Category Archives: Myths

Sacred narratives

Chaneques

Context:

A heard about these creatures when growing up in a rural part of Mexico. In this interview they recount their personal experience with a mythological creature.

The context of this was during a dinner when the conversation of creatures from folklore was asked about.

Text:

A: Aprendí sobre los chaneques cuando era pequeño, incluso vi uno una vez. Mi madre me había dicho que no me acercara a un río junto al pueblo en el que crecí, pero no le hice caso, así que iba con otros chicos del pueblo casi todas las semanas.

Me: ¿Es ahí donde lo viste?

A: Sí, estaba jugando a un juego con mis amigos y acabé separándome del resto. En la orilla del río, escondido detrás de un árbol, vi algo pequeño. Podía oírlo cantando o tarareando algo, no lo recuerdo muy bien ahora pero sí recuerdo haberlo oído. Me llamaba y trataba de que me acercara, creo, pero me asusté demasiado y corrí de vuelta a casa.

Me: ¿Lo viste después de eso?

A: Nunca más volví sin mi madre o mis amigos, así que no, no lo he vuelto a ver.

//Translation:

A: I learned about chaneques when I was little, I even saw one once. My mother had told me not to go near a river next to the village where I grew up, but I didn’t listen to her, so I went with other kids from the village almost every week.

Me: Is that where you saw him?

A: Yes, I was playing a game with my friends and ended up getting separated from the rest. On the riverbank, hiding behind a tree, I saw something small. I could hear it singing or humming something, I don’t remember it very well now but I do remember hearing it. It was calling to me and trying to get me to come closer, I think, but I got too scared and ran back home.

Me: Did you see him after that?

A: I never went back without my mother or my friends, so no, I never saw him again.

Analysis:

I found this interview really interesting because it was a personal narrative from someone that had actually encountered a mythical being. I had never met or had anyone tell me about meeting a mythical being so it was engaging to hear such a story. I have read about and watched videos regarding people’s encounters with beings of folklore but it was an entirely different experience to hear it in person. This was because I was able to see the body language and subtle changes in expression when A was telling their story. The experience felt so genuine and the raw emotion they spoke of was really compelling to hear. It was also interesting to hear about how the chaneques would sing or maybe hum as a way to somewhat lure children towards them, as said by A.

Pangu Creation Myth

Background:

Informant is a 53 y/o Chinese woman who is a first-generation immigrant to the US and has lived in the US for around 23 years.

Main Piece:

(trans.) “A long time ago, our world had no shape, just an expanse of chaos, which eventually shrinks into a large egg. Inside the egg was a giant named Pangu who was birthed from this egg. When he stood up, he grew taller each day, and was eventually able to separate the egg into the sky and the earth. Many thousands of years pass as Pangu stands with his arms holding up the sky and his feet firmly planted on the ground, and eventually, he passes away. Pangu’s corpse becomes many different things, his eyes are the sun and the moon, his blood is the river, ocean, etc., the details I’ve forgotten, but just like that we now have our world today.”

盘古开天的故事啊，让我想一想。。。嗯，简单的说，好久以前，我们的世界本来是没有任何形装，混乱的一片，慢慢的缩小，变成了一个大蛋，然后有一个巨人在这个蛋里，就是盘古，出生了。他站起来的时候，越战越高，每天长那么几厘米，就把蛋分为天和地。好几万年盘古就这样的站着，手撑着天，脚踏在地上，最终也去世了。他的尸体就成为了世界里面的各种东西，眼睛是太阳和月亮，血是河，大海，等等，细节忘掉了，反正就这样子变成了我们现在住的世界。

Background:

This conversation took place over the phone. I asked my informant about Chinese creation myths she knows of.

Analysis:

Around the world, myths are few in number—myths are often creation stories with transcendental truths in them that answer why the world is the way it is, exploring the relationship between humans and the cosmos. The belief in myths doesn’t stem from the literal narrative it tells, but rather from the sacred meaning behind it, which is why myths have many different variations, but they generally do not change over time. Myths can be analyzed using Levi-Strauss’ structuralism approach, which takes the smallest components of a myth and how they relate to each other, which is most commonly presented through binary oppositions, and thus come to an understanding about that particular culture’s ways of thinking. In this Chinese creation myth, there are a couple of key symbols. First, the primordial chaos that is contained, specifically, into an egg, the egg is then separated into Earth and Sky, there is then the birth and growth of a giant, who eventually dies, and finally his corpse turning into various celestial and natural elements present in the earth and sky. While extremely simplified, these binaries are all somewhat related to the ideas of recycling and reincarnation, and that nothing is ever truly destroyed—Pangu splits the egg, his body dies but turns into the natural world. 

