Tag Archives: song

Miss Mary Mack Hand Game

Nationality: American
Age: 53
Occupation: Respiratory Therapist
Residence: Chico, CA
Performance Date: April 20, 2020
Primary Language: English

Main Piece:

Here is a transcription of my (CB) interview with my informant (PB).

CB: So what was it?

PB: It was a hand clapping song. There were specific hand claps that went with it, and it was for two persons, or three persons. And it was called Miss Mary Mack”

CB: “How did it go?”

PB: “Old Mary Mack Mack Mack

All dressed in black black black

With silver buttons buttons buttons

All down her back back back 

She asked her mother mother mother

For fifty cents cents cents

To the animals animal animals

Jump over the fence fence fence

They jumped so high high high 

They touched the sky sky sky

And they never came back back back

To Mary Mack Mack Mack”

CB: “So what do you think is the meaning of the song?”

PB: “The meaning of the song? I just… I think it was mostly nonsense to be honest. I think it was just rhymy, and she had to ask her mother for the money to go to the zoo basically, and then she fantasizes about the animals who can fly over the fence.”

CB: “Why do you think its important and people do it?”

PB: “I think it connects them with all the people in the group that they’re doing it with. And it can help improve their skill and memory”

CB: “Where and in what context would people do it?”

PB: “Um, gosh you know sometimes, if you’re at like a sporting a event for one of your relatives. Like your sister plays softball and you don’t, or if your brother plays football and you’re bored, then like a bunch of the younger kids would get together to pass the time. They would kind see how fast they could do it, and do it faster and faster each time or in line at school the kids would do it.”

Background:

Miss Mary Mack is just one of many hand games that children grow up playing. My informant actually taught me this game and many others like it. Because the games are so popular and widespread, they are able to connect kids who might have very different experiences.

Context:

I interviewed my informant in person. We were in my bedroom on my bed, and the conversation was very comfortable and casual. I had heard and played the hand game many times beforehand.


Thoughts:

I grew up with hand games being a very gendered activity. Only girls would play the games at school, and as my informant described, girls would often use them as entertainment while boys played the more stereotypically masculine games such as sports. I learned Miss Mary Mack from my mother, but learned other hand games from siblings, cousins, aunts, and my grandma. It often followed the pattern where older women would teach young girls the games. Like Miss Mary Mack, the songs often had no clear meaning but were repeated for amusement. The songs did often have connections to common aspects of childhood, as is seen when Mary asks her mother for permission and money to go to the zoo. I think that these games represent the way that gender roles are passed down through society. While it was never explicitly stated, the older generation’s involvement in sharing these games clearly state that they approve of them. The girls who learn them then learn that these are more acceptable methods of entertainment than other forms of play.

For another version of the Miss Mary Mack hand game see YouTube video “Miss Mary Mack hand clap” uploaded by Tom Cecil. https://www.youtube.com/watch?v=hP9V0S51GVo

I Love A Lassie

Nationality: Scottish
Age: 95
Occupation: Unemployed
Residence: Aberdeen, Scotland
Performance Date: April 11, 2020
Primary Language: English

MAIN PIECE

I Love A Lassie

“I love a lassie, a bonnie bonnie lassie, 

She’s as pure as a lily in the dell, 

She’s sweet as the heather, the bonnie bloomin’ heather,

Mary, my Scots bluebell.”

“[I Love A] Lassie is a lullaby that a lot of Scottish girls heard growing up.  We’d sing it to the boys too, but for some reason it was more of a girl’s song.  It’s very romantic and uplifting, which I believe a lot of our lullabies are.  We’d  sing it to girls when we wanted them to go to sleep.  I had no daughters, but I’d sing it to my granddaughters when I rocked them in my arms.”

BACKGROUND

This informant, MS, comes from Aberdeen, Scotland and has lived there for all of her life, except for a few years she spent in London.   She’s from the silent generation and has grown up with children around her for a lot of her life.  She also knows this song from when her mother would sing it to her, as well, she remembers it from hearing it in the schoolyard and local playdate-like meetings with her friends growing up.

CONTEXT

I invited MS, my great grandmother, to talk with me after a family reunion zoom call.  A few days later, we got together and we live streamed a rerun of Strictly Come Dancing over zoom and during the commercial breaks, we talked over some  folklore from her life in Scotland, specifically from her childhood in Aberdeen.

THOUGHTS

It’s strange to think a romantic song could be a lullaby because it’s not meant for people in romances, but instead, children.  I think this song represents a Scottish romanticism we don’t see portrayed in the media all the time.  It stands for this idealized woman, so it’s interesting that it is sung to girls instead of boys.  Boys may relate to the desire of the image more, but I believe there might be a sense of describing what a woman should be like to little girls so that they can grow up to be “Mary, my Scot’s bluebell”.

Barney Song

Nationality: American
Age: 19
Occupation: Student
Residence: Pasadena, Ca
Performance Date: April 28
Primary Language: English

Context: 

This piece was collected over a casual FaceTime in which we were previously just catching up and talking about our elementary school experiences. We are close friends who met in high school and have known each other for five years. My informant (JS) was born in California and is now attending Carnegie Mellon as Computer Science major. He enjoys coding, playing video games, and weight lifting.

