Tag Archives: slavery

3 6 9 the goose drank wine

Nationality: United States
Age: 20
Occupation: Student
Residence: Seattle, WA
Performance Date: 04/12/2021
Primary Language: English

BACKGROUND: My informant, AC, was born in the US and attended boarding school in NH. AC was very active in theater and this rhyme was something that the drama department would chant before a few other students brought to their attention that it was less light-hearted than it seemed.

CONTEXT: This piece is from a conversation with my friend where we talked about our time at boarding school.

THE RHYME: Three, six, nine, the goose drank wine. The monkey chewed tobacco on the streetcar line. The line broke. The monkey got choked. And they all went to heaven in a little rowboat!

AC: Yeah — we used to chant it like, before every show for good luck. I don’t really know where we got that from but like basically I was taught it from all the older [theater] kids and I guess they got it from the people before. But I think it might be a song or something, like there’s more words.

Me: And when did you stop [the chant]?

AC: Well um, I know you already know, some people pointed out the chant might have some racist undertones. Like the monkey that got choked on the line could be — it’s almost representative of a lynching of a black person. So yeah, we don’t use that chant anymore.

THOUGHTS: This rhyme is interesting to me because as someone who also briefly did theater in high school, I would watch other students chant this backstage before a show to get pumped up. I never really knew why this was what they chanted, it seemed completely unrelated to theater, but people seemed to really like its bouncy quality. The interpretation of the song as a slave allegory makes some sense to me. “The monkey” being a racist term for a black man and the rest of the rhyme details how the man minds his business on a streetcar until he is lynched and sent to Heaven. Some students disputed the racial interpretation of the rhyme, dismissing it as harmless. But based on the tumultuous history of the school — having been built from slave labor — I wouldn’t be surprised if that interpretation held some truth.

The Night of the Silent Drums

Nationality: American
Age: 59
Occupation: Mother
Residence: Los Angeles
Performance Date: 4/29/21
Primary Language: English

BACKGROUND: BB is the interviewer’s mother. For several years in the 1980s, she lived on St. John in the U.S. Virgin Islands while working for the local resort.


TRANSCRIPT:
BB: “When I lived and worked on St. John, USVI, in the 1980s I heard a story about how, when there were sugar cane plantations on the island (then part of the Danish West Indies) in the 1700s, there was a rebellion of slaves that went something like this: slaves had coordinated attacks on their captors by using different drumming patterns as codes. The slaves were unaware of the naval and land coordination of their Danish captors. The weapons they used were machetes, which they were given to clear the fields. After a particularly long and bloody battle between the slaves and their captors, in which slaves were cornered at the eastern end of the island, on a high cliff above the treacherous Sir Francis Drake Channel, hundreds of slaves jumped to their deaths.
I don’t know how much of this story is true, but it always fascinated and horrified me — and that a place of such serene beauty (now) could have such a sad and tragic history.”


ANALYSIS: This is a historical event that has become interwoven with the cultural tapestry of St. John. Even though BB did not see ghosts, there’s a ghostly quality to this story, the stains of slavery now shrouded by the serene beauty of the Caribbean. For another telling of the story, see:

Anderson, Lorenzo John. The Night of the Silent Drums. Charles Scribner’s Sons, New York, 1975.

Carrollton Courthouse

Nationality: American, caucasian
Age: Upper 80s
Occupation: Retired— Radio Broadcaster, Laundry Mat Owner, Koren War Vet, etc.
Residence: 5031 Mead Drive/ Doylestown PA, 18902 (Suburban Home)
Performance Date: 4/8/18
Primary Language: English

Title: Carrollton Courthouse

Category: Legend, Ghost-Story

Informant: Evan A. Lewis

Nationality: American, caucasian

Age: Upper 80s

Occupation: Retired— Radio Broadcaster, Laundry Mat Owner, Koren War Vet, etc.

Residence: 5031 Mead Drive/ Doylestown PA, 18902 (Suburban Home)

Date of Collection: 4/08/18

Description:

Henry Wells was a former slave released from bonds immediately following the outcome of the Civil War. After the Pickens County Courthouse was burned down in 1856 after the raids on the town by Union forces, a new courthouse was build in its place. Almost immediately following the construction of the new courthouse, the building burned to the ground again due to mysterious circumstances.

