Tag Archives: hindu god

Story of Rama

Text:

“There’s this other god named Rama, and he was building a bridge to, I guess, what’s now known as Sri Lanka. It was called Lanka in the book. While he was doing that, it was actually like a small squirrel, which helped him, like, roll in sand and, like, shake it into stone so that he was able to kind of create that bridge to get there, like, through stepping stones. Um, and even though, like, the squirrel literally was not able to do much—the squirrel was obviously limited by size and strength— it still was blessed by Rama because he’s a lord. Because, you know, he gave that squirrel so much of, um, you know, its spirit and its effort to do something, even if, you know, it was kind of disadvantaged by its, like, size and its strength. So it was kind of showing that, you know, sincerity, devotion, and good intentions are sometimes more important than, you know, your ability to actually get something done.”

Context:

The informant is a 20-year-old of Hindu Indian background, in which religious fables and legends are part of a broader tradition that teaches about the origins of their gods while also teaching karmic values. The story of Rama had stuck with him and was something he absorbed deeply as he grew up. He also encountered it among other Hindus is age, exemplifying how it still transmits through the community in traditional oral storytelling. 

Analysis:

This legend is part of the Vaishnava Hindu narrative tradition, in which Lord Rama — an avatar of Vishnu — becomes a central moral figure. The story functions as an etiological legend, as identified by the informant: the tale encodes central values of Hindu ethics—bhakti (devotion, selfless effort, and divine recognition)—the vehicle of the messenger, nor the strength or status confines its spiritual worthiness. The story continues to circulate within Hindu communities, to highlight the dedication of effort rather than being bound by bodily form, serving as an enduring social function that binds community members around a shared understanding.

Navaratri

‘Every year for 9 days my family celebrates a festival called Navaratri. My mom (especially where she’s from in South India, a town called Chennai) has a ton of dolls that she puts on steps in our house called ‘Golu’ to tell stories. The steps are basically a showcase of stories of all the Hindu gods. Some people have really small steps and not many Golus, but my mom loves to go all out… The festival involves Pujas to celebrate the goddess Durga who is practically the mother goddess Mahadevi. She is known for protection and motherhood. Durga is celebrated for 9 days and nights because we’re told she killed the demon Mahishasura.’ – HP

HP has grown up celebrating Navaratri ever since she can remember. She enjoys celebrating this festival, as it’s a time where her friends and family come over to eat and talk, celebrate and do a puja. They gather around to see all the dolls. When she was younger she loved to see the different stories her mom would create with the dolls and put on the steps. Every time she visits India, her mom always buys a new doll for the Golu, so throughout her life, she has accumulated many. She wants to carry out this tradition for the rest of her life and share it with her own loved ones and future family. Its a way to show creativity with faith.

A photo captured in HP’s home of the Golu and dolls during Navaratri

Navaratri is a festival full of culture, heritage, and faith. The festival encompasses many prayers, customs, rituals, and incorporates countless folk beliefs, gestures, and storytelling. This festival includes many folkloristic properties. The stories told from the Golu and to the family and friends who gather around spread and share the heritage and ancestry important in the Hindu religion. Furthermore, many storytellings of Hindu faith, such as about the Gods and Goddesses, are shared, allowing for the audiences to continue to spread these tales, just as HP has done with me. This festival allows for Hindu creativity to bloom and be on display for any and all visitors. HP reminiscing on her past Navaratri holidays show that importance and especially the endurance of this ritual in her life. Additionally, her desire to continue these festivities with her future family encapsulates folklore and its inevitable spread of culture and heritage.

The Undressing of Draupadi

Text:

Draupadi wanted to marry one of the 5 main brothers from the Mahabharatha, but another man, Duryodhana wants her to marry him instead. He proposes to her, but is refused. Upon this refusal, one of his brothers begins trying to rip Draupadi’s clothes off. Krishna sees this, and decides to save Draupadi by maker her clothing infinite. No matter how much cloth Duryodhana’s brother rips off of her, there is always more that she is still wearing. 

Context: 

This story is from the Mahabharatha, and is a plot point in the main storyline. An extremely simplified synopsis of the Mahabharatha is that it’s about the war between 5 brothers and 100 of their other brothers (Note that brother and cousin are essentially synonymous in this context). The “good guys” are the 5 brothers, and they eventually end up winning the war. 

This story is a simple lesson that one should respect women, and that to undress them is not okay.

Analysis:

In Indian culture, arranged marriages are a common practice, and the final decision on whether a marriage happens is given to the family as a whole, not the woman getting married. This story encourages respecting a woman’s desires for her marriage, even if the cultural norm or law doesn’t fully require it, and backs that up with a god taking the side of Draupadi. This makes even more sense to me that this story is found somewhat in opposition of the cultural norm when I remember that many tales come from being told by women as they do busywork. They used what ways they could to better how they were treated, and instilling good habits and respect in their children is a very powerful way to do so.

