’s constantly viewed.

Background: H is a student at the University of Southern California who’s experienced this traditional ceremony from her transition into womanhood. She’s lived in California her entire life and is a first-generation American and her family keeps many of their traditions from Mexico alive in her life.  She believes that the way her Quince was conducted is very traditional but also has a few twists that are uncommon to the format. The topic was brought up during lunch while discussing our family roots.

Transcript:

P: Well I want to know more about the picture you have in your living room, is there a reason for this being here or is it just for show? 

H: That’s a photo of our lady de Guadalupe and it has a lot of history and roots tied in catholic religion since he’s the saint who found out what she looked like through a couple of interactions and one big one. 

P: Tell me about the story of this saint.

H: Ok, Juan Diego was a dude from Mexico near Mexico City and was one of the first non-Spaniards to become catholic and join Catholocism with his wife. So one day he was walking to mass and then he had this vision that he was talking with Mary mother of Jesus. He was astonished by this so he went to the Bishop about this vision he had and how the mother mary told him to build a shine for her. I think it’s pretty weird that she’s like build me a shine. (laughs) 

Juan Diego then left the place of the bishop and was then encountered by the mother Mary again and he explained to her how no one believed him so Mary instructed him to walk on the hill and collect the roses in his robe and bring them to the bishop. He traveled to Tepeyac hill with the flowers and then returned back to the bishop. He dropped the roses from his robe and everyone was in shock because a mural of Mary was on his robe and that’s where we get the illustration from. They quickly built the shrine after that and in Mexico City, they have the original robe which Juan Diego wore to prove the Bishop wrong. We have that photo in our house to pray to and to remind us of the Catholic faith. 

Interpretation: 

From this story, it shows that the catholic faith means a lot to this family and many others with this mural in their home. Not only does it remind them of the story of Saint Juan Diego but it also acts as a constant reminder of their roots how where their religion stems from through these selfless acts of preserving the faith by building shrines to important Biblical figures. H heard of this story from her mother when she was younger and continues to hear about this story when she attended high school and during lent. H doesn’t recall how long this story has been in their family but she knows that her grandma told her mom this story. She assumes its been for quite a while. She’s also heard this story told at church and at her high school.

The story itself seems very skeptical in some sense as it relies heavily on miracles and random chance. At first Juan Diego is mentioned to be one of the first natives to turn to the catholic faith which is important because it contradicts the real idea that a lot of the natives of Central America were against turning to the catholic faith so this willingness may have been used as a way to entice others to do the same. Finally, I find it weird that the mother of Jesus is requesting to have a shrine built for her near Mexico city but later it was found that this shine is meant to hold special powers when it comes to healing and a higher rate of miracle granting compared to others.