Tag Archives: bedtime story

El Salvadoran Bedtime Story

Age 20

Text:

“So there’s this story that my mom would always tell me. It was like when she was growing up in El Salvador in the 90s. And it was this story — I’ve heard it before, but the way she tells it, she actually kind of lived it. People always said that you had to be in bed by, like, 8 or 9, because around that time this cart — a cart with cow skeletons — would come in, and they would take children away if they were out of bed or misbehaving. So it became really prevalent during the war, because there were a bunch of dead people just because of the war.”

Context:

The informant’s mother grew up in El Salvador during the Civil War (1979 – 1992), a conflict that claimed over 75,000 lives and left detrimental social trauma in its wake. The “cart for cow skeletons” closely resembles La Carreta Chillona (The Screaming cart). In the well-known legend across Central America, a ghostly bone-driven cart haunts the night and brings death or punishment to those who encounter it. 

Analysis:

This legend is an example of how folk narrative can absorb historical trauma. The mythic threat is engulfed by real environmental violence: disappearances, death squads, curfews, etc. The cart became an idiom for real danger and genuinely unsafe streets. The legend thus serves as a practical protection function. For the informant, growing up in a post-war period invokes a liminal space for the story to exist in, as both a piece of his mother’s history and a threat that no longer applies to him. This intergenerational quality is a trait of traumatic folklore: that survives the conditions it was generated it and carries emotional residue long after danger has passed.

Blue the Glue Ghost

Nationality: American
Age: 18
Occupation: University Student

Informant Information:

Age: 18
Date of Performance: 3/25/2025
Language: English
Nationality: American
Occupation: University Student
Primary Language: English
Residence: Hayward, California

Text:

“Once upon a time, there was a ghost named Blue who would steal people’s shoes. Every time he did, he left a trail of glue behind. The police followed these sticky clues from house to house and apartment to apartment until, after three weeks of shoe thefts, they finally found Blue. When they caught him, he was released back into the spirit world. And that was the end of Blue.”

Context:

The informant recalled that her mother used to tell her this tale before bed. It served as a form of childhood entertainment and likely helped ease the transition into sleep with its mysterious yet harmless narrative. She believes her mother created the story herself, indicating a form of generational oral creativity.

Analysis:

“Blue the Glue Ghost” functions as a bedtime folktale with mild suspense and whimsical absurdity. It demonstrates the creativity of parental storytelling and the way minor mischief (stealing shoes) is framed through a playful ghost figure. The use of rhyme and alliteration (Blue/glue/clue) adds charm and memorability, making it ideal for oral transmission. Though it lacks the typical “moral” of traditional tales, it emphasizes curiosity and resolution, which keeps children engaged.

Siete Infantes de Lara

Nationality: Spanish

Primary Language: Spanish/English

Age: 25

Occupation: Student

Residence: Madrid

Date: 3/28/2024

Text:

J.M- “The tale of the “Siete Infantes de Lara”, is a story in which seven Spanish brothers get double-crossed by their uncle because he’s holding a grudge. He sends them off to Cordoba on a mission that turns out to be a trap and they all end up getting killed. It’s a pretty sad turn of events. But then, their younger half-brother, Mudarra, steps up. Mudarra has both Christian and Muslim roots, which is significant to the story. He decides to go on a mission of his own to settle the score and gets revenge on the uncle for what he did. The whole story represents betrayal, and a quest for family honor amidst the backdrop of the old Christian-Muslim clashes in Spain.”

Context:

The participant was told this tale as a young boy by his parents. He describes it as an action filled story that also holds family values, and teaches the importance of loyalty. Recounts it as a bedtime story that made him value heroistic qualities.

Analysis:

Although this is a childhood story, it has many themes that help with instilling familial values and lightly explains historical tensions in Spain. The tale reflects the broader cultural and religious tensions between Christians and Muslims in medieval Spain, with Mudarra’s mixed Christian and Muslim heritage. It is also more than just a story of medieval conflict; it is a reflection on human values, the complexities of familial and political relationships, and the enduring quest for justice and honor

The Princess and the Pea

Informant KK is a USC freshman originally from Pasadena California. KK first heard this tale as a young child from his mother.  

