Tag Archives: festival

Crawfish Festival

Text (festival/traditional food)

“The Crawfish festival is a classic festival we’ve all been to growing up since it has carnival rides, games, and good food you can only really find in the south.”

Context 

My informant was born and raised in Texas and has been to the festival with family and friends numerous times since they were a child.

Q: “What is the crawfish festival?”

A: “The crawfish festival is a festival usually celebrated in southern states and includes carnival games, vendors, crawfish, and other southern comfort foods. It’s basically a celebration of southern culture and hospitality where people come together and appreciate community and popular southern delicacies.

Analysis 

The Crawfish Festival is popular in Louisiana, Texas, and other southern states for both locals and visitors to come together, enjoy, and commemorate southern culinary traditions not typically found in regions outside of the south. Crawfish isn’t the only traditional culinary form available at the festival, there also includes crawfish, étouffée, jambalaya, and more. These traditional foods are all part of Cajun and Creole cuisine. Crawfish are popular in Creole cuisine as they are abundantly found in the south, étouffée is a roux including crawfish and other seafood topped over rice, and jambalaya is another rice-based dish including sausage, chicken, and seafood typically served at large gatherings. People of all backgrounds and cultures travel to the south to participate in the Crawfish Festival as this is a way for cultural heritage and culinary lore to be spread and enjoyed across various communities. Seafood and dark meat products were major food sources for enslaved African Americans. This cuisine is a reflection of various influences and factors representative of a larger cultural identity in African American communities. Appadurai discusses the cultural significance of cultural cuisines in asserting cultural identity and representations of class hierarchies. These southern foods commonly eaten by enslaved African Americans, is an acknowledgment of African American resistance to slavery while embracing cultural customs predominately seen in the southern United States. This is representative of how culinary lore and recipes move where people don’t as they assert a cultural identity and exemplify resistance to the impacts of colonialism.

King Cake

Text (traditional foods/folk belief)

“I bought King Cake one year. I thought it was just going to be a slice, but it was big enough for multiple people.”

Context 

My informant has attended the Mardi Gras parade twice and tried King cake once when she went with friends.

Q: “What is King Cake?”

A: “King Cake is a large type of cake in a circular shape but hollow in the middle almost like a rope that is decorated in icing and sugar of the Mardi Gras colors: green, gold, and purple. It typically has a tiny toy baby in the center of it that represents baby Jesus and is a symbol of a year of good luck and prosperity to whoever finds it in their slice”

Analysis

King cake during the celebration of Mardi Gras is a collective ritual most people participate in to celebrate and participate in the cultural experience as well as hoping to find the plastic baby looking forward to prosperity in the coming year. Stemming from Frazer’s ideas of belief and sympathetic magic, this shows how non-scientific belief has an influence on the natural world implying good luck and warding off bad energy. It’s a form of homeopathic magic as “like produces like” or finding the baby Jesus produces good luck and prosperity. This custom is rooted in European traditions dating back to the Epiphany, a Christian holiday representative of the Magi visiting baby Jesus. Originally, a baby Jesus figure was hidden in bread and whoever found it would be king or queen for the day. After the spread of this tradition in New Orleans, bakers would add their own spin on the ritual varying decorations and selling the cakes during Mardi Gras season. The cake is very large and meant to be shared and eaten with others as a community bonding ritual that brings people together in celebration and festivities reinforcing communal cultural identity. This is an example of the ways folklore changes through time based on the cultural context of a community. Steering away from medieval societal structures, the context in which the toy baby Jesus was used changed from an aristocratic nature to an uplifting optimistic symbol of luck and prosperity brought by the baby Jesus. Also exemplary of religious folklore, this practice is a for Catholic belief to be communally shared, and enjoyed by festival participants bringing people together to cherish and understand more about the religious custom and how it has evolved through time.

Throwing beads

Text (ritual/folk belief)

“Throwing and collecting beads is a traditional practice and brings good luck.”

Context

My informant has lived in Louisiana for 4 years and participated in the Mardi Gras festival twice where this practice occurs collecting many beads to wear around her neck in participation of the celebration.

Q: “What is the significance of beads at Mardi Gras parades?”

A: “The practice of throwing beads on Mardi Gras stems from 19th-century French customs where the king would throw jewels and gold to the ‘common people’”.

Q: “How do you get beads?”