A Hindu Creation Story

Nationality: Indian, American

Primary Language: English

Other language(s): N/A

Age: 19 yrs

Occupation: Student

Residence: Frisco, Texas

Performance Date: 1/18/2024

Text:

“Nah I don’t really believe in god. My parents when I grew up told me about The Hymn of Creation from this Hindu scripture. Basically I grew up thinking that nobody knows how the universe came into being and that the idea of one singular being God is like, not as realistic as you would think. I mean the concept wasn’t drilled into my head at all or anything like that so that specific Hindu based ideal never really crossed my mind again but it did form my idea of God and creation.”

Context:

My informant, PL, is a friend of mine from my freshman year at USC from Frisco, Texas. I talked with him and a bunch of my friends about our beliefs in God after one of us asked that question randomly during a 2am walk outside of campus. We all gave our answers and PL gave his, saying he doesn’t believe anymore but did. I asked him to elaborate on this later in time and that is what he said.

Analysis:

In my research I found that this creation Myth is well known in Hindu culture. The Hymn of Creation is from the Rig Veda: the oldest and most sacred Hindu scripture, which concludes that, as PL said, nobody knows how the universe came into being, and even questions whether anyone or thing could know. This ideal was founded in between 1500 and 1000 BCE and explained that the God Indra, in particular, is the creator of This world. Scriptures say that “He separated heaven and earth, made them two … The act of creative violation and the power of keeping apart the pair so that they become Father Heaven and Mother Earth … is the test by which a creator god establishes his supremacy. … He is hero and artist in one.” It is concerned with cosmology and the origin of the world but not fully the universe. This well known Hindu creation story was seemingly passed down through generations is PL’s family, which is well versed in Hindu culture. I personally don’t know what to believe myself, but this creation story is one I’ve never heard of, and sounds very intricate and massive in Hindu mythology. 

The Race Around the World with Kartikeya and Lord Ganesha

Nationality: Indian
Age: 18
Occupation: Student
Residence: Apple Valley, Minnesota
Performance Date: 4/2/2019
Primary Language: English
Language: Kannada

Context:

My informant is a 18 year old student from the University of Southern California (USC). This conversation took place one night at Cafe 84, a place where many students at USC go to study at night. The informant and I sat alone at our own table, but were in an open space where there was a lot of background noise. In this account, she tells a traditional Hindi story about a race between Kartikeya, the god of war, and Lord Ganesha, the lord of obstacles, learning, and the people. She learned this story from her mother, who told this story to my informant and my informant’s sister to “make sure we respect her, cause’ parents are our world.” In this transcription of her folklore, she is identified as P and I am identified as K.

 

Text:

P: So this is the folklore of Ganesha and his brother, um Kartikeya’s, race around the world. So basically, [laughs], ok, so basically, um, one day, his parents were like, “We want you to race for this mango!” And, um, there was two songs and one mango, so they decided to have a race for that one mango. So both boys really wanted to win this mango [giggles], but they had to race around the world and be the first one to finish, so, so Ganesha picked his trusty steed of a mouse. And, his brother, Kartikeya, picked a peacock. So, Ganesha was a little chubby boy, and he had a mouse, which isn’t the fastest… And… well aren’t elephants scared of mice? Is that a thing?

 

K: Yeah, I’ve heard that before too.

 

P: So maybe that’s like also a thing, I don’t know. Um, so people were like “Eh, he’s not gonna win.” And his brother had the peacock, which is a lot faster, and he’s like a slim boy [laughs]. So anyways, the race starts, Kartikeya books it on his peacock, circling the world, but Lord Ganesha, smart boy, he doesn’t start. Instead, he goes to his parents, sits them down, and then goes on his mouse and circles them, because to him, his parents are his world.

 

K: Awwwww!

 

P: So he got the mango! [laughs]

 

K: Where did you learn that story?

 

P: Um, my mother told me that story. I think it’s also to make sure we respect her, cause parents are our world.

 

K: Ok that’s fair. Did it teach you that? Did it actually serve its purpose?

 

P: Um, I don’t it taught me to respect my parents because it’s just some thing you do as a human being… as a good person, but I think it like, was a cute way to look at it. Does that make sense?

 

K: Do you plan on continuing telling this story?

 

P: Okay, honestly, I don’t know, just because it’s a religious story and I’m not very religious. But, it’s like a good moral story, I mean aside from the whole parent thing, it just shows that like, you don’t need to be the fastest or the slimmest to win a race, you need your wits and intelligence! You don’t need a peacock, you just need a mouse to get your mango. The mango of life.

Thoughts:

This story is particularly interesting because melds to forms of folklore together: a cultural story with the concept or phrase of “you are my world.” My informant told me that a large part of Indian culture is respecting your parents and recognizing that you’re parents have done so much for you. By having Ganesha express that his parents are his whole world, this story is ultimately a very endearing and wholesome way to teach children that their parents should be the center of their love because they are where they are because of their parents. The mango also seems to represent the idea that if you give your parents your love and respect, they will always reward you in return with theirs.

For another version of this story, please refer to the citation below:

Krithika, R. “Race around the World.” The Hindu, The Hindu, 17 Dec. 2015, www.thehindu.com/features/kids/why-were-ganesha-and-karthikeya-keen-on-winning-the-race/article8000267.ece.