Category Archives: Material

Black Tourmaline Crystals

Main Piece:

SP: My black tourmaline piece… It actually is my first, like, large and most expensive crystal I bought in my collection— Black tourmaline is known to be, like, a protective stone. And I have like lots of little pieces that I kinda just carry around with me all the time. A lot of people use it with clear quartz cause clear quartz acts as like an amplifier, so it’s like amplified protection. I think of it as like cleaning my energy and my space. I have little pieces sometimes in my pocket, when I’m just going out, and I have one that I like tie to my bag, my everyday bag.

Context:

Performed over a FaceTime call. One of my roommates friends, a high school senior. She is in her bedroom in Alameda, California. She obtains crystals from the shop she works at and various crystal stores in the Bay Area and from online shopping.

Analysis:

Crystals have long since been used for cosmetic as well as medicinal practices. I know that one of the first few societies to use crystals as spiritual charms was Ancient Egypt. This practice has carried itself over to the West, and is also used in witchcraft and Paganism. I have often wondered if the younger generation has incorporated them into their beauty routines and self-healing just because they are aesthetically pleasing to look at. The informant houses a massive crystal collection in her home, and she says that this protection charm is one of the most common and is what got her into crystals. The fact that she carries around multiple of them in her everyday life really reflects how people and religions can attribute so much meaning to material objects. It’s quite beautiful.

Bleeding on a costume is good luck for the actor

Interview and Context

CS: It’s just a saying. And I think its partially because there’s nothing you can do about it, and it’s a way of sort of justifying and making yourself feeling better that one: you may have hurt yourself, and two: that you may have, like, made a stain on a costume that you may or may not be able to remove as well as you would like?
Interviewer: So as far as you know its less of a superstition and more of a justification
CS: Ya. Hahaha.
Interviewer: When’s the first time you heard that?
CS: Probably the first time that I , probably when I was in college and… I don’t think, I don’t think I ever heard that outside of theater. I think I heard of it mostly, you know, like— it’s something I thought about, like, I’m sure I must have poked myself and may have bled on a garment when I was learning to sew like in home ec, as a teenager, but I don’t think that I heard of it more that, at a costume shop, that it’s good luck for the actor, y’know.
Interviewer: Good luck for the actor, bad luck for you.
CS: Right? Ya.
Interviewer: Any idea how long it’s been around? I know you said you he
HS: I have a feeling that this one is, a long time. I just have that feeling.
CS: Because people have been probably bleeding on costumes since costumes have been made.

Analysis

The first time the informant told me this proverb was when another worker poked themself with a needle while mending a costume. I later asked the informant to repeat the saying and their explanation for the sake of recording it.
This is an example of a proverb. I found it interesting that it is said so sarcastically, rather than earnestly. However, in other versions*, it is not necessarily sarcastic or bitter. Seeing that it isn’t a saying unique to making theater costumes—or unique to a bitter saying—the attitude with which a participant in this folklore says the proverb changes the intention of the proverb. The attitude also indicates that the saying is useful despite differing levels of belief in superstitions: the reciter may believe whole-heartedly that their drop of blood (it must be accidental) will give the actor a better performance. Or the reciter may not believe the proverb, but say it anyway, as participating in the tradition or just in case it is true.

*http://uscfolklorearc.wpenginepowered.com/good-luck-to-bleed-on-designs-in-fashion-industry/

Traditional Arabic Dish – Koosa and Ejeh

Text/Context

EM – Koosa is a traditional Arabic dish. First, squash is hollowed out using a special scoop. My grandmother uses a scoop that belonged to her mom and grandmother. The squash is stuffed with a seasoned ground lamb meat and rice mixture and cooked in a tomato soup seasoned with spearmint.
And of course the squash seeds can’t go to waste, so they are salted to draw the water out and squeezed to drain as much as possible. They are then mixed with eggs, parsley, onions, and Syrian pepper to make an omelette-like batter. They are then deep fried into little cakes called ejeh. Fun to make and heavenly to eat.
Interviewer – Any special occasions to eat these recipes?
EM – We usually make koosa and ejeh in the summer when we can get fresh squash from the farm.
Interviewer – Are they always made side-by-side? Do you eat them at the same time in the same meal or do you eat them separately?
EM – Sitto (Arabic word for grandmother) doesn’t always make ejeh, but when she does, its always with koosa. We don’t usually eat them together, though. I like ejeh as a snack or breakfast, and koosa is always lunch or dinner.
Interviewer – If your grandmother has the special scoop, can no one but her make them “properly” or do you use whatever scoop you have? Is the scoop actually made specifically for koosa, and what does it look like?
EM – There are other scoops out there. I have my own, but Sitto’s is special because it’s been passed down. I don’t actually know if anyone uses the scoops for anything else but we call it a koosa scoop. It’s a long metal half-tube basically.
Interviewer – Does someone make them better than anyone else?
EM – Sitto makes them the best.
Interviewer – Have you learned both of the recipes?
EM – I know the recipe fo koosa, but not ejeh yet.
Interviewer – Do these recipes feel culturally significant to you personally, or are they just food you are glad you get to eat? Do you feel connected to your family through these recipes?
EM -The recipes are culturally significant to me because I feel close to my family when we make and eat them.
EM – All of my family’s recipes are either in our heads, or in the case of ka’ak and other desserts, the recipe is written down but no directions are given, so the only way to learn to make them is to observe and learn from our elders making special bonds and memories