A: “The people on floats are above you at the parade and you can reach your hands out or jump and wave to insinuate for them to throw beads down, or people also commonly will flash their boobs to get beads. I didn’t do that though haha. There used to be a legend that University of Lafayette students wore beads to stand out during Mardi Gras and the custom spread to now where beads are commonly worn and exchanged at the festival”

Analysis

Originating in the 19th century, bead throwing is a traditional ritual/practice taking place where those of higher status or class would assert their position originally throwing any small trinkets to spectators of the parade. The evolution to throwing beads began in the 20th century as people of higher status would begin to dress up themselves and their floats in beads colored in line with the Mardi Gras theme as a symbol of creativity and expression. Today these beads are representative of the Mardi Gras season expressing appreciation for and participation in New Orleans cultural practices asserting a shared cultural identity. The traditional custom of wearing brightly colored beads and the ritual of exchanging or throwing said beads act as a way to show participation and involvement in the festivities as well as a symbol of good luck. Frazer explores the concept of homeopathic magic and the idea that like produces like. Many people partake in bead-throwing rituals in hopes of receiving good luck for the coming year partaking in this homeopathic ritual. His work provides a framework for analyzing the role and significance of rituals, symbols, and practices in various cultures. Recently, however, there has been some controversy regarding the environmental friendliness of throwing around thousands of plastic beads. Many people have called for more sustainable alternatives to this practice which is an integral part of Mardi Gras culture. This conversation touches on the adaptation and transformation of folklore over time to be more accommodating to 21st-century ideals and the evolution of folklore practices to fit the modern standards of societal and cultural norms in the United States.

Windsor Caroussel of Nations

Background Information: 

The informant is a middle-aged person who grew up in Windsor, a city in Canada. They emigrated to Windsor from Turkey, at a young age. They are describing a festival that they remember from their childhood. 

Main Content: 

ME: Can you tell me about the Windsor Caroussel of Nations? 

ED: So there was this festival called the Caroussel of Nations when I was growing up, and you know Canada prides itself on being a multicultural society and they consider themselves a cultural mosaic, as opposed to a melting pot, like the US. They fund a lot of festivals that, you know, help people stay connected to their cultural backgrounds and stuff. So one of those things was the Caroussel of Nations and it was around Canada Day. It was a festival where all of the cultures that wanted to get involved sign up, and they get a little grant for their space, and people have arts and crafts that they sell or display, there’s some different venues that have people who do shows like cultural dancing and displays. There’s always food, of course, which is probably the biggest thing and my mom would always make Turkish shish kebabs and shish koftes and things like that. People from all the community go around and check out all of the different cultures and enjoy the food and the environment.

ME: Did you ever participate? 

ED: I used to do this Turkish dance as a kid, we used to dress up in old traditional Turkish outfits and do a traditional Turkish line dance called Halay, you know? We would do that as a display, we would be like performing monkeys for the visiting Canadians (laughs). It was a lot of fun, everyone was coming together and the whole Turkish community would come together to put this on, it was fun visiting the other communities too. I think it’s still going on today.

Context: 

This interview happened at my house.  

Thoughts: 

The informant is my father and it seems that he really enjoyed it growing up. It seems like the Turkish community in Windsor would rally together to put on a good event and it would bring the community closer together. I have attended this festival once, and it is really amazing to see dozens of different cultures on display. It is also interesting to analyze the approach that Canada takes as a “cultural mosaic” as opposed to the “melting pot” here in the United States. I think that festivals like these are great examples of the difference. This festival is not about assimilating to Canadian culture at all, but it is about celebrating the folk dancing and traditional food from the countries that people immigrated from.

Boise Basque Festival

Text:


“Every 5 years there is a Basque festival in Idaho. Idaho is the second largest concentration of Basques in the world outside of the Basque country because the terrain in Idaho and the surrounding areas is the most similar to Spain as a whole, like having very good soil and being pretty flat with some mountains, and you can go fishing there and there is a lot of room for cattle. The Basque festival is in Boise, and they have a lot of food and street fare, and tapas which are small dishes which are traditional to the Basque heritage. They also have a strongman competition (a traditional Basque sport) where people see who can lift the largest boulder. They have traditional Basque dancing and a pelota [ball] game where you hit a ball against a wall, kind of similar to racquetball. There is lots of paella and there are drinks called ‘Calimochos’ which is Coca-Cola with red wine, which is a traditional Spanish drink and everyone drinks those.”

Context:

OA is a 21-year-old American student at USC. She grew up in Washington. Her family is of Basque heritage, so I asked her about any Basque specific traditions she has, since the Basque people are from a very small region in Northern Spain/Southern France. She told me about a Basque festival her family goes to in Idaho. 

Interpretation:

Festivals are a unique expression of cultural heritage because they can bring together people from a wide area in celebration of one specific thing, in this case Basque people celebrating and honoring their culture. Since it only happens every 5 years, it makes it even more special, and the people can honor their ancestors by partaking in the things they did traditionally. The geographical location of the Basque country in Europe explains why some of their traditions are similar to others in nearby countries, like tapas and pelota which are both Spanish words. But even with these similarities, this festival and these people are incredibly unique. It is special too that there is a huge community of Basque people who all live in a common area that represents their homeland in the way it is geographically similar to where they came from. These continued connections with the past can give people a sense of identity that are derived from the community they are in.