Main Piece:

The following is transcribed from a conversation between the informant (JS) and interviewer.

Interviewer: Wait you had the Barney Song too?!

JS: Yeah, wait we did! Wait let me sing it for you, how did it go again, oh yeah, yeah it was like this

Hurray, hurray, Barney’s dead,

We barbequed his head!

We didn’t care about his body,

So we flushed it down the potty

And around around it went

Around, around it went!

Down in the drains, through the ocean, bye bye Barney’s body!

Thoughts: 

The first time I heard the Barney Song was when I was in fourth grade. From what I’ve gathered from my friends, many middle schools had variations of the Barney Song, and each was as sadistic as the next. For some reason, we all wanted Barney dead. This might have been our way of rebelling against popular culture and authority, in our own small way. Many of us grew up watching the Barney and Friends show, so this was our way to make fun of the adults for pushing the show on us or to shock them with our violent words directed towards a character we were supposed to love.

French camp song – À la Pêche aux Moules

Nationality: French American
Age: 57
Occupation: University Professor
Performance Date: April 16, 2020
Primary Language: French

Context: 

This piece was collected in a casual interview setting in the informant’s back yard. My informant (JP) was born in Lynon, France, and moved to California in 2002 with his wife for their jobs at Caltech. He is a professor of Seismology, enjoys playing tennis and guitar, has two teenage daughters, and loves to sing old French camp songs he learned as a kid. The following is a song JP learned when he went to summer camp as a child, when he was around 10 years old. He still sings it and taught it to his daughters who like to sing along.

Main Piece:

The following is a transcribed song JP sung:

À la pêche aux moules, moules, moules

Je ne veux plus y aller maman

Les gens de la ville, ville, ville

M’ont pris mon panier maman

Les gens de la ville, ville, ville

M’ont pris mon panier maman

*Repeats from the top*

Translation:

Transliterate translation: 

At the fishing of muscles, muscles, muscles,

I don’t want to go anymore mom,

The people of the city, city, city,

Took my basket mom,

The people of the city, city, city,

Took my basket mom.

Translated version:

At the muscles, muscles, muscles fishing,

I don’t want to go anymore mom,

The people of the city, city, city,

Took my basket mom,

The people of the city, city, city,

Took my basket mom.

Thoughts: 

This was a very cute, upbeat song and I can understand why so many children would sing it together during camp. It’s a song about bullying and going to your mother for comfort, which most people can emotionally connect to. To this day, French school children sing this song, but it has been mass commercialized since the time JP learned it and you can find many Youtube videos of it for children. In my opinion, because of its commercialization, it has lost a lot of its charm.

The Fudgy Wudgy Man

Nationality: American
Age: 15
Occupation: Student
Residence: Salt Lake City, UT
Performance Date: April 22, 2020
Primary Language: English
  • Context: The informant (A) is a 15 year old high school student who spends his summers at the Jersey Shore in South New Jersey. He explains a summer job that mainly men, but some women, have that is a staple of South Jersey culture – the Fudgy Wudgy Man. The conversation arose when speaking about what summer jobs for which he should apply. He not only explains the job itself, but the song sung by the Fudgy Wudgy Men. 
  • Text:

A: “The Fudgy Wudgy man… he pushes the ice cream cart… uh… there’s the Spongebob bar, the… uh… Chipwhich, the… uh… um… cookie sandwich… Choco Taco!”

Me: “So he pushes the cart? When?”

A: “On the beach… from like a certain time period. I don’t know when it starts or when it ends.”

Me: “What do you mean? He pushes the cart on the beach?”

A: So… this man, well men… and women… um… he pushes an ice… well like a cart, that has ice in it and it has ice cream in it and he sells the ice cream to people… on the beach…

They go…

‘FUDGY WUDGY… CHOCO TACO… CHIPWICH… HOW ABOUT AN ICE CREAM'”

Me: “And just anyone can do this?”

A: “I think you have to apply for it, but I’m not quite sure…”

Me: “How do you know they’re the Fudgy Wudgy Man?”

A: “‘cus their shirts say ‘The Fudgy Wudgy Man’ and they have a flag that says ‘The Fudgy Wudgy Man’… uh… they also have 2 Ball ScrewBalls, Fudgesicles, Orange Creamsicles, Banana bars, Strawberry bars, Lemon Water Ice, Cherry Water Ice… water… that’s some good water…”

  • Analysis: The Fudgy Wudgy Man is a constant in the Jersey shore culture. The Fudgy Wudgy man sells shirts with the job title and a smiling popsicle graphic. He sings a song about his job to boost morale and notify the children of the ice cream cart. This phenomenon is similar to that of Ice Cream Man and Ice Cream Trucks, but instead the carts are pushed along the beach by hand. Many kids apply for the job in order to get a tan and get buff while walking up and down the beach, but their participation prolongs an essential part of South Jersey culture.