Tag Archives: Japanese folklore

Urashima Taro

AGE: 18

DATE OF PERFORMANCE: 04/06/2025

LANGUAGE: English and Japanese  

NATIONALITY: American 

OCCUPATION: Student 

PRIMARY LANGUAGE: English 

RESIDENCE: New York 

CONTEXT:

The person I interviewed is Japanese and Caucasian. He can speak fluent Japanese and is deeply connected to his culture. I don’t know him that well, so it came as quite a surprise to hear him tell me a Japanese fairytale off the top of his head.

Interviewer: Are there any distinct folktales or myths that you grew up hearing about?

NS: “Peter Pan, Boy who cried wolf, urashima taro.”

Interviewer: I’m not familiar with the last one, could you tell the story to me?

NS: “Sure. It’s a story about this boy who is on the beach one day and saves this turtle. The turtle then comes back one day and takes the boy back to some fantasy Atlantis ocean world. There the boy finds a wife…who is a beautiful mermaid [he adds that part in]…and who is the princess of the ocean world… and the boy has to choose between staying there or going back to his family. And he chooses to go back to his family.”

Interviewer: Where did you hear this story?

NS: “Mom told it to me. But I also read about it multiple times in Japanese school.”

PERSONAL INTERPRETATION:

I had never heard this fairytale before, so his retelling of it definitely intrigued me. Upon a basic online search, I was shown a slightly different version of the tale. In the one I found online, the boy is a fisherman who is rewarded with the sea princess for saving the turtle. He spends a couple of days with her, but when he goes back home he realizes that he had been gone for 100 years. When he then opens the forbidden box given to him by the princess, he turns into an old man. After reading this version, it was really interesting to see the differences in the iterations. It is worthy to note that I did not do that deep of a search into the tale itself, so perhaps the version I read could have been “wrong.” But even then, that is still a viable version of the tale. It also intrigues me more because my interviewee seemed very familiar with this tale, as he told it so easily. If he’s read it multiple times I’m wondering if he had ever read the version I just saw, or if the iteration he told me was just from whatever he could remember. But I think even if the version of the tale he told me is not found anywhere else, it’s still a viable form of the tale too. I do wonder what the implications or meanings behind this tale were. Is it simply just a children’s fairytale, or does it intend to tell of a deeper life lesson?

Momotaro

AGE: 20   

DATE OF PERFORMANCE: 04/07/2025

LANGUAGE: English 

NATIONALITY: American 

OCCUPATION: Student 

PRIMARY LANGUAGE: English 

RESIDENCE: Cerritos, CA  

Interviewer: Are there any distinct folktales or myths that you grew up hearing about?

NB: “Tooth fairy…[continues to think]…Oh! Momotaro.”

Interviewer: Who is that? Could you tell me that story?

NB: “The little peach boy. I think it’s something like there were old grandparents who always wanted a kid but couldn’t have one. But one day they were blessed with a peach that came down the river stream who ended up being a baby boy so they ended up raising him.”

Interviewer: When did you hear this story?

NB: “I think when I was 6 or 7 years old.”

Interviewer: What do you think the tale is about? Any life lessons or moral stories you think it’s trying to accomplish?

NB: “Mmmm I’m not really sure. [thinks about it for a little] I think it’s about life blessings maybe?”

PERSONAL INTERPRETATION:

Again, this was yet another tale that I had never heard of, so I went online to do some light digging. This tale is about a hero named (quite literally, this is the translation) Peach Boy. This hero can be found in many Japanese tales, movies, books, etc., you name it. According to my basic online sources, he was the local hero of the Okayama Prefecture. In the version of the tale I found online, he was born from a giant peach found floating down a river by an old, childless woman. As he grew older, he became significantly stronger and eventually left his parents behind to fight demons alongside his friends a talking dog, monkey, and pheasant. In the version of the tale NB told me, there was no mention of his fighting demons, simply just that he was a blessing from the gods in the form of a peach. This tale creates many questions for me, such as: why was he born from a peach? What is the significance of the peach? Why did he go off to fight demons? It also just reminds me of more Asian folktales I have heard of that have really interesting or weird characters (often involving fruit or talking animals of some kind, actually) and that the moral of the story isn’t really quite evident. Sometimes stories are just told for entertainment purposes. Does that still count as a part of folklore if it doesn’t have any deeper meaning behind it?

