Tag Archives: festival

German Easter Fire Tradition

Nationality: German/USA
Age: 56
Occupation: Accountant
Residence: Seattle
Performance Date: 4/10/22
Primary Language: German
Language: English

Context:

AH grew up in Westergellersen, a small village in northern Germany and attended these Easter fires throughout her childhood.

Main Piece:

“Leute in vor allem ländlichen Gegenden sammeln Holzmaterial und Buschwerk und türmen es möglichst hoch auf. Es soll weithin sichtbar sein. Es entsteht ein Wettstreit um das höchste Feuer. Am Karsamstag wird es angezündet. Das Dorf versammelt sich dann um das Feuer, es gibt Bier, Glühwein und Würstchen.”

Translation:

People from all the surrounding rural areas gather wooden material and shrubbery and pile it as high as possible. It should be able to be seen from far and wide. There is a contest for the highest fire. On Karsamstag (Holy Saturday, the day before Easter) it is lit. The village gathers around the fire, there’s beer, mulled wine, and sausages.

Analysis:

This part of the Easter festival celebration in northern Germany seems very useful for promoting unity and connection within a town. Because the villages compete for the tallest fire, the one that can be seen from the farthest distance away, this creates an in-group out-group boundary. Also, since gathering the materials for the highest bonfire takes time and work, the townspeople must work together, as they wouldn’t be able to achieve this highest fire on their own. Then, on the evening before Easter, when the fire is lit, this festival ritual turns into a communal gathering place for the village people. Beer, mulled wine, and sausages are all extremely common foods in northern Germany, and are generally associated with any festivals and gatherings, or seen as something like ‘fair food.’

Cherry Festival (Blenheim, ON)

Context:

AS grew up in Blenheim, Ontario, and attended this festival annually while growing up.

Main Piece:

AS: “So, the area I grew up in, full of orchards, all kinds of tree fruits. And one of them was the Cherry Festival, and it was known because, I swear to god, people compete spitting cherry pits. And the world champion cherry pit spitter came from our town. We were like ridiculously proud of someone who could expel a cherry pit, like, a really surprising distance.”

Analysis:

The Blenheim Cherry Festival (identified in online sources as Cherry Fest) is a great example of the practice of festivals celebrating a key local industry. Since, like the AS stated, the area is “full of orchards, all kinds of tree fruits,” cherries are a large part of the culture of the town. The festival occurs in mid-July, the peak of cherry season in Canada. This peak falls later because the Ontario weather is colder than in many other cherry-growing areas.

One of the central activities at this festival is a cherry pit spitting competition. Immediately, this makes sense because it directly involves cherries, but it also makes sense on further levels. Where the entire festival celebrates the growing of cherries, a full industry that is not especially approachable or accessible to enter for the lay person within Blenheim. If you do not already work in the Cherry industry or own an orchard, it is difficult to start commercially growing cherries. So much of this festival has a clear delineation between the industry insiders who participate in the trade, and the festival attendants who are not involved in the industry, but may still connect with the town’s cherry-centric identity (or just enjoy a good festival). But the cherry pit spitting competition, while it is still centered around cherries, evens the playing field. Anyone can be good at spitting cherry pits; there is no need for start-up capital or a commercial orchard. This competition invites the non-industry lay person into taking an active role within the festival, and therefore invites them into the community of Blenheim.

The Dragon Boat Festival

Nationality: Chinese
Age: 19
Occupation: Student
Residence: California
Performance Date: April 28th, 2022
Primary Language: Chinese
Language: English

Text:

The festival is called:

Chinese: 端午節
Phonetic: Duānwǔjié
Transliteration: End Noon Festival
Translation: Dragon Boat Festival

“I think the festival is around his death, so it really is just a festival to commemorate him the guy who jumped into the river and killed himself the guy who suicided I guess I mean it’s in the name although it’s not really a tradition anymore it’s really more about the food nowadays more than racing dragon boats they still do it in southern china. It still happens but it’s less common than just eating the food thats what we do mostly. We don’t really do much we just know that day is a day off and we eat Zongzi as a family.”

Context:

Informant (XY) is a student aged 19 from Changsha, China. He spent a few years going to elementary school in Canada but has spent almost his entire life in China. He currently goes to USC. This piece was collected during an interview over dinner in the dining hall. He learned about this from his family. He doesn’t really see any larger meaning behind the festival.

Interpretation:

This piece demonstrates how festivals have changed with industrialization. As (XY) mentions, this festival today is more seen as a day off than anything else. The piece demonstrates how festival practices have changed with industrialization, and, in China, how the Cultural Revolution has impacted traditional cultural practices.

