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Feast, Festival, and Fur – The rituals of a furcon

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Age: 27

Text: Interviewer – “When was the first time you heard of a furry convention?”

JP – “I’ve for sure sure known about them since I was younger but I didn’t really think positively about them until years later. I was a bit of an edgelord back in the day.”

Interviewer – “Have you been to one before or many?”

JP – “I’ve been to the same one, TFF, or Texas Furry Fiesta for 3 years as of now. So a couple times, I’d say.”

Interviewer – “What has been some notable elements of these, some highlights that you get excited about when traveling and going to these conventions?”

JP – “To me, the Artist Alley, a large room in the convention center where tons of different artists are posted up to sell their merchandise, get commissions in person, or advertise. It’s super cool. Besides that, the various community events that TFF has have been the highlights for me.”

Interviewer – “What rituals do you feel are active elements of every furcon, or you feel should be a part of them if not?”

JP – “Fursuiting for sure, and while it’s unnecessary I particularly have fun playing a bit of a character. I have 2 different suits, so I’m able to change up the characters I go as, which adds to the fun of it all since a lot of other people are doing the same. Some conventions even have events to show off all of the different attendees suits! Though despite it being a very integral thing, it’s still unnecessary and one doesn’t need a suit in order to attend.”

Interviewer – “What’s been your most memorable or best memory in the fandom or at a furcon?”

JP – “As far as my best memory, it would prolly be my first con just getting to spend time with some friends and having the opportunity to explore the city with them.”

Context: Similar to other fandom based conventions, a “furcon” is just that, a convention for furries or fans of the furry community to gather, go to panels, buy art, and be a meeting point for friends who would usually be online to meet up in person. When talking to JP about his involvement within the fandom, since I knew he recently went to Texas Furry Fiesta, I wanted to delve in and ask about the folk practices done at this kind of event, as I know other conventions akin to comicons have their cosplays, panels, celebrity features, and art galleries.

Analysis: Furries are one of the fandoms that have such deep cultural ties to industries, popular culture, media, and their own complex traditions, rites, and rituals. One of said rites of passage is attending a furry convention, or a furcon for short. Aside from this rite of passage, many traditional events occur, some mentioned by JP. These would include the sharing of community folk art at the artist’s alley, a dance competition, showing off the hard work and craft of fursuit makers by featuring your own, as well as being a pseudo-pilgrimage for a friend group all within the fandom to meet up. A furcon is a multi-faceted treasure trove of lore for all of those who attend, their passions, and particular interests in their characters, how they present themselves, and the boundless memories, activities, and events at their disposal.

Halloween Costumes

Nationality: United States
Age: 18
Occupation: Student
Residence: Los Angeles, CA
Language: English

Text: “Ever since I was little, I have always dressed up for halloween. When I was a little kid, it was always something fun like Rapunzel or Dorothy. As I have gotten older, I have put more effort into more creative and funny costumes, often matching with my friends. Even now I still dress up, just this last Halloween my friends and I all dressed up as the Powerpuff Girls. Even though I’m not trick-or-treating and often going out with friends, I always have to be in costume for Halloween.”

Context: This ritual was shared by the informant, N, during a conversation about holiday traditions that continue into adulthood. N explained that regardless of her age she will always continue wearing a costume for Halloween. While wearing a costume may seem rather simple, it helps set Halloween apart from a regular day. N also noted that the process of planning a costume often involves friends, adding a social element to the tradition. To N, this ritual is less about trick or treating and more about the feeling of celebration and self expression.

Analysis: This is an example of a calendar-based ritual tied to seasonal celebration and self-expression. In the U.S., dressing up for Halloween is quite common and allows individuals to express their identity through costume. For children, it often represents imagination and fantasy, while for teens and adults it becomes more of a creative and social outlet. The continuation of this ritual into adulthood shows how folk traditions can evolve with age. As N grew, she didn’t abandon this ritual but instead adapted it to fit her changing identity.

Posada Parade-The Inns: Mexican Festival/Holiday

Text: 

Me: “Do you have any festivals that you participate in?”

CC: “Yes, this is like a mix between a festival and a holiday, it’s called Las Posadas. In my Mexican culture, we celebrate from December 16 through Christmas Eve. Every day, a different household hosts and we usually eat tamales and hot chocolate. This 9 day celebration is seen as a traditional religious celebration that honors the birth of baby Jesus. My family dresses up in costumes that signify Jesus, Mother Mary, and Joseph. We parade around the neighborhood while singing Catholic songs, saying prayers, and basically re-telling the story of how Mary and Joseph were looking for a place to stay.”

Me: “Can you explain the costumes you guys wear?”

CC: “Sure, since there are only three main characters, the younger kids in my family are usually the ones that portray Mary, Jesus, and Joseph. The rest of us dress up as angels or simply just carry a candle as we walk during night time. My grandma actually hand sewed these costumes and they are used every year, I actually don’t know how old these costumes are. As we parade around the neighborhood, it’s a good reminder of what Mary went through and it’s a time where my family and I can appreciate the comfort of a warm home to go to at night.”