The town believed that Henry Wells was to blame for the fire and the townspeople conspired together to bring him to justice. After a warrant was put out for his arrest, Wells fled from a gathering lynch mob by secretly hiding in the construction of the third courthouse for the county. As the mob gathered below, Wells made his way up into the attic to look down from the window directly above the action.

Much to his horror, a storm was rising, and lighting violently struck the window that Wells was looking down from. His expression was then imprinted via the lightning bolt on the pane of glass that Wells was looking down from.

Context/Significance:

The Pickens County Courthouse is located in Carrollton, Alabama, which is 35 miles west of Tuscaloosa. The historic building is being restored and a large arrow points to the window and the mysterious lightning portrait. An interpretive marker on the grounds tells the history of the courthouse and the story of the face in the window.

The conclusion of the story has disputed endings. Some say that Wells was able to safely hide from the mob, while others claim that he was found out shortly after and either shot or hung after admitting to his crimes.

Some years after, the face of Henry Wells can still be seen in a ghostly outline from the streets below as the building has been saved and maintained as a historic landmark.

Personal Thoughts:

When I was younger, my family often took long road trips to Mississippi to visit family. Much of my family’s history can also trace its roots back to Alabama and farming. My mother and grandfather took me to visit old grave yards and historic landmarks such as this. My mother pointed out he face in the window and I’ve seen it for myself.

The truth behind the story is highly debatable as scientists continue to research the ability of lighting to capture photographic images on glass. Other accounts of this happening can be found from the same century and evidence was once collected from a Mrs. Norborne B. Powell.

Mrs. Powell was standing at the window of a home at Chennuggee Ridge, Alabama, when the glass was struck by a bolt of lightning. Her image appeared on the glass, right down to a hat and cameo pin she was wearing. The Chennuggee Ridge photograph wound up in the hands of Mrs. Powell’s grandson, Dr. Edward H. Cary who at one time served as president of the American Medical Association. Believing it to be a priceless artifact of Alabama history, he sent it to the Department of Archives in Montgomery in 1920. Someone there, however, dropped the photograph and it was shattered.

Image: 

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Building of the Pyramids Through Canals

Nationality: American
Age: 19
Occupation: Student
Residence: Los Angeles
Performance Date: 4/12/18
Primary Language: English

BACKGROUND:

Not much is known about how the Great Pyramids of Giza were built. Often viewed as something that simply shouldn’t have been possible, many struggle to figure out how exactly materials were transported. One legend tells a story of the Egyptians architects instructing the laborers to build canals that would transport materials to the site via boats and rafts. Though probably not the most practical of solutions, the free cost of slave labor made things as impractical as canal building, completely possible.

MY THOUGHTS:

When first hearing this legend, I was skeptical. While the Egyptians are famous for their ingenuity, I couldn’t help but feel like building canals simply to transport materials. It wasn’t until my source explained that the slave labor at the time meant that there was virtually no risks in doing things that required that much more effort.

Camp Basement

Nationality: American
Age: 18
Occupation: Student
Residence: Los Angeles, CA
Performance Date: April 2nd, 2017
Primary Language: English
Language: French

K is a freshman majoring in psychology who attended the same camp almost every summer before college. The campers were told this story in the basement where the events occurred at nighttime to explain why one wall is newer than the rest.

“The camp used to be a homestead, around 1812, and the family who lived there was part of the underground railroad. The escaped slaves were hidden in the basement of the house, and one night confederate soldiers showed up to confiscate the slaves and punish the family for helping. As soon as the father opened the door, he was shot in the face, and the soldiers continued to kill everyone else in the family. When they reached the basement, they decided not to kill the escaped slaves – a mother and child – but rather make them suffer. They barricaded the two in the basement behind a new wall. It’s said that at nighttime you can still hear the child scratching the wall.”

K’s story encompasses many ghost story motifs, such as the wrongful deaths of those involved and the liminal space of the basement. It is also a lesson to young campers, both not to go out at night and not to go in the basement, and helps them to feel more connected to camp through the knowledge of it’s history.