Category Archives: Game

Rage Cage

Nationality: American
Age: 21
Occupation: Student
Residence: University of Southern California
Performance Date: 4/11/15
Primary Language: English

“Here are the directions: Start by building a honeycomb of cups at the center of the table and filling each with about a 1/3 of a cup of beer. 20 should be enough. In the center of the honeycomb, add some extra beer and a few shots of hard liquor to the cup because that’s the ‘bitch cup.’ Gameplay starts with as many people as you want, with two cups with two players at opposite ends of the table starting the game. Players try to bounce pong balls into the cups after one bounce on the table. If they get a ball in their first try, they quickly pass it to the left of the person who’s trying to get the ball in the other cup. If the person it’s passed to is able to get the ball in while the other person is still struggling, he stacks his cup in the strugglers and the person who couldn’t get it in has to grab a cup from the honeycomb and drink it. If a player doesn’t manage to get the ball on his first try but manages to on another try, he or she can only pass the cup one person to their left. Gameplay continues until all the cups are left but the bitch cup. The last person who is unable to get their ball into their cup is then forced to drink it upon getting their cup stacked.”

This game represents a typical university drinking game that is meant to get students drunk, and fast due to the quick and tense play of the game. I had heard of the game before through students in class talking about it. My friend, the informant, plays it frequently, so I had him teach me it when I went to a party with him last weekend. He had learned it from older members of his fraternity, who too learned it from older members when they were younger. From what I’ve surmised, such games are part of fraternity/college identity and tradition, as its almost expected that such games are meant to be played on weekends and during parties.

Drinking games are an interesting part of folklore, and like folklore, they often possess variations that lead to arguing and disagreement. In playing the game that one time, I heard people debate the “after one miss rule” of having to pass it to your left and also how much hard liquor should be added to the “bitch cup.” Though drinking games are similar in many parts of the world, there are always rules in the games that greatly differ. People often argue the rules because they learned from others a specific method of play and are unwilling to bend based off what others feel is correct. I always find debates regarding the rules humorous, as it is impossible to distinguish who is correct in the argument. Just as in folklore, there is no correct version of a story.

Ouija Board

Nationality: American
Age: 61
Occupation: Small Business Owner
Residence: Orange, CA
Performance Date: 3/28/15
Primary Language: English

“After hearing our friends at our Girl Scout Troop talk about the Ouija Board, your Aunt Mary and I decided to ask grandma to get us one at Christmas. Nothing happened the first time we played with it and we thought it was full of shit. It was supposed to float and guide our hands to answer questions that we asked the board. The second time we played it, it seemed to move a bit faster but I always assumed Mary was screwing with it. However, the movement perked out interest and the more time we spent with the game, the more responsive the guide became. Mary and I swore to each other that we hadn’t moved it and it went from answering yes or no questions to spelling out vulgar words and messages. Still gives me goosebumps thinking about it because we were young and didn’t know much of what this stuff meant until we asked grandma what it meant. We got freaked out and never touched it again.”

My mom grew up with two sisters, all of whom are normal and sane people. I remember my mom and aunt talking about their memories with the Ouija Board when I was little and was always freaked out about it but wanted to know more when I was presented with this folklore collection project. I could tell my mom was uneasy talking about it and didn’t want to delve into too many details. She was only around 8 when she played with it after hearing about it from friends at her Girl Scout Troop and its obvious the game scared her greatly. Talking to her further about the game, she admitted that she feels it is somehow possessed and something that could, simply put, connect you with spirits you want nothing to do with.

I’m conflicted when hearing my mom’s story. My education in high school and even more so at USC has taught me to be rather cynical when hearing unexplainable stories or entirely dismiss them, but my mom and aunt have always been believable people. They would not after all these years lie to each other about intentionally guiding the piece toward certain parts of the board which prompts me to believe that something else could have been doing so. Though I don’t consider myself highly spiritual, its a game I have never messed with based off my mom’s experiences and I have no desire to play it in the near future.

“Rage Cage” – Drinking Game

Nationality: American
Age: 19
Occupation: Student
Residence: Los Angeles, CA
Performance Date: April 28, 2015
Primary Language: English

Informant: I learned Rage Cage from [older sorority sister], actually! Yeah, she taught it to me at [fraternity]. We were over there one night, and she was like, “[informant], why aren’t you drunk yet? You gotta get on my level!” So she got some of the guys in a circle around the table—the beer pong table—and put a bunch of red cups in the middle of the table, and we filled them all with a little bit of beer. And then she took two empty cups and uh, gave them to two of the guys. And they each had one ping pong ball, and they had to bounce the ping pong balls into their cup. And when the guy on the left of the other guy got his in, he’d pass the cup and the ball clockwise. If the guy on the right got his ball into the cup before the other guy, he got to stack his cup in the other guy’s cup, and then he’d pass the stacked cups to the next person in the circle. The guy who lost—who didn’t get his ball in and got another cup stacked in his—has to drink one of the cups of beer in the middle of the table. Then he can use that empty cup and try to bounce the ping pong ball into that. He passes the cup clockwise when he gets it in.

