Author Archives: Kayla Carlisle

Irish Fairy Rings

Nationality: Irish
Age: 30
Occupation: USC Student
Residence: Los Angeles
Performance Date: May 2, 2013
Primary Language: English
Language: French, Celtic

So when I was a kid I lived in the countryside in Ireland. There is a lot of folklore and myths, but the one thing I remember most is, uh, coming across a number of fairy rings in our fields–which is, um, basically a circle of mushrooms or a circle of different color or height grass. I was always told not to walk into these circles, because they are magic fairy forts–which I believed–and that if I disturbed them the faeries would come after me and cause mischief, like putting thorns in my bed, um, or misplacing things on me. Also we were told if we do step into it, to be careful not to take anything from it, or break anything because then the same thing would happen–they would come to get that stick, or, uh, whatever we took, back.

Legends about fairies and elves are very important in Ireland. “Believing” in the fair folk, whether you actually believe or not, is considered patriotic. Children raised in Ireland are expected to know of and participate in the belief of the fair folk, although, as is the case with my friend, they largely grew out of the belief of these legends as they grew older.

Theater Circle Trust Rituals

Nationality: Caucasian
Age: 20
Occupation: USC Student
Residence: Los Angeles
Performance Date: May 3, 2013
Primary Language: English

Ooh, high school drama productions would have a “circle” every night before shows. I feel like most schools or theaters or whatever have something like this. A communal thing to get everyone together and alleviate anxiety before a show. Let’s see. There were different ritual/game things every time, chosen from an established group (established, as the whole thing was, by past students. Everything passed down and taught to the freshman and sophomores and other newcomers so that the whole thing goes on). There’s one thing where everyone holds hands silently. One person squeezes the hand of the person next to them and then that person does the same so it goes around the whole circle. There’s another thing where an appointed person, usually a beloved clownish figure who retains the post until they graduate, is blindfolded. They then go around the circle and randomly select two people, who have to kiss. That one happens three times. There’s “Show us how you get down” or whatever it was called. Basically a call and response then dance thing.

“Hey Michael!”
“Hey what?”
“Hey Michael!”
“Hey what?”
“Show us how you get down!”
“What?…I don’t know…no way”
“Show us how you get down!”
“Ok!”

Then you’d proceed to do some kind of dance move or something while saying “This is how I get down.” Pretty much anything goes. Everyone then imitates it and then the person who just went calls the next person.
Then there’s senior speeches, where all the seniors talk about how much drama has meant to them and lots of people cry.
Aaaaaaand, yeah, that’s pretty much all I remember about that.

The members of the Drama Club are afraid to fail at performing their play, and so they ritualize those fears by forming a circle and participating in group games, dances, and songs to loosen up and gain comfort in the routine. By doing embarrassing dances beforehand, they can relax and not worry so much about embarrassing themselves on stage. Another big benefit is that the club members joining together to do embarrassing dances and awkward activities provides the club with a strong feeling of community. People learn to trust each other by breaking their comfort zone, and through passing on these Drama Club activities to newly initiated members. This trust makes the group tight-knit and able to work together to put on a play.

The Lollipop Tree

Nationality: Caucasian
Age: 19
Occupation: Berkeley Biology Student
Residence: Berkeley
Performance Date: May 8, 2013
Primary Language: English
Language: Spanish

Growing up there were a lot of hills all around our home and neighborhood wherever you looked. You could also see hills way out in the distance on the bus to and from elementary school. There was this one tree on one of the hills that was way, way the farthest away. It came up straight and narrow with no branches until you got to the top of the tree, which was a perfect circle. It was basically a lollipop-looking tree. I don’t know how we knew it was a tree or how we could only see that tree from far away, but it seemed to be the only tree on the hill, and it sat perfectly at the top center of the hill.
Anyway, what some of the kids would say was that it was the “lollipop tree,” and if you somehow got passed all the hills and made your way up close to it, if you said something true you would get a fistful of lollipops. But if you lied near the tree, or touching it, something terrible would happen. Like maybe you or a loved one would die.
Some people said if you lied just while looking at it, even from so far away on the bus, you could get into some serious trouble.
That tree must have been a big deal, because sometimes a bus driver would even yell, “There’s the lollipop tree!” And they’d point at it out the windshield.

The story of the lollipop tree is a cautionary tale meant to teach good behavior to the children of the rural community. While sometimes the legend served as a right of initiation, as adults or older children who no longer believed in the magic would tell younger children to encourage honesty or to frighten them, it also served as a myth for why there was such a strange, distinctive tree on the town skyline. The tree was visible enough that it aroused curiosity, but so far away that not many people seemed to know the truth of why it was there alone, or if it was even a tree.