Author Archives: jwroth

Ekelavya and Guru Dronacharaya

Text:

This is a side story in the Mahabharatha. There was a young boy named Ekelavya who couldn’t be trained in the bow and arrow while growing up because his parents were too poor to hire a teacher for him. However, he found the 5 main brothers being trained by a great teacher, Guru Dronacharaya. Day after day, Ekelavya watched from some nearby woods as Guru Dronacharaya trained the five, one of them, by the name of Arjuna, growing to be known as the best archer ever. Arjuna was Guru Dronacharaya’s pride and joy as his best pupil ever. 

Meanwhile, in the woods, Ekelavya had a great respect for Guru Dronacharaya. He built a statue of Guru Dronacharaya and began training in the woods in front of it, pretending that he was being trained by the guru himself. Ekelavya grew very skillful at archery this way. One day, Guru Dronacharaya was passing through the woods when he came upon the statue in his likeness, along with Ekelavya. After observing Ekelavya’s archery for a bit, he realized that this boy was leagues better at archery than Arjuna. Guru Dronacharaya approached Ekelavya and asked how he had become so good at archery. The boy told him that he had watched the Guru training the five brothers and practiced on his own in the woods. 

Guru Dronacharaya wanted to protect his pupil Arjuna’s status as the best archer ever, so he asked for Ekelavya’s right thumb as his gurudakshina. This way, Ekelavya would be unable to draw back a bow. Because of his great devotion to his teacher, Ekelavya complied and cut off his right thumb to give to Guru Dronacharaya. 

Context: 

This story is from the Mahabharatha, and is a plot point in the main storyline. An extremely simplified synopsis of the Mahabharatha is that it’s about the war between 5 brothers and 100 of their other brothers (Note that brother and cousin are essentially synonymous in this context). The “good guys” are the 5 brothers, and they eventually end up winning the war. 

During these times, archery was seen as the most stylish and elegant form of combat, and thus was highly respected. All nobles were trained in it. 

A gurudakshina was paid to a teacher after your time training with him comes to a close, and the guru could ask you for pretty much anything and you had to pay it. In this specific case, however, Ekelavya only really pays the gurudakshina out of respect for and devotion to Guru Dronacharaya, as there was no formal training or contract of any sort between them. 

The interviewee feels that this story resonates especially deeply with him because it shows that sometimes the world isn’t fair and people can just get in your way despite you doing everything correctly. Ekelavya works the hardest of any character described, and yet gets pushed to the side merely because he wasn’t born into nobility. It’s about realism. 

This story isn’t one that is told to younger children, as it kills their hope by teaching them that they can do everything but still not reach their goal because others get in their way, or things don’t go in their favor. Some families don’t tell their children this story at all because of the cynical way that it describes this world. 

Analysis: 

In addition to the life lesson my interviewee notices, I think this story promotes respecting authority and tradition, seen by Ekelavya’s decision to pay the requested gurudakshina, despite it costing him greatly. The authority that is placed inherently in that culture’s nobility is also respected, as Ekelavya doesn’t question his place as separate from the other boys, opting to train from afar instead of asking to join their sessions or something of that nature. It puts an interesting emphasis on hard work. The hard work still pays off, as Ekelavya becomes better than the best archer ever, but he gives up his reward/possible reputation after all the hard work out of devotion. There is also a selfless element to this story, as he is thinking more about what’s good for Guru Dronocharaya than what is good for himself.

The Undressing of Draupadi

Text:

Draupadi wanted to marry one of the 5 main brothers from the Mahabharatha, but another man, Duryodhana wants her to marry him instead. He proposes to her, but is refused. Upon this refusal, one of his brothers begins trying to rip Draupadi’s clothes off. Krishna sees this, and decides to save Draupadi by maker her clothing infinite. No matter how much cloth Duryodhana’s brother rips off of her, there is always more that she is still wearing. 

Context: 

This story is from the Mahabharatha, and is a plot point in the main storyline. An extremely simplified synopsis of the Mahabharatha is that it’s about the war between 5 brothers and 100 of their other brothers (Note that brother and cousin are essentially synonymous in this context). The “good guys” are the 5 brothers, and they eventually end up winning the war. 