Context (informant’s relationship to the piece, where they heard it, how they interpret it):

-CC’s relationship with this festival/holiday stems from her traditional Catholic Mexican household and childhood. Given that this 9 day long festival is celebrated every year, CC has been able to appreciate this practice differently all her life considering it is uniquely performed by her family; as seen within the custom made costumes and the comfort of each household. CC heard about this festival/holiday from her dad’s side of the family, considering they are the only ones that celebrate these daily festivities despite the fact that CC’s mom is also of Mexican descent. CC grew up being exposed to Las Posadas only from her dad’s side of the family as they tend to be more religious and are adamant about continuing the festival/holiday. CC interprets this holiday/festival as a religious experience that can bring one’s community closer together as it’s a reminder of the importance of family, stability, having a roof over your head, and faith during the holiday season.

Analysis(what kind of personal, cultural, or historical values might be expressed) YOUR interpretation:

-The cultural values within Las Posadas stems from a sense of community and lifestyle values that are implemented within a typical Catholic Mexican household. Not to mention, this festival/holiday can also be seen celebrated in Honduras, United States, Mexico, Guatemala, and other Latin American countries. The personal values that are expressed within this 9 day long festival celebration is exemplified by the religious and spiritual beliefs of an individual and within one’s household. Considering this holiday is slowly disappearing as it is not celebrated as much, it takes a strong religious household to carry on this tradition and to evoke the importance of re-telling the story of Mary, Joseph, and Jesus. I interpret this festival/holiday as a unique story-telling practice that evokes awareness, community, and faith. I see the concept of Las Posadas as a way to teach the younger generation about the story of the birth of Jesus and as a way to increase spiritual faith within a family. Considering I only celebrate this holiday/festival with my great-grandmother (from my dad’s side of the family), I have learned to appreciate the idea that older, more religious individuals are trying to carry on such a unique festivity that is filled with love, food, family, and valuable life stories. The concept of a potloch can be seen within Las Posadas since it is typical to see each family cater to the community/household by bringing different food items and drinks to enjoy throughout the parade. A similar holiday that can be seen in correlation to Las Posadas is Easter Sunday within American culture. The idea of celebrating the resurrection of Jesus during a storytelling church service indicates the similar qualities of Los Posadas given the religious, community, and spiritual values that are evident within both holidays. 

Bleeding on a costume is good luck for the actor

Interview and Context

CS: It’s just a saying. And I think its partially because there’s nothing you can do about it, and it’s a way of sort of justifying and making yourself feeling better that one: you may have hurt yourself, and two: that you may have, like, made a stain on a costume that you may or may not be able to remove as well as you would like?
Interviewer: So as far as you know its less of a superstition and more of a justification
CS: Ya. Hahaha.
Interviewer: When’s the first time you heard that?
CS: Probably the first time that I , probably when I was in college and… I don’t think, I don’t think I ever heard that outside of theater. I think I heard of it mostly, you know, like— it’s something I thought about, like, I’m sure I must have poked myself and may have bled on a garment when I was learning to sew like in home ec, as a teenager, but I don’t think that I heard of it more that, at a costume shop, that it’s good luck for the actor, y’know.
Interviewer: Good luck for the actor, bad luck for you.
CS: Right? Ya.
Interviewer: Any idea how long it’s been around? I know you said you he
HS: I have a feeling that this one is, a long time. I just have that feeling.
CS: Because people have been probably bleeding on costumes since costumes have been made.

Analysis

The first time the informant told me this proverb was when another worker poked themself with a needle while mending a costume. I later asked the informant to repeat the saying and their explanation for the sake of recording it.
This is an example of a proverb. I found it interesting that it is said so sarcastically, rather than earnestly. However, in other versions*, it is not necessarily sarcastic or bitter. Seeing that it isn’t a saying unique to making theater costumes—or unique to a bitter saying—the attitude with which a participant in this folklore says the proverb changes the intention of the proverb. The attitude also indicates that the saying is useful despite differing levels of belief in superstitions: the reciter may believe whole-heartedly that their drop of blood (it must be accidental) will give the actor a better performance. Or the reciter may not believe the proverb, but say it anyway, as participating in the tradition or just in case it is true.

*http://uscfolklorearc.wpenginepowered.com/good-luck-to-bleed-on-designs-in-fashion-industry/

Christmas Costumes

Nationality: American
Age: 52
Occupation: Banker
Residence: Singapore
Performance Date: 4/29/22
Primary Language: English

Context: Subject of interview is a middle-aged man and father of three. The family in question celebrates Christmas. 

Text:

“Every year, on Christmas eve, my daughter and I go out and find costumes so that the family can participate in a night of celebration. It could be Christmas related, it could be funny, but it needs to be festive. It’s always a surprise at some point during christmas dinner we will sneak out and put the costumes on and surprise the family” 

Analysis:

The following is an example of folklore based in a familial tradition, one that can be passed down from generation to generation. Additionally, the tradition is tied directly with a holiday, a common trait for familial pieces of folklore. This tradition in particular is one that seems to make sense for the subject’s situation and their relationship to Christmas. Context was given that the subject celebrates Christmas, but not in the religious sense. This seems like a very fun and celebratory alternative to partaking in the religious side of the holiday.