Kappa in Japanese Folklore

Main Text:

KY: I’ll tell you about the kappa. It’s this, uhm— it’s basically this monster that lives in the river. The Japanese created this story of the kappa which is this monster… Its head is like a lily pad, and it just like submerges itself under water. So, if you see a lily pad in your river or something, it could be the kappa. They’re also like very hard to see. So they can be like just in like the rocks and stuff… So they’re like very scary monsters. They’re very, very scary… And they can come out at night, and take kids away… They’re really short as well, if I remember correctly… I think that like, in Japan, the reason why— it’s because rivers are dangerous, and they don’t want kids playing at rivers at night without supervision…

Context:

This was taken from a conversation with me and one of my suitemates, who is of Japanese descent, in the Cale & Irani Apartments in USC Village. He has heard of these creatures for as long as he can remember, from “before he could even speak.” He was warned of them by his parents and grandfather, who lived near a river, that he used to visit when he also lived in Japan.

Analysis:

We often see these folk beliefs and cautionary tales told to children, by their parents, to keep them away from danger. It makes a commentary on adult supervision since, apparently, parents are the only ones strong enough to fight back against these creatures. Stories like these are designed to scare children, make them weary of the unknown, and to keep them close to their parents. This particular belief can also reflect the societal fear that Japan has with bodies of water since it is notorious for bad weather such as storms, floods, and tsunamis.

Momotarō (Peach Boy)

Nationality: Japanese
Age: 18
Occupation: Student
Residence: Glendale, California
Performance Date: Over Zoom call
Primary Language: English
Language: Japanese (as a child)

Context:

The informant–HO– is an third generation Japanese American 18 year old woman born in California who attended a weekly Japanese language school from age 7 to age 9. The tale was told to her by one of her teachers in English. 

Piece:

The one I know the most is about the little boy who hatches from the peach. It’s like an egg. I don’t know where it [referring to the the story] comes from. It’s just like a fairy tale. It’s an Asian fairy tale. It’s Japanese. OK here’s the story. I think it’s just called Peach Boy, I guess, in English. 

There’s like this old lady, and she’s going to do her laundry in like the nearby river ‘cause that’s like what they did then, I guess. I don’t know. And then she sees like this giant peach floating by and she’s like “Whoah…that’s a big peach. I’m gonna take it back to my husband, and we’re just gonna like eat this huge peach. Because that’s crazy how big it is. So like the husband sees it and is like, “Whoah! That’s a huge peach!” And she’s like, “I know right!” And he’s like, “Where’d you buy it?” And she’s like, “I literally just found it floating in the river.” Would you eat a peach that was floating in the river? So {the husband} gets a big knife and is like, “I’m gonna cut this sucker open.” And then when he is like about to do it, he hears a voice that’s like, “Stop!” And then he’s like, “Whoah!” And so he stops. And then, it just like (She then cups her hands and mimics the sound of a cracking noise while separating her cupped hands to represent the peach opening like an egg) And there’s a boy inside! And his age? I’m not sure. He’s just like little. Just young. I would say like baby to toddler range. Uhm…yeah.. Okay and then… What’s next? 

Then he’s like the talk of the town. And..uh..so they just adopt him as their own. Sort of like Hercules when, like, those two “normies”, like find him and raise him and he’s like [She laughs] He’s like… He’s kinda, like, better than all the other kids. He’s just like- in literally every other aspect, and the other kids are like, “Oh my god he’s the best!” And the parents are like, “Yeah we know.” But nobody knows why except for them, and they know it’s, like, ‘cause he hatched from inside of a giant peach. Is this what James and the Giant Peach is about? I’ve actually never seen it. It makes you think…

Okay, and then he’s fifteen. He’s like, “What up, fake Dad that’s like my adopted dad? Um, here’s a proposition: “What if I like go to this island full of demons,” which are just like those little red people. There’s, like, an island full of demons and they, like- They basically have taken over this, like, island that people used to live on, and they’re like going crazy. He’s like, “I wanna go there, and, like, free all the people.” And his dad is like, “Since you’re, like, crazy better than all the other children, why should I stop you? You can do anything.” 