Tug-of-War

Nationality: Japanese-American, British
Age: 19
Occupation: student
Residence: San Diego, CA
Performance Date: April 19, 2019
Primary Language: English
Language: Japanese

Text:  KT: We have a giant tug-of-war, like literally a million people pulling at a single rope at a time. It happens every year, just for fun.

AT: To symbolize what, were you celebrating something?

KT: No idea, maybe we were. But every year there is a rope that is about 3 meters in diameter, and there are offsets of ropes that pull out. And it’s literally a million people, and they shut down the biggest freeway on the island and they see which side wins. And you can just pick whatever side you want. There’s people climbing on the ropes and shouting, it just gets really crazy.

AT: Does someone usually win?

KT: Oh yeah, every time. And there’s usually like three deaths every year. They just don’t give a shit. Five-year-old me was terrified, it’s very dangerous.

Context: KT was born in Okinawa, Japan and lived there with his Japanese mother and British father for the first nine years of his life. Though memories of his time in Japan are fading as KT ages, he still remembers specific things about life in Japan that were ingrained on his young mind during his early years. The folklore above was shared over lunch one afternoon during which I asked KT if he thought he had any folklore he could share with me from Japan. Most of the material he remembers is because he either got in trouble for going against the superstition or his involvement in the practice scared him. In this case, the practice scared him. 

Interpretation: KT doesn’t remember the specifics of this festival due to his young age during the time of his participation. He remembers the practices of it, not the festival’s purpose, which is understandable for a child. KT did a good job of providing a primary account of the methodology that goes along with fighting over the largest ropes in the world. Though he thought the people of Okinawa were participating in this large-scale game just for fun, the festival has actually been around for hundreds of years. Tugs-of-war were once held throughout the island to give thanks for a bountiful harvest and to pray for rain. Everyone in the community took part in these rituals symbolizing Okinawa’s spirit of yuimaaru (cooperation). It can be assumed that the festival isn’t as important to the harvest as it used to be, but it still exists as a symbol of Okinawan community.

 

Navratri

Nationality: Indian-American
Age: 18
Occupation: student
Residence: Austin, TX
Performance Date: March 14, 2019
Primary Language: English
Language: Hindi

Text: RB: Navratri is an Indian Festival, it’s like celebrated in India. It happens every November, and I think you know, it’s like whenever I wear those really fancy dresses and I’m like, “I’m gonna go dance.” I feel like you know that. But anyways it’s basically just a celebration of dancing and fasting, like a celebration of life. And it’s really good cause what you do is you go to this big dance hall or whatever, and there’s this music, it’s called Garba music. And you can search it up, it’s like very traditional music. And you just dance all night to it. And it’s like a celebration of life. Traditionally, it celebrates three goddesses in Hinduism. It’s like Durga, Lakshmi, and one other goddess. But, it just marks the start of a new season basically. The most famous thing about it is the dance style. So, Garba is a very famous dance style, it’s like folk dancing. But anyone can learn how to do it because it’s just repetitive steps in a circle over and over again. But that’s my favorite dance ever.

AT: Who taught it to you?

RB: My parents. My parents and my grandparents taught it to me. And sometimes they conform the dance style into competitions. People have like competitions with this style now, or people just do it for fun at like any event. It’s just a very big community thing in India. Especially if you’re, like, my type of Indian. Like, I’m Gujarati, which is like from the state Gujarat in India. And it’s originally from Gujarat. So if you see someone else from Gujarat you’re like, “Hey, Navratri, Garba…” It’s our thing. Oh, and my grandmother sewed my dress.

Context: RB is an Indian-American who lived in India during her pre-school years. She practices Jainism, one of the lesser-known religions of India. She frequently returns to India to visit relatives and continues to practice her faith and India’s festivals with other Indian-Americans in Texas. This interaction took place in a living room while we were both home for spring break.

Interpretation: Navratri is typically a nine day-long festival typically celebrated in honor of the divine feminine in India. Navratri is celebrated differently depending on where you are/are from in India, practices surrounding the festival existing in multiplicity and variation. RB mentioned that it was a time of fasting, while others who participate in Navratri see it as a time of feasting. While the pattern varies somewhat by region, generally the first third of the festival focuses on aspects of the goddess Durga, the second third on the goddess Lakshmi, and the final third on the goddess Sarasvati. RB mentioned the first two of these goddesses while failing to remember the third.

RB chose to share this festival with me due to the mere fact that it is her favorite. She holds it special because of the fact that it is specific to the region in India from which her family is from, and the fact that Garba dancing is a point of pride and community that her family and the people from Gujarat share.

For another interpretation of this festival, please see p. 2416-2419 of Stany Pinto’s “Communalisation of Tribals in South Gujarat” (Economic and Political Weekly, Vol. 30, No. 39)