Tag Archives: Chinese

Chinese Folk Belief on Big Noses

Nationality: Chinese American
Age: 19
Occupation: Student
Residence: Los Angeles
Performance Date: April 13, 2017
Primary Language: English
Language: Chinese

Note: The form of this submission includes the dialogue between the informant and I before the cutoff (as you’ll see if you scroll down), as well as my own thoughts and other notes on the piece after the cutoff. The italics within the dialogue between the informant and I (before the cutoff) is where and what kind of direction I offered the informant whilst collecting. 

Informant’s Background:

My parents and I are from Central China, but I grew up in Kentucky.

Piece:

So my parents would tell me another thing… compared to my mom and dad, I have the biggest nose in my family. My parents would make me feel good about it by telling me that people with big noses tend to be more fortunate in the future.

Piece Background Information:

I guess that’s like a superstition they have, but it made me feel good about myself. They would just point out my big nose and tell me I would be successful in the future, because that’s how it goes. I think it’s a Chinese culture thing.

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Context of Performance: 

In person, during the day at Ground Zero, a milkshake shop and cafe on USC’s campus in Los Angeles.

Thoughts on Piece: 

While I did not find any specific accounts of Chinese folk beliefs associating a large nose with success, there are many accounts observing that Jewish people tend to have large noses and also tend to be successful. While I do not quite know where this belief that a big nose could symbolize good fortune came from, it is safe to assume that the informant’s parents probably were trying to make him or perhaps even themselves feel good about what they believed was a big nose. For the record, I do not think the informant’s nose is large.

Folk Belief on Red Ears

Nationality: Chinese American
Age: 19
Occupation: Student
Residence: Los Angeles
Performance Date: April 13, 2017
Primary Language: English
Language: Chinese

Note: The form of this submission includes the dialogue between the informant and I before the cutoff (as you’ll see if you scroll down), as well as my own thoughts and other notes on the piece after the cutoff. The italics within the dialogue between the informant and I (before the cutoff) is where and what kind of direction I offered the informant whilst collecting. 

Informant’s Background:

My parents and I are from Central China, but I grew up in Kentucky.

Piece:

My mom would say… sometimes my ears would get really hot and red and uncomfortable. I think that’s a normal thing for people for whatever reason. When I would tell my mom, she’d tell me that it just meant somebody was missing me.

Piece Background Information:

I think it was just a way of making me feel good in an uncomfortable situation. I think her mom told her that, and she passed it down to me. I don’t know if it’s like a Chinese culture thing or something passed down within my family, but that’s just something she would tell me.

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Context of Performance:

In person, during the day at Ground Zero, a milkshake shop and cafe on USC’s campus in Los Angeles.

Thoughts on Piece: 

The folk belief that itching, ringing, or burning (red) ears means someone is talking about you or thinking about you dates back very, very far and is definitely not limited to Chinese folk belief. Some further variations claim that ringing in your right ear means someone is thinking or saying something good about you, while ringing in your left ear means someone is thinking or saying something bad about you. While this of course is not based in scientific fact, it is most likely a sentiment that parents pass along to their children in order to explain an unknown phenomena of ear pain (and possibly even tinnitus) or feelings of embarrassment or overheating.

Chinese Proverb/ Chengyu

Nationality: Chinese American
Age: 19
Occupation: Student
Residence: Los Angeles
Performance Date: April 13, 2017
Primary Language: English
Language: Chinese

Note: The form of this submission includes the dialogue between the informant and I before the cutoff (as you’ll see if you scroll down), as well as my own thoughts and other notes on the piece after the cutoff. The italics within the dialogue between the informant and I (before the cutoff) is where and what kind of direction I offered the informant whilst collecting. 

Informant’s Background:

My parents and I are from Central China, but I grew up in Kentucky.

Piece and Full Translation Scheme of Folk Speech:

Original Script: 蜻蜓点水

Transliteration: qīng tíng diǎn shuǐ

Translation: “The dragonfly touches the water lightly” or “superficial contact”

Piece Background Information:

We have a saying in my family that goes like “qīng tíng diǎn shuǐ”.

