Tag Archives: Community

Gaff Circle

Nationality: American
Age: 19
Occupation: College Student
Residence: Morris Plains, NJ, USA
Language: English

“The Gaff Circle was a tradition run crew did before each show. We would stand in a big circle on stage and pass around a roll of gaff tape and put a piece on each other’s arm for each show we had done. The right arm was for musicals and the left arm was for plays. It was a pretty big deal to be an 8 show senior plus it was cool to see all the different years on run crew.”

This ritual is similar to an initiation and continuation ritual. People earn stripes of gaff tape to show how many years they have been on run crew. While run crew is considered an annoying job for most, at this high school, it was coveted. It was a sign that they were all part of the same little group and that they earned their spot. It creates community and connection between them while also reminding them of previous people and experiences. 

String

Nationality: American
Age: 19
Occupation: College Student
Residence: Morris Plains, NJ, USA
Language: English

The interviewee was a member of the local high school’s theater program and valued the ritual as a part of connectivity and valuing the community of the theater program. 

“When I first joined theater I accidentally found out about a surprise tradition called Lock-In so I asked questions about it. People told me there were things like scavenger hunts and that it ended with String. I asked what that was and the [G](the upperclassman) just gestured to her wrist where there was several different colors of string. It turned out to be this sweet little circle up where we all took turns throwing a ball of yarn to each other and wrapping it around our wrists then throwing it to the next person without cutting it. The thing was that we threw it to someone, not our best friend, who had inspired us or made us happy or taught us something during that season. Someone special who made their time better. Then that person would do the same thing. At the end we would all hold our wrists up in the air and the president of the ITS board would tell us that the string represented we were all connected across the departments. We would then go through a cut it so everyone could wear the string till opening. Normally people would keep the string bracelets and wear them for other seasons. I still have the string from all of 7 of my shows.” 

The tradition was something to look forward to every year. It was a way to feel included and appreciated for the hard work and long hours that were the theater program. It is also a time to reflect and enjoy the people who have inspired and helped you. Wearing the string on your arm all day for a week and seeing all the people you are connected to in the school in the halls is a way to feel unity and appreciation for others. 

Las Posadas

Nationality: Mexican American
Age: 23
Occupation: Supervisor
Residence: Los Angeles
Language: English and Spanish

Text: “Every December, my family would take a trip to Jalisco, Mexico, from where we are from. For nine nights starting from the 16th to the 24th, we do Las Posadas. It starts with a procession, where kids and adults carry candles, sing songs, and walk from house to house, asking for shelter just like Mary and Joseph did. At each house, they will deny us entry until we get to the last house, and we all gather to pray, sing more songs, and eat food like tamales and pan dulce. The last night is the biggest; there’s a piñata usually shaped like a star and a lot of fireworks and kids running around playing games.” 

Context: My informant told me about this ritual that she does every year. As a kid, she started participating, dressing up as an angel, but now she helps her mom organize the singing and food. Las Posadas are elaborate with actors for Mary and Joseph and scripted songs. 

Interpretation: Las Posadas is a ritual that transforms sacred narrative into a performance. This ritual is rooted in Catholic tradition but shaped by local Mexican customs; it reenacts Mary and Joseph’s search for lodging as a form of communal empathy. The nine nights reflect both religious devotion and a buildup of community. The use of candles, song, food, and movement through space blends sensory experience with spiritual meaning, making the tradition memorable and multi-generational. The piñata is in the shape of a star, ties religious symbolism, and is indigenous. 

Pagpag – Filipino Funeral Custom

Nationality: Filipino
Age: 51
Occupation: IT Help Desk
Residence: Naperville, IL
Language: Tagalog

Text:

“Pagpag” in Tagalog translates to “Dust off”

“If you go to a wake/funeral, you shouldn’t go straight home. You have to go and stop by somewhere else – for example a coffee shop, mall, or restaurant.”

Context:

The performer didn’t experience this tradition until his Lolo died, and it he never really questioned it, because it was common for his Filipino relatives to eat after any gathering. It was something the people he grew up with just understood. He grew up in the Philippines (rural Luzon) until he was 8, then moved to America where his family still followed this tradition.

“That way you wouldn’t bring death to the household. If there is a ghost that latches on from the funeral home or just death in general, you don’t want it to follow you home. You don’t just go to a place and drive by, you have to stop and spend some time there.” “In the Philippines, there weren’t really places to go before going home. Now whenever we go to a funeral, we do Pag pag.”

Analysis:

Pagpag is rooted in spirital folk belief of liminality: the belief that events such as death and spiritally charged and potentially dangerous. By not going home right away, people seek to disrupt the path of wandering spirits and ensure their household won’t become haunted. This ties into Filipino animism and folk Catholicism which is a blend of indigenous spiritual beleifs and Catholic concepts of afterlife (brought over in the 1500s by Spanish colonizers).

Another great value of Filipinos is community. By avoiding going home right away, this practice also forces community through shared mourning and offers emotional decompression after an emotionally taxing event. Even if it’s not tied to superstition and the fear of vengeful spirits, societies tend to pact together after devastation just to cheer each other up as it’s human nature which has been passed down across generations.

Ritual – Going to Church every Easter

Nationality: American
Occupation: USC Student
Residence: Los Angeles, CA

My informant comes from a deeply religious family so Easter is an important holiday. They grew up celebrating it as a family and conducting the same rituals each year

“Each Easter my family and I go to our local church, receives the eucharist, and pray. We focuses on remembering Jesus Christ’s sacrifice for our sins, a belief that is central to what Easter means for us”

Rituals are a way for communities to reaffirm their shared beliefs, identity, and values through repeated actions. My informant’s Easter – going to church, receiving the eucharist, and praying – fits perfectly into this framework. These aren’t merely personal religious acts, but also serve as communal rituals which are an important part of Christian tradition. Celebrating with your community in this way has been passed down through generations. Receiving the eucharist is a rite of communion, both with God and with your faith-based community. It’s a performative ritual symbolic of the Last Supper, reenforcing Christian’s core belief in Christ’s sacrifice and resurrection. Prayer during this time further deeps the ritual connection, serving as a collective and personal reaffirmation of faith.