Tag Archives: travel

New Years Tradition: Empty Suitcase

Nationality: American/Nicaraguan
Age: 21
Occupation: Student
Residence: Ft. Lauderdale, FL
Performance Date: 4/25/20
Primary Language: English

Main Piece:

Informant: One other thing that we do on New Years is we get up on top of furniture, like chairs or tables with empty suitcases or carry-on bags. Think luggage for planes. And this has to be at exactly midnight on New Years’ Eve.

Interviewer: Why, why do you guys do this?

Informant: Well, apparently this is supposed to signify or help whoever does this travel more in the coming year.

Interviewer: So if you do this, it is more likely that you will travel in the new year?

Informant: Yes.

Background:

My informant is a friend and a fellow student at USC. She was born and raised in Florida but her father comes from Nicaragua and her mother comes from the Appalachian region. This tradition is something she got from her father and is something her entire family does regularly. She is under the impression that this is a common tradition that many families from Latin American countries participate in but she is unsure as to which countries specifically do or don’t participate in it. She thinks of it as another fun, special New Years’ tradition.

Context:

I had set up a Zoom call with my friend because she said she had some examples of folklore that she could share with me. This sample was shared during that call

Analysis:

This seems like a fairly straightforward tradition to me. Some researching online shows that it is a tradition in Colombia specifically to do what is essentially the same thing, but walking around the neighborhood instead of standing up on a table. Walking around a neighborhood makes sense because it is like you are imitating on a micro-scale, the travel you will be doing in the future. You’re walking instead of on a plane, you’re holding an empty bag instead of some stuffed luggage. So thinking about why standing on top of furniture would be a part of it, I think it makes sense that by standing on top of furniture a person gets higher up in the air and would, in this way, be simulating the flight that is usually associated with travel.

Peruvian New Years Tradition: Run the Suitcase Around the Block

Nationality: Peruvian-American
Age: 20
Occupation: Student
Residence: Los Angeles
Performance Date: 4/25/19
Primary Language: Spanish
Language: English

AS is a USC game design major who’s family hails from Peru, she enjoys spreadsheets, Dungeons and Dragons, and spreadsheets about Dungeons and Dragons. AS grew up in Texas after her family moved there from Peru.
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AS: My family had a lot of traditions for New Years, I’ve heard a lot of people do this one though

AS: We fill like a like a suitcase of some sort and we run it around the block and that’s supposed to represent like good luck in traveling and like safe travels and all that stuff.

AS: So my mom makes me do it every year cuz you yeah gotta have that good luck

MW: Do you have any particular attachment to this?

AS: I mean I would still do it if I didn’t live in South Central LA and that’s dangerous

AS: I guess it’s it’s it’s kind of just like a superstitious thing to me

AS: Or it’s just like it’s a cute tradition that makes New Year’s feel different than what like normal people celebrate even it doesn’t have like a very deep impact I guess it also fills me with nostalgia for things you did as a kid so you feel like you should do it anyways.
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Analysis:
The symbolism of running around the block mimics the cyclical nature of the calendar year and separates it from the idea of linear time. The suitcase is also filled, meaning that the carrier takes home with them when they travel and provides a direct connection to home and family life. Likewise, the fact that you run around the block and return to the starting point sort of carries the message that no matter where you go you can always return home, this centers the importance of home even in a tradition that’s all about travel. The desire for safety also reveals anxieties about leaving the home. Travel to new places is scary, a journey into the unknown thus the hope for good luck works in combination with the carrying of the known with you and the promise of a safe return to that known space.

Get on the plane with your right foot: travel superstition

Nationality: Jewish-American
Age: 50
Occupation: Mother
Residence: Hollywood
Performance Date: 4/20/19
Primary Language: English
Language: none

Context:
AW sits with her daughter preparing for the second night of her Passover Seder, the room is bustling with activity as people get food prepared for AW’s many relatives. AW’s Daughter chimes in every so often to ask questions
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Performance:

M: You have a very particular travel superstition is that true?

AW: Yes, I have more than one, but yes

M: could you elaborate

AW: Ever since I got on the plane since I was a little girl my mother would remind us to start every new venture, not just the airplane…the first day of school, when I walked down the aisle…

[AW gets absorbed back into seat planning for the seder]

MW: Ohhh that’s why you tell me to do it on test days

AW: Exactly, every time you start something new you do it with your right foot, it’s good luck.