You know how when dragonflies fly around a pond and when they touch the water, they gently touch it and keep flying along? Well that’s just another way of describing someone who doesn’t know what they’re doing. They say he’s just “qīng tíng diǎn shuǐ”. And that just means like they don’t go deep, they don’t go all the way into the water, they just touch it.

My mom would use this to describe my dad, for example when he would say he was going to clean the kitchen and like only clean half the dishes and leave everything else to be done. So I would hear that phrase used a lot.

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Context of Performance: 

In person, during the day at Ground Zero, a milkshake shop and cafe on USC’s campus in Los Angeles.

Thoughts on Piece: 

The comparison of half-way cleaning to a dragonfly who skims the water is quite a romanticized outlook and allows for the conversation of “well… you really only cleaned a little bit” to be more easily had, as there is a funny context added to it. I can definitely relate to needing to somehow calmly and casually bring up to a roommate that they aren’t pulling their share.

Chinese Folk Belief on Leg Shaking

Nationality: Chinese American
Age: 19
Occupation: Student
Residence: Los Angeles
Performance Date: April 2, 2017
Primary Language: English

Note: The form of this submission includes the dialogue between the informant and I before the cutoff (as you’ll see if you scroll down), as well as my own thoughts and other notes on the piece after the cutoff. The italics within the dialogue between the informant and I (before the cutoff) is where and what kind of direction I offered the informant whilst collecting. 

Informant’s Background:

My mom was born in Hong Kong and lived there up until she was 19 before moving here, and I was born here (in America).

Piece:

My mom would not let me or my brother shake our legs. You know how some people have that nervous tick where they shake their legs? Well she thought that it symbolized shaking money off a tree, so if we did it we wouldn’t be rich in the future. So she would tell us “we were shaking the money off the trees” so now me and my brother don’t shake our legs anymore, although we used to a lot when we were kids. 

Piece Background Information:

She probably got that from her parents as well.

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Context of Performance:

In person, during the day, in the informant’s apartment adjacent to USC’s campus in Los Angeles.

Thoughts on Piece: 

This is clearly an instance of homeopathic magic, where the mimicking of shaking a sort of trunk (legs seen as the foundation for which the body depends) has affects in reality and in this case negative effects of losing money or fortune. I could not find other similar accounts so it is pretty likely that the informant’s mother, and possibly the informant’s mother’s parents (and so on), have shared this with their children in order to stop them from shaking their legs and groom them into proper adults. Leg shakers are the worst.

Chinese Folk Belief on White Headdress

Nationality: Chinese American
Age: 19
Occupation: Student
Residence: Los Angeles
Performance Date: April 2, 2017
Primary Language: English

Note: The form of this submission includes the dialogue between the informant and I before the cutoff (as you’ll see if you scroll down), as well as my own thoughts and other notes on the piece after the cutoff. The italics within the dialogue between the informant and I (before the cutoff) is where and what kind of direction I offered the informant whilst collecting. 

Informant’s Background:

My mom was born in Hong Kong and lived there up until she was 19 before moving here, and I was born here (in America).

Piece:

So my mom would not let me wear anything white on my head because she said that it meant like death in Chinese, or in China. So when I would try to wear like a white headband (I used to wear headbands) or put anything like a white hat on my head, she told me not to because it was death basically. 

Piece Background Information: 

Maybe when they bury someone, they put a white sash around their heads or something. It’s probably something her mom told her.

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Context of Performance:

In person, during the day, in the informant’s apartment adjacent to USC’s campus in Los Angeles.

Thoughts on Piece: 

Although the informant was not too sure on the origins behind this practice, the informant still holds to it to this day.Although I could not find anything supporting the informant’s belief that a white sash is placed upon the heads of the deceased when being buried, which would have been in a sense homeopathic magic (magic of similarity), there are clear associations between white and death, and it comes to no surprise that the informant’s mother would choose to see a white headdress as symbolizing death. Upon further research, apparently white is typically symbolic of the dead in Chinese funeral rituals – it is common in practice to place a white banner over the door of a household to signify that a death has occurred.