Analysis

The dishes are usually made in the summer for maximum freshness. Because I collected the story during the winter, the story was not performed with the actual food but rather in a context of discussing favorite foods.
Koosa and Ejeh are examples of food connecting a person to their family and their heritage. The informant has never traveled to Lebanon, and knows only a few words in Arabic, but is proud of their heritage and feels connected when they learn the recipes that are passed down through family, learned by memory, and made with and for their family.

The Hole in One

Nationality: American
Age: 74
Occupation: Retired
Residence: North Carolina
Performance Date: 4/29/22
Primary Language: English

Context: The subject of the interview is an older man who grew up in southern California 

Text:

“When I was in high school at some point, I turned to my dad one morning and asked “hey dad is there something you could teach me to cook”. He said that he doesn’t cook much but he could teach me how to cook a hole in one. And I said no I didn’t say anything about golf, I said cook. He said I know, it’s called a hole in one. I asked, what’s that? So he said he’d teach me. He said get that piece of bread and butter it up on both sides. He said now take a little knife and make a circle in the bread. And so you’re cutting around the circle in the bread. Now take that little circle out of the bread. Now go over and put a pan on the burner and turn the burner on and put the piece of bread in the pan. It will start to cook. So what’s next? So now get an egg out and crack the egg into the hole. When you crack the egg and the egg starts to come out the shell, make sure it goes in the hole. All of a sudden it starts to cook and within about five minutes it starts to look done. Now take a spatula and you’re done. And finally, as my dad would say, yokes on you”. 

Analysis: 

This piece of folklore is an example of folklore that is passed down through culinary activities. This genre of folklore in particular is greatly rooted in cultural and familial practices. It is usually in a familial setting that someone would be cooking, and food usually has ties to a greater culture. 

Loi Krathong/Loy Kratong

Nationality: American
Age: 19
Occupation: Student
Residence: California
Performance Date: April 26th, 2022
Primary Language: English

“Ok this one’s a festival–there’s–it’s called

Thai: ลอยกระทง
Phonetic: Loi Krathong
Transliteration: River Goddess Worship Festival
Translation: Loy Kratong

and it’s like a water festival. You make–how do I describe it in English? You make a float. The word in Thai is

Thai:กระทง
Phonetic: Krathong
Transliteration: Float
Translation: Float

it just means like the float or whatever. It’s kind of like a lantern festival. But yeah, that occurs. Why? It’s like semi-religious, but also Thai people just celebrate it in general, for like, the rainy season. Like the end, the end of the rain. There’s like normal festivities for celebrations, like dance and food, but like the main activity is thanking the water goddess, a water goddess for like the entire season that came before. People also use it for like, good vibes. Where it’s like sending a wish or sending a prayer. You’d make it for someone else; like, ‘oh like for my family to be safe,’ and then you’d send it down the river. When I used to go to temple a lot, like, when I was younger when you would have like the festival everyone does it in like one small pond–cause the temple only has one small pond–and it’s really fun when the pond like fills up and like everyone’s wish is like together. Oh, you also–a big part of it is also making the float, to begin with, which is like made traditionally from like banana leaves. But in America, we make–well, no, not in America–but in the modern age, we use styrofoam, which is the funniest thing to me because the most environmentally damaging thing that you could do is to make it using styrofoam. But you have the plant styrofoam and you put like fake flowers in it if you don’t have like the real thing and then you take like three yellow candles and you put them in it and like make your wish on it.”

Context:

Informant (WP) is a student aged 19 from Chino Hills, California. Her parents are from Thailand and Laos. She currently goes to USC. This piece was collected during an interview in the informant’s apartment. She learned this from family and from going to the temple. To her, it is a way to give gratitude for what a person has and to ask for more.

Interpretation:
This festival is very similar to lantern festivals that are prevalent throughout East and Southeast Asia. It is very interesting to see how the festival has changed in the modern era with Thai people being unable to obtain banana leaves in parts of the world and instead resorting to styrofoam. Historically, agriculture has been incredibly important in Thailand. A festival based around thanking a type of water goddess at the end of the rainy season, while also asking for more rain in the future, makes perfect sense for this culture. Add in the variation on lanterns, being floats, and Thailand has a festival that is both related to other Southeast Asian festivals and uniquely Thai.