Either way, it is interesting to think about this creation myth in the context of modern China, which generally doesn’t push for any specific religion, and these myths are now usually found more in written texts rather than passed along by speaking. This myth is generally associated with Daoism, though elements of reincarnation lean more towards Buddhism. 

For another version of the Pangu myth, see Goldin, Paul R. “THE MYTH THAT CHINA HAS NO CREATION MYTH.” Monumenta Serica, vol. 56, 2008, pp. 1–22, http://www.jstor.org/stable/40727596.

Lilith

Background: Informant is a 19 year old, Jewish American college student from New Hampshire. They shared this story about their family and how it relates to their Jewish tradition and culture. The informant has been through Jewish education and experiences the holidays every year.

Informant: So, one really bizarre story is the story of Lillith. So, Lilith is rumored to be the first wife of Adam, and so it’s very controversial in Judiasm because Orthodox Jews follow what I’m about to share. So, Lillith escaped the Garden of Eden to gain independence so in some ways it’s been adopted by feminist Jews who see Lillith as regaining her independence. But, largely she’s seen as a sort of she-demon. So basically Lillith left the Garden of Eden and was not allowed back in because she was replaced with Eve. So we commonly know Adam’s partner to be Eve. So, she returns and is furious with men. So for this reason Orthodox Jews do not cut boys’ hair for an extended period of time because the idea is that in the night, if Lillith passes over and sees a child with short hair they see it as a man, so then Lillith will kill the baby boy. So, it’s this really intresting thing where she steals the children of Adam and Eve because she’s jealous and also a feminist twist. 

Reflection: This story was so intresting to me. As the informant told it and inserted some of their own opinions on it using a modern lens, I saw how folklore changes over time. This piece of folklore reflects people’s changing opinions on women, as Lillith is a woman who was demonized. Today, however, Jewish feminists have adopted the story as a story of a woman who they can look up to. It’s really compelling to see how folklore can change over time in it’s meaning while the content of the story is actually very much the same. 

Michigan state flower

Background: Informant is a 19 year old college student. They grew up in Minnesota and have lived there until college, where they relocated to Los Angeles. The informant says that this is an indigenous story that they learned in school about why the Minnesota state flower is called the lady slipper flower.”

Informant: There was a girl, and she had these special slippers. And they were beautiful and made for her. But she was told to go and deliver these slippers and she had to like, go very far away and all the seasons went by, and in the winter no one would help her, so she got stuck with the slippers in this field and she like, died with the slippers there. But they were like, magical or something? And so like, the slippers were in the snow where she died, and then in the spring they thawed into the ground and a flower grew from them. And that flower was the lady slipper flower. And then it was like, a memorial of her journey. 

Me: Where did you hear this for the first time?

Informant: This is definitely incorrect, but in my Elementary school when we were talking about Minnesota state history. 

Reflection: My informant mentioned that this story was told to them in school. They made sure to mention that they are not indigenous themselves, but it is an example of how cultures intermix when colonization occurs. This indigenous story has made its way into American culture, with the state flower of Minnesota being inspired by an indigenous story. It’s interesting how when nation-states are created, they sometimes borrow from the indigenous groups they steal from. It’s an unfair, odd phenomenon where the nation-state will pull from native folklore to honor their culture, but walk all over their land and disrespect their humanity.

Legend of the owl.

H is a Caucasian-Native-American male originally from Tucson, Arizona. H is currently a corporate manager based in Austin, Texas.

H performed this folklore while visiting LA on a business trip. I met H in Downtown LA for lunch in order to collect folklore he had previously agreed to perform for me. The following is the second of two stories he provided. H first heard the following story from his grandfather.

H: Another legend is of the owl. The Apaches have nothing to do with owls, they see them as the night creature and if you see an owl, you run, my Grandfather would stop if we saw an owl and the trip would be over. The big owl in the Apache stories was evil, he was a giant. Sometimes he was man-like. They were able to paralyze humans with their stare or they could cry and everyone who heard it it was like thunder, and it would cause you to stop, uh, some owls were seen as cannibals and they would eat children, and so you avoided them. The Apaches claimed that the big owl was the sun of the sun, and.. when he was slain, his body hit the earth and his feathers flew off in every direction and those feathers transformed the owl that now live in the forest. And if you saw an owl, you turned and went home.

Reflection: Owls in Apache culture appear to have the same negative connotations that crows have in European culture. As far as I know, crows are not perceived the same way in Apache culture, so I find it interesting that their culture happens to consider the owl, a different type of bird, an evil portent. Based on H’s detail that owls in Apache legend have the power to paralyze people with their cries, there appears to be a direct link between how unsettling or intimidating a bird sounds and how it is perceived across European and Native American cultures. The deep “hoots” of an owl are an evil omen just as the harsh “caws” of a crow are associated with death in European culture.