Category Archives: Folk Dance

Hula

Nationality: American
Age: 49
Residence: San Diego
Performance Date: 4/27/20
Primary Language: English

Context: The informant is my aunt and will be referred to as L.I. She is originally from Hawaii and is of Filipino descent. She grew up in Hawaii, which is where the Hula dance and its importance, but she now lives in San Diego with her husband (my uncle) and their two children.

Main Text: L.I: “No one speaks true Hawaiian anymore so the Hula is how Hawaiians communicate now, by portraying words in a visual dance form. The two main categories of Hula are Hula Auana and Hula Kahiko. The Auana is much more flowy and common now, it is usually accompanied by song, guitar, and a ukulele. Kahiko, on the other hand, is more like a slap dance like the Samoan Haka and is accompanied by chanting”.

M.M.: “Is there a reason for there being two separate forms?”

L.I.: “The Kahiko is how they communicated in ancient times and the Auana is more modern and Americanized, its a lot more accepted. The hand motions within Hula dances are used to represent the words in a song or chant. For example, the fluid hand motions in the Auana can signify nature: the swaying of a tree in the breeze or a wave in the ocean.”

Analysis: Hula dances have always been an important part of Hawaiian culture, they are performed at all Luaus and weddings. I find it interesting how the Hula dance transformed in order to be more accessible and appealing to visitors from the United States. It demonstrates how the Hawaiian islands adopted to their new identity within the United States of America. The more fluid Auana form of Hula is very recognizable within the continental United States whereas the Kahiko is not.

Filipino Money Dance

Nationality: American
Age: 49
Residence: San Diego
Performance Date: 4/27/20
Primary Language: English

Context: The informant is my aunt and will be referred to as L.I. She is originally from Hawaii and is of Filipino descent. She grew up in Hawaii, but she now lives in San Diego with her husband (my uncle) and their two children. The following text describes the Filipino Money Dance which was performed at her wedding.

Main Text: “The money dance is a common tradition in Filipino culture and it is performed at weddings. The DJ will call out one line for men and one line for women, and they usually pass out pins. Then one by one people will approach the bride and groom to dance with them. After they dance they use the pins to pin money to the bride or groom as a sign of good fortune as they begin their journey as husband and wife.”

Analysis: It is common for people to give gifts or money to newlyweds to wish them good fortune or to help them start their new life together. This Filipino tradition turns this practice into a fun, engaging activity that expresses the relationship between the guest and the newlywed. It also reminds me of a Polynesian tradition where during graduations, the graduate is presented with a wreath of money that they wear around their neck. It is interesting how monumental life events are met with monetary gifts to help the person find success in this next phase in their life.

The Schuhplatter

Nationality: American
Age: 57
Occupation: Real Estate
Residence: Los Angeles
Performance Date: 4/26/20
Primary Language: Samoan

Main Piece:

The following is transcribed from dialogue between my self, GK, and my friend DH.

DH: The Schuhplattler is a popular German dance that I know of. I’ve watched it preformed a number of times but have never preformed it myself. But it is a very exciting and funny to watch because the song is played by an accordion and the dance moves are a bit goofy. 

GK: What are the dance moves? 

DH: There are different parts. First you stomp on the ground. Then you clap and bend your leg sideways in order strike the soles of your shoes. Right after that, you immediately go on to slap your thighs and then your knee caps. After completing those steps, you do it all again but this time with the other leg. 

Background: The informant is a 57 year old man who comes from German heritage. Their whole family are members of a German-American club which is the main reason why the informant became aware of this dance. He did not formally learn The Schuhplattler until he was 10 years old. 

Context: The informant and I discussed this dance face to face.

My Thoughts: In my opinion this dance is one of the more high energy dances that I have come across. I think the main reason for this is because it is a group dance and the dance moves are different from normal dance moves. I have not seen this dance spread into American culture as much, which surprises me because I feel like it would be very popular amongst the younger generations who tend to like funny dances like this. 