Text:

“So there’s this prince in a castle who still has his mother and father, the king and queen, who tell him he needs to find a princess to marry. Women from all over the kingdom offer their hand to become the prince’s wife, but the queen has a test for them. She places a pea under their mattress to see if they’ll notice it, and none of them do. Because none of them do, the queen says that none of them can marry the prince. Then, one night, a girl wearing rags knocks on the castle’s gates in a heavy thunderstorm, and the queen is hesitant to invite her in. But, the prince is adamant that she be let into the castle because it is unfair to let her be outside in the storm. So they let her in and she asks for a place to stay. The prince allows this, so the queen, wanting to make sure the girl can’t pass the test, places 100 mattresses on a bed with the pea at the very bottom, and says to the girl, ‘This is your bed for the night.’ The next morning, when they have all woken up, the queen asks the girl how she slept, and she said, ‘I slept terribly, there was something under the mattress that was bothering me so much, and when I lifted up the mattress, there was a pea there!’ By the order of the game, she became the princess and married the prince. I like how it’s kind of absurd, like how could someone feasibly sleep on a mountain of 100 mattresses, for one thing, and secondly, how would they be able to sense a pea at the very bottom?” 

Context:

“Some of the variations of the story are like, the prince tests them, or sometimes there’s no competition, it’s just that the queen wants to test her. Sometimes the number of mattresses changes. I believe there’s one version where the queen first tried one mattress, then she passed the test, then the queen asked her to try again on 100 mattresses. My mom told me the first version, and I learned later about the other variations. I believe she told me a very simple version because I was very small.”

As an additional note, the Princess and the Pea is known as ATU 704 from the Aarne-Thompson-Uther tale type index.

Analysis:

This tale has many characteristics from Axel Olrik’s 1921 book, Epic Laws of Folk Narrative research, such as the limitations to two characters to a scene — either the lady and the prince, the lady and the queen, or the queen and the prince — and the repetition of threes, presumably in the number of potential brides which offered their hand in the challenge, which is a common motif in tales. Presumably, the tale carries the moral that a person is not defined by their financial status. The queen wanted to find a “real” and “worthy” princess, so she made it difficult for the lady with the rags to win the challenge, yet she ultimately won in the end, showing she had the value all along inside of her heart — a good lesson to teach a child.

Laila and The Wolf

Original Text:

ليلى والذئب

Transliteration:

Laila Wil Th’ib

Translation:

Laila and the Wolf

My informant is from Lebanon and has experienced this narrative many times throughout her childhood and has passed it on to her own children.

Narrative:

The story describes Laila, the little girl, “preparing Kaa’k, a Lebanese type of bread and Shaye, a certain Arabic tea to take to her grandmother’s home as she is not feeling well” Once Laila is lectured by her mother about the rules of arab generosity and taught that she “must not listen to the words of others, specifically, not family” as they do not have the same values as their household and may hurt her” Laila is at an intersection in the path and has to choose whether to go down one covered with beauty and the other with darkness. “A hyena emerged from the bush and told Laila to take the path of darkness because there will be a surprise and that she must listen to her elder.” Yet, she continues to her sick grandmother in hopes of curing her with Laila’s love. Once she arrived, Laila had approached her grandmother’s bed and “kissed her forehead to show her love, but noticed it was fur, and that she had big eyes and ears.” Laila uncovered her ‘grandmother’ and revealed a wolf that had eaten her grandmother whole. Once Laila screamed, she alerted a watchman who then killed the wolf and cut open his stomach to save her grandmother” However, the hyena was the wolf’s friend a watched all this, as he planned how he was going to get Laila next”

Context:

This tale is merely an oikotype of the famous story of ‘Red Riding Hood’ and presents the tale with some changes such as the introduction of a hyena to the narrative in order to present more lessons in the story. The story was mainly “told to children at a very young age so that they could learn how to effectively live independently in a safe manner” as it has many rules such as ‘don’t listen to strangers’ and ‘respect your parent’s wishes’ or else worse will occur. It places an emphasis on the child being told the narrative as it serves as a lesson for when they are being dealt with “a similar situation to the one being told in the story.” Usually parents, specifically the mom would tell this story “before bed so that the children remember and dream practising it or at the beginning of the day, before they leave the house, especially to families who live in the city” because of the many incidents that occur there.

Analysis:

The mention of a hyena being part of the story reminds children that they must always be aware and stay safe because anyone may wish to hurt them. Although this may traumatize some children, it allows them to gain a harsh understanding of reality and ‘the way the world works’. When presented with the tale, I noticed a few differences between this and the Western-typical story. The changes in the story when speaking of the house customs, the food had been altered to fit the culture and Lebanese standard so that children have an easier time relating it to their own experience and point of view, presenting a more efficient approach to storytelling and lecturing. The middle east is seen to be more transparent in the manner that maturity is approached, they give children the chance to view the world in the brutal form that it is. Some countries are not blessed with the same safety as most of the Western world. This is presented through the violence and gore in the story of the wolf eating the grandmother as it prepares the children for the world they are going to be forced into.