So then he, like, goes and starts his little journey. And then he’s, like, walking along, and he comes across this wild dog. And the dog is like, [She mimics a dog growling] “What are you doing? Why are you walking here?” And the little kid is like, “Oh my god do you know who I am? Like, I’m Peach Boy!” And the dog’s like, “Oh my god. So sorry that I even questioned why you were walking here. Like, I’m super embarrassed. Could you let such a rude person on your journey? Like, I can’t believe how rude I just was.” Direct translation. [She said this sarcastically.] And he’s like, “Sure! Let’s go!” And, like, how is that dog gonna kill demons? I don’t know but, whatever. And they’re like walking along some more, and then they like- This monkey, like swoops down and is like, “Hey! Heard you guys are gonna go fight those demons. Can I be in on it?” And the dog’s like, “You’re a monkey. That’s dumb.” But the little boy is like, “Yeah!” So then, there’s like- [She hums a bouncy tune] Walking along some more. And then they, like- There’s a bird flying by, and the dog barks at the bird and is like… I don’t know. He just doesn’t like birds, but the boy is like, “Don’t be rude to the bird. That’s rude.” And then um… And then he’s like, “Hey, bird, we’re gonna go kill some demons. Do you wanna come?” And the bird’s like, “Yeah!” And then, they all go, but then the boy’s like, “But if you’re gonna join our little clan, all you crazy animals have to promise that you won’t be mean to each other because that’s rude.” They have a bad trek record, obviously. 

So then, they’re like- Okay, so then, they go to- They finally reach the shore. Like Japan’s an island. How long can it take you to reach the shore? Then, they find a little boat. How? I don’t know, but they get on a little boat, and they sail across the ocean to the demon island.. um.. And then they get off the boat. 

Oh wait, back up. When they’re sailing there, um, the peach boy is like, “Bird go ahead, and tell all the demons that we’re going to seriously kill all of them.” Which, like, wouldn’t you want it to be a surprise attack? But like, whatever… And the bird’s like, “Alright.” And so he flies over and is like, “Whats up? You’ll never believe who’s coming. It’s the peach boy. And then um..Okay, so then, the demons are like, “Okay. We’re super ready.” They’re not. 

So like, once the boat gets there the monkey, the dog, and the peach boy go absolutely bonkers on these demons. They kill all of them until there is one left, and it’s, like, the leader demon. And Peach Boy is like gonna kill him, and he’s like, “Oh my god! What if I just gave you all my gold and set everybody free, and, like, we were totally good.” And Peach Boy was like, “Yes. I’m into that.” And then, so he, like showed him where all the gold was and set free all of the people he was holding who were suffering and et cetera. And then he brings home all the gold to the old people that raised him, and then they’re like super rich until they die. And thats the end.

Analysis:

This tale, told to entertain children, teaches audiences the dichotomy between good (the hero, Peach Boy) and evil (the demons) and can triumph evil through superior physical strength. 

For further analysis of the tale and its function of spreading Japanese nationalism, see 

Antoni, Klaus. “Momotarō (The Peach Boy) and the Spirit of Japan: Concerning the Function of a Fairy Tale in Japanese Nationalism of the Early Shōwa Age.” Asian Folklore Studies, vol. 50, no. 1, 1991, pp. 155–188. JSTOR, www.jstor.org/stable/1178189. Accessed 30 Apr. 2020.

The Story of Momotaro–A Japanese Tale

Nationality: Japanese
Age: 25
Occupation: Office Worker
Residence: Japan
Performance Date: April 24
Primary Language: English
Language: English

Main Piece: This is a Japanese tale my friend told me about.


Long ago an elderly couple who lived in the mountains were doing their laundry as usual, and the grandmother saw a huge peach floating in the river, the grandmother took the peach home and cut it to eat it. But a baby boy came out from the peach. They named the baby boy Momotaro (momo= peach Taro= a very classic name for boys).

The boy grew so fast and very strong. One day. Momotaro said to the elderly couple he will go to the devils’ island to defeat the devils. The elderly couple gave Momotaro dumplings (きびだんご）so he could eat it on the trip.

On the way to the island, he met a dog and a monkey. Momotaro gave them きびだんご　and they joined him to the island. Later on, he met a pheasant , also gave it a きびだんご　and it also joined the party. The crew grew (like avengers).

They all successfully arrived at the devil’s island and cooperated with animals to get rid of the devils. He went back to his house and lived with the grandpa and grandma happily ever after.

Background:

My informant is a 25-year-old Japanese woman who grew up mostly in Hong Kong and Korea. She currently works in Japan. AI remembers hearing about this story on TV program about Japanese folktales. She isn’t sure if they tell this story in Japanese schools because she didn’t attend school in Japan. She says the story doesn’t mean much to her and it’s a popular tale in Japan. AI is also not sure of the meaning, but she thinks it has to do with working together to fight your devils.

Thoughts:

I don’t know any Japanese tales, but I have always been interested in Japanese culture and language. I think this story about a boy working with other animals to defeat the devil is an important message, if this is something that is told to children in Japanese schools. It tells them that they shouldn’t fight with their friends and that if they ever have problems, they should work together to figure it out. I think the message is common in other cultures as well.