Me: So you just keep passing the cups clockwise in the circle?

Informant: Yeah. Well, unless someone gets the ball into the “chasing” cup—the cup that isn’t stacked—on their first try. Then they can pass it to whoever they want.

Me: Is there, like, someone you want to pass to in particular?

Informant: You want to pass it to the person to the right of whoever has the stacked cups. It’s easier to get them, then.

Me: How does the game end?

Informant: When all the cups are stacked. But [older sorority sister] plays it so, like, the last person to lose—to get a cup stacked in theirs—has to chug a whole drink.

The informant is a student at the University of Southern California. She is a member of a sorority, and was born and raised in Chicago, IL.

The informant told me she has played Rage Cage at numerous fraternity parties since learning it during her sophomore year at USC. The game is usually played in mixed-gender groups of five or more players (up to as many as can fit around the table, although a group larger than twelve may have trouble keeping the attention of players stuck on the opposite side of the circle from the action) and takes place at fraternity houses or otherwise private location where those who are not yet of the legal drinking age can participate.

This drinking game is typically played early in the evening as a way for men and women to loosen up around one another. Since fraternity party culture at USC revolves around partygoers being intoxicated, Rage Cage is often used as a comfortable and fun way for participants to ease into drinking for the night. The competitive “stacking” element of the game also allows for participants to gang up on certain members of the group who they believe should drink more.

“Green Room”- Pre-Performance Ballet Ritual

Nationality: American
Age: 19
Occupation: Student
Residence: Los Angeles
Performance Date: 4/3/2015
Primary Language: English
Language: Some Spanish

Informant (“A”) is a 19 year old, female from Rancho Santa Fe, California, and attends The University of Southern California. She is a Human Biology major. She is of European descent and her family includes her mother, father, and older brother who attends college in Texas. Informant has studied ballet for 17 years, including work in a professional company.

A: “Dancers, and, really, it seems most theater people in general, have a lot of rituals and superstitions. The theater can be sort of unpredictable you know? You could have rehearsed every day for a year and something can still go wrong during the show. Especially when you throw nervousness into the mix, things definitely can happen. Sometimes it feels like half of what we can accomplish is just because we were lucky.
The whole time up there you’re praying ‘’Don’t fall, don’t fall down’’, even if you’ve never fallen before, you just don’t know. And you’re not only relying on yourself too. Sometimes as a dancer you just jump and hope your partner catches you! If they’re not in the zone, things can end badly for you. Anyway basically performing is scary and a lot of dancers do things to try and make it less scary.
The first ritual is called Green Room. It’s where the whole cast meets together backstage and we all form, sort of a circle. The oldest member will then say something inspiring, whatever the cast needs at the moment. Then we all hold hands and do that thing where you, like… squeeze the persons hand next to you until it goes all the way around the circle again. This connects us, because like I said you have to rely on other people. Sometimes during this we pass around this green frog you have to kiss, I have no idea why. Then we all do a chant. Depending on the group or show the chant varies..”

Analysis: The superstition seems like a classic example of using a ritual to gain favorable luck of some sort for an event of particular importance. A way to increase control of an event whose failure would be very bad for the performer. It also seems to play quite an important part in binding the dance company together to allow increased trust amongst them. By reinforcing such a sense of community, it increases trust and belonging, things one likely needs if they’re putting themselves in such risky position as a public performance.

Religious ‘Crossing’ and Pre-Performance Chant Parodies

Nationality: American
Age: 19
Occupation: Student
Residence: Los Angeles
Performance Date: 4/3/2015
Primary Language: English

Informant (“A”) is a 19 year old, female from Rancho Santa Fe, California, and attends The University of Southern California. She is a Human Biology major. She is of European descent and her family includes her mother, father, and older brother who attends college in Texas. Informant has studied ballet for 17 years, including work in a professional company.

A: “…Now this one is going to sound really weird but recently there was a production of ‘A Funny Thing Happened on the Way to the Forum’ and there was this kinda offensive song sung in it.
This sort of got turned into a backstage chant, and like I’ve also heard other people do this too. We all huddle in and whisper this ‘We’re gonna rape, kill, pillage and burn, we’re gonna rape kill pillage and burn, eat the babies’. We say this multiple times getting louder each time until all of us are full on screaming it backstage. You know how people can like to scream vaguely offensive stuff, but its not that bad to us because we all know where it’s from. Then right before I go on stage I’ll do like a cross, you know the like Catholic one. I’m not really religious but I’ve been doing it for years. I think it started when I did a really hard solo and it had that cross in it. It basically tells me that I’ve done all I can and now I just have to perform. It’s another aspect of getting mentally ready, because so much of performing is about being physically but also mentally on your game.”

Analysis: The crossing seems to be a sort of parody of superstition. It may be an attempt to ‘use’ a previously accepted superstition in a socially accepted way or to comically parody their own use of superstition before the performance.
This backstage chant seems to be a sort of ‘trust building exercise’ that uses both humor and chanting to reinforce a sense of community. In high stress situations like ballet performances, such reinforcement likely serves to cater trust in other dancers, as the difference between an effective performance and a mishap could rely on other dancers.