This story is a simple lesson that one should respect women, and that to undress them is not okay.

Analysis:

In Indian culture, arranged marriages are a common practice, and the final decision on whether a marriage happens is given to the family as a whole, not the woman getting married. This story encourages respecting a woman’s desires for her marriage, even if the cultural norm or law doesn’t fully require it, and backs that up with a god taking the side of Draupadi. This makes even more sense to me that this story is found somewhat in opposition of the cultural norm when I remember that many tales come from being told by women as they do busywork. They used what ways they could to better how they were treated, and instilling good habits and respect in their children is a very powerful way to do so.

Hobo’s Castle

Text: 

In the suburbs of Chicago, there is a long-deserted building by a railroad that stands about ten stories tall. It has holes, its windows are broken, and its doors remain open. This building is called Hobo’s castle. There are hobos that live inside, and if you go in there and get caught by them, they’ll eat you!

Context: 

It’s probably called Hobo’s castle because its size makes it look like a castle from the outside and hobos would stay there in between hitching rides on trains back when it was first abandoned. There have been hobos living there since then. Parents would tell their children not to go there. So, obviously, the kids would all bike there and explore. Only the first floor was accessible, but the kids would explore it, all while poking each other to scare their friends and daring them to do things. The people living there would chase them out sometimes, which is likely what spurred the children to begin telling each other that if they got caught, they would be eaten. 

Analysis: 

A recently popularized phrase found online is “fuck around and find out”, which is to engage in an action that is usually risky, and usually results in an unpleasant consequence. The desire to fuck around and find out is unquenchable in children, and this legend came about because of this. Children always want to feel more like full humans when they can, as in many areas of life they are limited by rules even when they feel that they have the physical and mental capabilities to be on par with everyone else, even if this feeling is erroneous. Thus, when there is no one around holding them to rules, they like to break the rules that they don’t think are necessary. They also embellish stories of their lives to make them seem more interesting and with higher risks, like how they view those of adults. Thus, the hobos in the castle will eat them if they are caught, not merely tell them off.

Andre Jackson

Text:

Andre Jackson is a football player who grew up here, in the suburbs of Chicago. He was the size of King Kong, could lift 500 pounds, and most of all, he was a hell of a football player. You should be like Andre Jackson. 

Context: 

Andre Jackson was a real person who became a local legend while out of town because of being someone extraordinary for his area. He went to the University of Iowa, a D1 school, and played linebacker. 

The interviewee grew up not knowing Andre Jackson, but hearing the legends and that Andre was 5 years older than him. VL thought Andre sounded pretty cool, but didn’t think that much of him until Andre visited VL’s school in 7th or 8th grade and gave a talk about what his life as a D1 athlete looked like, as well as what path he had taken to get there. That, and especially Andre’s pure physical presence in the room, really spurred VL’s desire to follow in Andre’s steps and is why he ended up playing D1 football himself.VL later learned that one of his closest friends was Andre Jackson’s little brother.

 Andre was one of few people in that area to go to college, and he inspired VL and 6 of VL’s friends to do that as well, instead of doing what most would, which is graduate high school and go straight to working a job. He was different and he was special, which inspired others in the area to try and be that as well.

Analysis:

I think the idolization of Andre Jackson speaks to the hope for great success that his existence instilled into a community that was otherwise mostly resigned to their lives being rather ordinary. Other than this, I think the interviewee’s interpretation of the legend is pretty spot on. 

Lake Spirit

Text: 

There was once a young lady who drowned her baby in a lake. As punishment, she was cursed to the same fate of drowning, and now her spirit remains by the lake. She comes to haunt those who do bad things.

Context:

There were lots of Mexicans and Mexican Americans where I grew up, so this was your typical boogeyman story to tell kids so they won’t do bad stuff, just with a deeper connection to Mexico/home. 

Analysis:

In this text, I see the theme of karma/ the golden rule being enforced: you are treated differently based on how you have treated others. Water is also dangerous for younger children if they cannot swim, so stories like this one can help to keep them safe by instilling a fear of the water in them until they are older and capable of being safe when near a lake, or knowing how to swim. This story also gives authority to the fear it attempts to instill by establishing that the lady has already drowned her own child, so she would most likely have no qualms about drowning someone else’s child.