AW: The first time anyone in the history of our family did it, my grandmother got onto the ship that took her to America, she did it with her right foot and my mother reminded me, so I remind you.
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Meaning to the informant: AW: First of all it reminds me of my recently departed mother, and it’s kind of a talisman, like a rabbit’s foot. It can be a bit of a ritual. I’ve done it as long as I can remember.
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Analysis: The association between the right foot and luck is well documented and speaks to a general insecurity regarding new ventures. As one crosses a threshold into a new space, as AW did when she walked down the aisle, or any time she boards an aircraft. This step ensures that transition happens smoothly. Other examples of this can be throughout the archive as seen [here] and reflect an overarching anxiety about the unknown. In addition to providing luck the action adds a familiar element to an unfamiliar circumstance, a location with which the actor can situate themselves to provide comfort when encountering something new. For another example of travel superstition surrounding the right foot see Southbound (Paniker 174) a journal of Indian Literature

Paniker, Ayyappa, and Chitra Panikkar. “SOUTHBOUND.” Indian Literature, vol. 39, no. 4 (174), 1996, pp. 127–156. JSTOR, www.jstor.org/stable/23336198.

Re-entry into a Home: Indian Folk Belief

Nationality: Indian
Age: 21
Occupation: Student
Residence: New York City
Performance Date: 1st February 2019
Primary Language: Hindi (urdu)
Language: English

Text:

MM: “See when we return home after a long time, then it is supposed to be pretty auspicious that in front of the main door of the house someone pour oil on like both sides of the door – before you like enter the house.”

MS: “Is it usually when the person is already at the door, or before they show up?”

MM: “No like when you show up, you have to wait at the door, and then someone pours the oil and then you’re allowed to enter.”

…

MS: “Was there ever a time this ritual was done differently?”

MM: “Yeah there was this one time when we showed up somewhere and they had already put the oil on the doorstep and the door wasn’t even open yet and it was supposed to be like a super bad omen. Like you’re supposed to do it the right way, after the people show up, not before.”

…

MM: “My grandparents believe in this pretty ardently and some people from my parents’ generation do as well, but we kids like definitely don’t see the point and I don’t think I’d like continue to do it if it were just me.”

 

Context:

The informant is a college student from India, currently doing a study abroad program in America. The conversation was in response to my question about any odd things that happened in the informant’s past that she did not agree with but had to partake in anyway. The informant is also bilingual so the conversation happened in a mix of English and Hindi. I have translated the relevant Hindi parts to English as per my own interpretation and in an attempt to retain the meaning as best as possible. The content has been lightly edited, and the removed content is indicated by ellipses.

 

Interpretation:

The informant does not really understand the reasons behind the ritual herself, and is adamant in not taking part in it, but she still acknowledges the proper way to do it and the consequences of messing up even the order in which the actions must take place. I think this ritual developed because there was a time when people would often go away for long periods of time and the lack of communication abilities would imply that there was no way of knowing if and when they would be coming back. Further, there was implicitly more of a risk in travel earlier than it is now. The ritual seems to be a response of gratitude for a safe return as well as a prayer that even return be as safe and sound as this one.

Blue Ghosts in Okinawa, Japan

Nationality: American
Age: college age freshman
Occupation: student
Residence: Los Angeles
Primary Language: English

AM: So, it was- like the first month or two when i moved to Japan and I was hanging outside at like…2am like at night in a park. Um, the military base we was staying on was built like near like Japanese Shrines and whatnot and they said that you know the shrines are haunted and there’s a lotta “superstitions” with those. So while we’re out hanging, there was like oh look- you can see a bluf- blue figure on a hill like on top of the shrine and when I looked over you- I saw like a bluish like glow from the hills where the shrine was and they said that this island is one of the most haunted places and that there’s a lot of spirits around.

VG: Woah. What island was it?

AM: Okinawa.

VG: Woah-

AM: And that is- it is very common to see those there… so we was like “yeah, let’s get the hell out of here.”

 

Background:

Location of Story – Okinawa, Japan

Location of Performance – Dormitory room, Los Angeles, CA, night

 

Context: This performance took place in a group setting – about 2-3 people – in a college dormitory room. This performance was prompted by the call for stories about beliefs, ghosts, or superstitions as examples of folklore. This story came after a few others. The one prior was specifically about a high school grade being cursed.

 

Analysis: One point of interest in this performance is the effectiveness of the subtlety of the description of the “spirits.” The only physical description the audience receives about these supernatural beings is that they humanoid in figure and blue. The color is particularly notable because, at least in my experience, I have always viewed the ghosts in ghost stories as being neutral toned or white. Therefore, this description was able to create a whole new image for me and draw me deeper into this performance. It also reinforces the foreignness AM might feel since he had just moved to Japan: not only is the location different but also all of the local lore. One might even go so far as to say that this story was presented with a negative conation despite having no description of graphic hauntings or threats.