Here is a video of the dance being preformed: https://www.youtube.com/watch?v=zxRACYQAkgA

Jingle Dress Origin

Nationality: Native American
Age: 10
Occupation: student
Residence: Franklin, Tennessee
Performance Date: 4-29-2020
Primary Language: English

Main Piece:

Informant: So the story behind the Jingle Dress dance is about a girl who was really sick and her dad really wanted her to get better. And he had a vision or a dream, one of those two, and if you put a 100 shells on a dress, cause that’s how they used to make them, and if she dances for 21 days, or something like that, then she would be healed. And he did exactly what, uh, it told him to and she was healed. Not they call the jingle dress dress dance a healing dance. But, that’s just like one of the different stories of why it was like that. There are multiple stories and things like that. But that’s the one I heard.

Interviewer: What other variations are there?

Informant: Well, that’s the only one I know, but other people say there are more.

Background:

The informant is a ten-year-old Native American girl from the Choctaw, Blackfoot, and Lakota Nations. She was born and raised in Tennessee and frequently travels out west to visit family and friends. She is in fourth grade. She is also an Old-Fashioned jingle dress dancer which originates from the Ojibwe people. It is referred to as a healing dance and can be seen at Native American powwows across the United States and Canada.

Context:

During the Covid-19 Pandemic I flew back home to Tennessee to stay with my family. The informant is my younger sister. I asked if she could describe for me the origin story behind the jingle dress dance. 

Thoughts:

One of the greatest gifts given to mankind was movement. Along with the ability to think, we are able to actively engage with our environment. As Albert Einstein said, “Nothing happens until something moves.” Dance has long been a part of human culture, and in many cases, a key component in ritual and prayer. The jingle dress dance emphasizes the healing properties that dance can have on the mind and body. There are many variations of this story, such goes folklore. The jingle dress dance comes from the Ojibwe people and can be seen at powwows across the United States and Canada.

Mosh-pit culture at EDM raves and festivals

Nationality: Korean/White
Age: 21
Occupation: Student
Residence: Los Angeles/Colorado
Performance Date: 4/19/2020
Primary Language: English

Main Piece

Interviewer: What are the rules of mosh-pitting?

Informant: If someone falls, you pick them up you do not trample them. You are not trying to intentionally hurt anyone, that is usually a golden rule. Sometimes there are also women-only moshpits, and it is pretty cool because it encourages women to mosh without worrying about the muscled-up guys that usually mosh. Every guy will let them just have their pit, it is always respected. 

There are different types of moshpits too. There is a circle where people just mosh in a big circle thing. And then there is a circle pit, basically you are just running in a circle, there’s no bumping or hitting it is just running. Sometimes people are inside the circle, and some of them can get huge like wall to wall at venues. That is a weird one haha.

There are also ones called Wall of Deaths–those are crazy, man. DJ’s usually start it by saying “Yo, this is my last song, I wanna see a Wall of Death in this Motherfucker. Lets’s Go!” 

Basically what happens is two lines open the middle of the venue, and people go to one of the sides. Once you have a big enough opening, the bass drops, and then both sides just run at each other. You collide with each other and then you just make this giant mosh pit. It is crazy. You’ll usually see this with EDM, pop-punk, heavy-metal. 

Background

The informant is a great friend and housemate of mine, who is currently a senior at USC studying Health and Human Sciences whose family is living in a town four hours outside of Denver, Colorado. Coming from a military family, the informant has lived in various areas, the most memorable for him was New Orleans. The informant is half Korean and half Caucasian, and is a sports fanatic having played soccer for most of his life. The informant is also a very big raver, as he enjoys going to several festivals a year, originally beginning to attend in his senior year of high school. 

Context

Being someone who attended a lot of Latinx punk shows in my hometown, I am a big fan of moshing. Last year my informant took me to my first rave, and explained the different styles of moshing and how to mosh in this scenario. Now, I have gone to a couple of more, and during our interview I asked hi to break down the rules and different types of moshpits. 

Analysis

I think mosh-pits are a type of folk dance at certain venues where participants are able to act in a more aggressive and violent manner than how they’d act in everyday scenarios. Moshing gives a lot of individuals a chance to express any pent up anger or aggression, while still balancing the concept of PLUR (Peace, Love Unity, Respect) which many ravers follow. I believe that is why there are many types of mosh-pits and set rules to secure that people do not seriously injure themselves.